New Issues Poetry and Prose, 2008 Paper: 978-1-930974-79-1 Library of Congress Classification PS3602.R699P54 2008 Dewey Decimal Classification 811.622
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS
ABOUT THIS BOOK
Please explores the points in our lives at which love and violence intersect. Drunk on its own rhythms and full of imaginative and often frightening imagery, Please is the album playing in the background of the history and culture that surround African American/male identity and sexuality. Just as radio favorites like Marvin Gaye, Donny Hathaway, and Pink Floyd characterize loss, loneliness, addiction, and denial with their voices, these poems’ chorus of speakers transform moments of intimacy and humor into spontaneous music. In Please, Jericho Brown sings the influence soul culture has on American life with the accuracy of the blues.
AUTHOR BIOGRAPHY
Jericho Brown is author of the The Tradition (Copper Canyon 2019), for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please (New Issues 2008), won the American Book Award. His second book, The New Testament (Copper Canyon 2014), won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review, TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.
REVIEWS
"Jericho Brown’s debut collection Please resonates like aftershocks on a fault line. The poems here are hauntingly the consequence of lives lived. The silent terror in these poems is the future they seem to inform despite the attempts to integrate the incoherent with the coherent moments of lived experience. Please continually repositions its readers inside the violence of the interruption, the psychic break. To read these poems is to encounter the devastating genius of Jericho Brown: ‘If I had known the location of my own runaway / Breath, I too would have found a blues.'"
—Claudia Rankine
"Please is saturated with an artful passion that gives fire to Jericho Brown’s elegies and pathos to his odes. This is the poetry of blood-ship: the meaning of family, of love, of sexuality; the resonances of pain and the possibilities of redemption. No wonder there are so many people naming and being named here. No wonder Jericho Brown and his divas and misfits, his tricksters and innocents call out and answer to ‘a please that sounds like music.’ Intimate, honest, immediate—I could never say all I love about this book . . .”
—Terrance Hayes
"Everyone sings in this live-wire, passionate book, in which the poet ventriloquizes a cast of characters’ hurt into music: Janis Joplin, the Scarecrow in the Wizard of Oz, Diana Ross, a field of crickets. What these songs hold in common is a commitment to examining how love lives beside the wound, how tenderness and harm are so close together, for these battered singers, that it’s often hard to tell them apart. Fresh, deeply felt, formally adventurous,Please is a stunning debut."
—Mark Doty
New Issues Poetry and Prose, 2008 Paper: 978-1-930974-79-1
Please explores the points in our lives at which love and violence intersect. Drunk on its own rhythms and full of imaginative and often frightening imagery, Please is the album playing in the background of the history and culture that surround African American/male identity and sexuality. Just as radio favorites like Marvin Gaye, Donny Hathaway, and Pink Floyd characterize loss, loneliness, addiction, and denial with their voices, these poems’ chorus of speakers transform moments of intimacy and humor into spontaneous music. In Please, Jericho Brown sings the influence soul culture has on American life with the accuracy of the blues.
AUTHOR BIOGRAPHY
Jericho Brown is author of the The Tradition (Copper Canyon 2019), for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please (New Issues 2008), won the American Book Award. His second book, The New Testament (Copper Canyon 2014), won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review, TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.
REVIEWS
"Jericho Brown’s debut collection Please resonates like aftershocks on a fault line. The poems here are hauntingly the consequence of lives lived. The silent terror in these poems is the future they seem to inform despite the attempts to integrate the incoherent with the coherent moments of lived experience. Please continually repositions its readers inside the violence of the interruption, the psychic break. To read these poems is to encounter the devastating genius of Jericho Brown: ‘If I had known the location of my own runaway / Breath, I too would have found a blues.'"
—Claudia Rankine
"Please is saturated with an artful passion that gives fire to Jericho Brown’s elegies and pathos to his odes. This is the poetry of blood-ship: the meaning of family, of love, of sexuality; the resonances of pain and the possibilities of redemption. No wonder there are so many people naming and being named here. No wonder Jericho Brown and his divas and misfits, his tricksters and innocents call out and answer to ‘a please that sounds like music.’ Intimate, honest, immediate—I could never say all I love about this book . . .”
—Terrance Hayes
"Everyone sings in this live-wire, passionate book, in which the poet ventriloquizes a cast of characters’ hurt into music: Janis Joplin, the Scarecrow in the Wizard of Oz, Diana Ross, a field of crickets. What these songs hold in common is a commitment to examining how love lives beside the wound, how tenderness and harm are so close together, for these battered singers, that it’s often hard to tell them apart. Fresh, deeply felt, formally adventurous,Please is a stunning debut."
—Mark Doty