2Leaf Press, 2014 eISBN: 978-1-940939-27-8 | Paper: 978-1-940939-26-1 Library of Congress Classification PS3606.I8728M67 2014 Dewey Decimal Classification 813.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
In THE MORNING SIDE OF THE HILL, Ezra E. Fitz' debut novella, he asks readers: What if you anted up and kicked in everything you had on a belief, a hope, a dream, on faith, and you lost? This is one of the questions facing Willie and Mo, the two insecure, incomplete protagonists that was inspired by--and is an homage to--William Faulkner's classic novel, THE WILD PALMS. Like Faulkner's novel, it unfolds in two parallel stories told in alternating chapters that subtly illuminate one another. Set in Harlem and Crown Heights in Brooklyn, the twin tales gather like a storm to an exhilarating ferocity, culminating in a violent flood of passions that none of the characters can control, and which threatens to drown them all. Faulkner fans may think they know what the end holds for these characters, but rest assured, the finale of THE MORNING SIDE OF THE HILL exposes an unexpected coincidence that Faulkner may have hinted at but never fully explored.
AUTHOR BIOGRAPHY
EZRA E. FITZ's translations of contemporary Latin American literature by Alberto Fuguet and Eloy Urroz have been praised by The New York Times, The Washington Post, The New Yorker, and The Believer, among other publications. His work has appeared in The Boston Review, Harper's Magazine, and Words Without Borders. THE MORNING SIDE OF THE HILL is Fitz's first novella. www.ezrafitz.com.
REVIEWS
THE MORNING SIDE OF THE HILL by Ezra Fitz is a study in delicious contrasts: it's gritty yet lyrical, heartfelt yet heartbreaking, highbrow yet street-smart. A love letter to Morningside Heights and to Crown Heights and so many places in between, it's a tale of tough decisions, fatal mistakes, the struggle of rebirth, and the immutability of the past. Brimming with enviable depth, elegance, and an intriguing, satisfying ending, it was a pleasure to read. --Sara Shepard, New York Times bestselling author
Ezra E. Fitz started out as a translator and began to write and rewrite books from the inside. In a way, with THE MORNING SIDE OF THE HILL he is still doing that: translating, interpreting, explaining to the rest of us his story, his hybrid-view of the world, of a New York that's not cool or gentrified. Fitz has created two characters that are totally and completely contemporary masculine: insecure, adrift, broken and incomplete. In Fitz' twenty-first century, the best minds and souls are eternal works-in-progress that are lost to indecision, self-doubt and the anxious romantic idea of becoming anything except what they are now. -- Alberto Fuguet, author of THE MOVIES OF MY LIFE: A NOVEL and SHORTS
There's something of Ishiguro in this novel: it's introspective, brooding, heartrending, yet never pretentious. In the end, an excellent first novel. I wish I had written something like this. -- Eloy Urroz, author of LA MUJER DEL NOVELISTA, FRICCION and
In THE MORNING SIDE OF THE HILL, Ezra E. Fitz' debut novella, he asks readers: What if you anted up and kicked in everything you had on a belief, a hope, a dream, on faith, and you lost? This is one of the questions facing Willie and Mo, the two insecure, incomplete protagonists that was inspired by--and is an homage to--William Faulkner's classic novel, THE WILD PALMS. Like Faulkner's novel, it unfolds in two parallel stories told in alternating chapters that subtly illuminate one another. Set in Harlem and Crown Heights in Brooklyn, the twin tales gather like a storm to an exhilarating ferocity, culminating in a violent flood of passions that none of the characters can control, and which threatens to drown them all. Faulkner fans may think they know what the end holds for these characters, but rest assured, the finale of THE MORNING SIDE OF THE HILL exposes an unexpected coincidence that Faulkner may have hinted at but never fully explored.
AUTHOR BIOGRAPHY
EZRA E. FITZ's translations of contemporary Latin American literature by Alberto Fuguet and Eloy Urroz have been praised by The New York Times, The Washington Post, The New Yorker, and The Believer, among other publications. His work has appeared in The Boston Review, Harper's Magazine, and Words Without Borders. THE MORNING SIDE OF THE HILL is Fitz's first novella. www.ezrafitz.com.
REVIEWS
THE MORNING SIDE OF THE HILL by Ezra Fitz is a study in delicious contrasts: it's gritty yet lyrical, heartfelt yet heartbreaking, highbrow yet street-smart. A love letter to Morningside Heights and to Crown Heights and so many places in between, it's a tale of tough decisions, fatal mistakes, the struggle of rebirth, and the immutability of the past. Brimming with enviable depth, elegance, and an intriguing, satisfying ending, it was a pleasure to read. --Sara Shepard, New York Times bestselling author
Ezra E. Fitz started out as a translator and began to write and rewrite books from the inside. In a way, with THE MORNING SIDE OF THE HILL he is still doing that: translating, interpreting, explaining to the rest of us his story, his hybrid-view of the world, of a New York that's not cool or gentrified. Fitz has created two characters that are totally and completely contemporary masculine: insecure, adrift, broken and incomplete. In Fitz' twenty-first century, the best minds and souls are eternal works-in-progress that are lost to indecision, self-doubt and the anxious romantic idea of becoming anything except what they are now. -- Alberto Fuguet, author of THE MOVIES OF MY LIFE: A NOVEL and SHORTS
There's something of Ishiguro in this novel: it's introspective, brooding, heartrending, yet never pretentious. In the end, an excellent first novel. I wish I had written something like this. -- Eloy Urroz, author of LA MUJER DEL NOVELISTA, FRICCION and
TABLE OF CONTENTS
Introduction
The Valley
The Lantern
The Valley
The Lantern
The Valley
The Lantern
The Valley
The Lantern
The Valley
The Lantern
Acknowledgements
About the Author
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ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC