Losing Our Minds, Coming to Our Senses: Sensory Readings of Persian Literature and Culture
edited by Mehdi Khorrami and Amir Moosavi
Leiden University Press, 2021 eISBN: 978-94-006-0414-8 | Paper: 978-90-8728-368-1 Library of Congress Classification PK6411.L67 2021 Dewey Decimal Classification 800
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK Diverse approaches to sensoria in Persian literature.
We experience art with our whole bodies, yet traditional approaches to Persian literature overemphasize the mind—the political, allegorical, or didactic—and ignore the feelings that uniquely characterize aesthetics. Losing Our Minds, Coming to Our Senses rediscovers the sensuality of Persian art across period, genre, and artist. Through readings of such well-known writers as Rumi and lesser-known artists as Hossein Abkenar, the authors demonstrate the significance of sensoria to the rich history of Persian letters.
AUTHOR BIOGRAPHY M. Mehdi Khorrami is professor emeritus of Persian studies at New York University. Amir Moosavi is assistant professor of English at Rutgers University–Newark.
REVIEWS
“A sumptuous celebration of the rich and paradoxical sensory world of classical and modern Persian literature and culture, Losing Our Minds, Coming to Our Senses expands our appreciation of one of the world’s literary treasure troves.”
— Farzaneh Milani, University of Virginia
“Shams of Tabriz, that enigmatic master of poet Rumi, is supposed to have said of himself: ‘You will see my state if your ears turn into eyes.’ In this book, we see not only the mutuality and interdependence of the mind and the senses, not just the vocal, the visual and the tactile, or the sounds and smells of our world, but an entire universe in constant acts of making and remaking of the mental and material worlds we live in. Such a collection, rare as it may be in comprehending Persian culture and its amazingly rich literature, occupies a central niche of understanding, at once unique and essential, to all that makes and unmakes us in the diverse mental and sensuous worlds we live in.”
— Ahmad Karimi-Hakkak, University of Maryland, author of Recasting Persian Poetry
“This aptly-titled collected volume, Losing Our Minds, Coming to Our Senses: Sensory Readings in Persian Literature and Culture, marks a momentous and welcome shift away from the conventional socio-political and allegorical readings of Persian literature. Ranging in their focus from the Classical to modern literary and cultural production, the nine chapters, complemented with a refined introduction, chart new paths for a more nuanced appreciation of the Iranian literary and cultural traditions.”
— Nasrin Rahimieh, University of California
TABLE OF CONTENTS
Contents
A Note on Translations and Transliterations Preface and Acknowledgements M.Mehdi Khorrami & Amir Moosavi Introduction: Minds/Senses Michael Beard 1. Transcending the Written Text: From Dava’i’s Sensescapes to Sensorial Promiscuities in a Hafezian Banquet M. Mehdi Khorrami 2. Beyond Senses: Rumi’s Mystical Philosophy of Sense Perceptions Ali-Asghar Seyed-Gohrab 3. Ta‘ziyeh and Social Jouissance: ‘Beyond the Pleasure’ of Pain in Islamic Passion Play and Muharram Ceremonies Sheida Dayani 4. Seeing Red, Hearing the Revolution: The Multi-Sensory Appeal of Shuresh Neda Bolourchi 5. Radical Openness in Forugh Farrokhzad’s The House is Black Shabnam Piryaei 6. Feminine Sense Versus Common Sense in Two Persian Folktales from Iran: ‘A Girl’s Loyalty’ and ‘Seven Poplar Trees’ Yass Alizadeh 7. Sonic Triggers and Fiery Pools: The Senses at War in Hossein Mortezaeian Abkenar’s Scorpion Amir Moosavi 8. The Sensorium of Exile: The Case of Elyas Alavi and Gloria Anzaldúa Fatemeh Shams 9. Making Sense of the Senses: A Sensory Reading of Moniro Ravanipour’s These Crazy Nights M. R. Ghanoonparvar Contributors Index
Losing Our Minds, Coming to Our Senses: Sensory Readings of Persian Literature and Culture
edited by Mehdi Khorrami and Amir Moosavi
Leiden University Press, 2021 eISBN: 978-94-006-0414-8 Paper: 978-90-8728-368-1
Diverse approaches to sensoria in Persian literature.
