cover of book
 

Touched Bodies: The Performative Turn in Latin American Art
by Mara Polgovsky Ezcurra
Rutgers University Press, 2019
Cloth: 978-1-9788-0203-2 | Paper: 978-1-9788-0202-5 | eISBN: 978-1-9788-0206-3
Library of Congress Classification NX456.5.P38P65 2019
Dewey Decimal Classification 709.040752

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize​
Winner of the 2019 Art Journal Prize from the College Art Association

What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.

See other books on: Art & Politics | Art and society | Arts | Arts and society | Performance art
See other titles from Rutgers University Press
Nearby on shelf for Arts in general / History of the arts: