ABOUT THIS BOOK
Vincent van Gogh's *Sunflowers* are seen by many as icons of Western European art. Two of these masterpieces — the first version painted in August 1888 (The National Gallery, London) and the painting made after it in January 1889 (Van Gogh Museum, Amsterdam) — have been the subject of a detailed comparison by an interdisciplinary team of experts. The pictures were examined in unprecedented depth using a broad array of techniques, including state-of-the-art, non-invasive imaging analytical methods, to look closely at and under the paint surface.Not only the making, but also the subsequent history of the works was reconstructed, including later campaigns of restoration. The study’s conclusions are set out in this book, along with the fascinating genesis of the paintings and the sunflower’s special significance to Van Gogh.More than 30 authors, all specialists in the field of conservation, conservation science and art history, have contributed to the research and publication presenting the outcomes of this unique project.

AUTHOR BIOGRAPHY
[Ella Hendriks](https://www.uva.nl/profiel/h/e/e.hendriks/e.hendriks.html) is full Professor of Conservation and Restoration of Moveable Cultural Heritage at the Faculty of Humanities (Department of Arts & Culture) at the University of Amsterdam.[Marije Vellekoop](https://www.aup.nl/nl/author/542151/m-vellekoop) studied art history at Utrecht University and has worked at the Van Gogh Museum since 1995, holding the position of Curator of Prints and Drawings since 1999.[Maarten van Bommel](https://www.uva.nl/profiel/b/o/m.r.vanbommel/m.r.vanbommel.html) is Professor of Conservation Science At the faculty of Humanities and the Faculty of Science at the University of Amsterdam.[Muriel Geldof](https://www.researchgate.net/profile/Muriel_Geldof) is conservation and restauration specialist with the Cultural Heritage Agency of the Netherlands.

TABLE OF CONTENTS

Foreword Marije Vellekoop1 Van Gogh's Sunflowers: Research in ContextElla Hendriks and Costanza Miliani2 The Sunflowers in PerspectiveNienke Bakker and Christopher Riopelle3 Methods, Materials and Condition of the London SunflowersCatherine Higgitt, Gabriella Macaro and Marika Spring4 Methods and Materials of the Amsterdam SunflowersElla Hendriks, Muriel Geldof, Letizia Monico, Don H. Johnson, Costanza Miliani, Aldo Romani, Chiara Grazia, David Buti, Brunetto Giovanni Brunetti, Koen Janssens, Geert Van der Snickt and Frederik Vanmeert5 Chemical Alteration and Colour Changes in the Amsterdam SunflowersLetizia Monico, Ella Hendriks, Muriel Geldof, Costanza Miliani, Koen Janssens, Brunetto Giovanni Brunetti, Marine Cotte, Frederik Vanmeert, Annalisa Chieli, Geert Van der Snickt, Aldo Romani and Maria João Melo6 Structure and Chemical Composition of the Surface Layers in the Amsterdam SunflowersKlaas Jan van den Berg, Ella Hendriks, Muriel Geldof, Suzan de Groot, Inez van der Werf, Costanza Miliani, Patrizia Moretti, Laura Cartechini, Letizia Monico, Magdalena Iwanicka, Piotr Targowski, Marcin Sylwestrzak and Wim Genuit7 Conservation of the Amsterdam Sunflowers: From Past to FutureElla Hendriks, Muriel Geldof, Klaas Jan van den Berg, Letizia Monico, Costanza Miliani, Patrizia Moretti,Magdalena Iwanicka, Piotr Targowski, Luc Megens, Suzan de Groot, Henk van Keulen, Koen Janssens, Frederik Vanmeert and Geert Van der Snickt8 Methods and TechniquesOptical Coherence Tomography (OCT)Magdalena Iwanicka, Marcin Sylwestrzak, Anna Szkulmowska and Piotr TargowskiResearch Methods and Technical Terms: An OverviewExperimental Methods and Conditions Used for Investigating the Amsterdam Sunflowers and Mock-up PaintsBibliographyAbstractsIndexAbout the AuthorsNote to the Reader