We experience art with our whole bodies, yet traditional approaches to Persian literature overemphasize the mind—the political, allegorical, or didactic—and ignore the feelings that uniquely characterize aesthetics. Losing Our Minds, Coming to Our Senses rediscovers the sensuality of Persian art across period, genre, and artist. Through readings of such well-known writers as Rumi and lesser-known artists as Hossein Abkenar, the authors demonstrate the significance of sensoria to the rich history of Persian letters.
AUTHOR BIOGRAPHY M. Mehdi Khorrami is professor emeritus of Persian studies at New York University. Amir Moosavi is assistant professor of English at Rutgers University–Newark.
REVIEWS
“A sumptuous celebration of the rich and paradoxical sensory world of classical and modern Persian literature and culture, Losing Our Minds, Coming to Our Senses expands our appreciation of one of the world’s literary treasure troves.”
— Farzaneh Milani, University of Virginia
“Shams of Tabriz, that enigmatic master of poet Rumi, is supposed to have said of himself: ‘You will see my state if your ears turn into eyes.’ In this book, we see not only the mutuality and interdependence of the mind and the senses, not just the vocal, the visual and the tactile, or the sounds and smells of our world, but an entire universe in constant acts of making and remaking of the mental and material worlds we live in. Such a collection, rare as it may be in comprehending Persian culture and its amazingly rich literature, occupies a central niche of understanding, at once unique and essential, to all that makes and unmakes us in the diverse mental and sensuous worlds we live in.”
— Ahmad Karimi-Hakkak, University of Maryland, author of Recasting Persian Poetry
“This aptly-titled collected volume, Losing Our Minds, Coming to Our Senses: Sensory Readings in Persian Literature and Culture, marks a momentous and welcome shift away from the conventional socio-political and allegorical readings of Persian literature. Ranging in their focus from the Classical to modern literary and cultural production, the nine chapters, complemented with a refined introduction, chart new paths for a more nuanced appreciation of the Iranian literary and cultural traditions.”
— Nasrin Rahimieh, University of California
TABLE OF CONTENTS
Contents
A Note on Translations and Transliterations Preface and Acknowledgements M.Mehdi Khorrami & Amir Moosavi Introduction: Minds/Senses Michael Beard 1. Transcending the Written Text: From Dava’i’s Sensescapes to Sensorial Promiscuities in a Hafezian Banquet M. Mehdi Khorrami 2. Beyond Senses: Rumi’s Mystical Philosophy of Sense Perceptions Ali-Asghar Seyed-Gohrab 3. Ta‘ziyeh and Social Jouissance: ‘Beyond the Pleasure’ of Pain in Islamic Passion Play and Muharram Ceremonies Sheida Dayani 4. Seeing Red, Hearing the Revolution: The Multi-Sensory Appeal of Shuresh Neda Bolourchi 5. Radical Openness in Forugh Farrokhzad’s The House is Black Shabnam Piryaei 6. Feminine Sense Versus Common Sense in Two Persian Folktales from Iran: ‘A Girl’s Loyalty’ and ‘Seven Poplar Trees’ Yass Alizadeh 7. Sonic Triggers and Fiery Pools: The Senses at War in Hossein Mortezaeian Abkenar’s Scorpion Amir Moosavi 8. The Sensorium of Exile: The Case of Elyas Alavi and Gloria Anzaldúa Fatemeh Shams 9. Making Sense of the Senses: A Sensory Reading of Moniro Ravanipour’s These Crazy Nights M. R. Ghanoonparvar Contributors Index
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC