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Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts
Amsterdam University Press, 2012 eISBN: 978-90-485-1317-8 | Paper: 978-90-8964-258-5 Library of Congress Classification PN2193.E86B38 2012 Dewey Decimal Classification 792
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality. Bastard or Playmate? shows how dismantling the medium of theater has led to a fertile ground for new art. This wide-ranging and vibrant book provides an excellent guide for readers unfamiliar with the field of intermediality, as well as researchers and experienced theater artists. See other books on: Drama | Experimental theater | Mass media and theater | Media Studies | Social Science See other titles from Amsterdam University Press |
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Nearby on shelf for Literature (General) / Drama / Dramatic representation. The theater:
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Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
Amsterdam University Press, 2012
eISBN: 978-90-485-1317-8
Paper: 978-90-8964-258-5
eISBN: 978-90-485-1317-8
Paper: 978-90-8964-258-5
This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality. Bastard or Playmate? shows how dismantling the medium of theater has led to a fertile ground for new art. This wide-ranging and vibrant book provides an excellent guide for readers unfamiliar with the field of intermediality, as well as researchers and experienced theater artists.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
