cover of book

The Last Great American Picture Show: New Hollywood Cinema in the 1970s
edited by Thomas Elsaesser, Noel King and Alexander Horwath
Amsterdam University Press, 2004
Paper: 978-90-5356-631-2 | Cloth: 978-90-5356-493-6 | eISBN: 978-90-485-0368-1
Dewey Decimal Classification 791.43

The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude—these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood."

Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors—Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis—could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.

See other books on: 1970s | Elsaesser, Thomas | Film | King, Noel | New Hollywood Cinema
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