ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK From a leading historian and writer, a delightful exploration of the great English tradition of treading the boards.
The English Actor charts the uniquely English approach to stagecraft, from the medieval period to the present day. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting—deriving from the Church tradition of Mystery Plays—through the flourishing of the craft in the Renaissance, to modern methods following the advent of film and television. Across centuries and media, The English Actor also explores the biographies of the most notable and celebrated British actors. From the first woman actor on the English stage, Margaret Hughes, who played Desdemona in 1660; to luminaries like Laurence Olivier, Peter O’Toole, Maggie Smith, Judi Dench, and Helen Mirren; to contemporary multihyphenates like Gary Oldman, Kenneth Branagh, Sophie Okonedo, and Chiwetel Ejiofor, Ackroyd gives all fans of the theater an original and superbly entertaining appraisal of how actors have acted, how audiences have responded, and what we mean by the magic of the stage.
AUTHOR BIOGRAPHY Peter Ackroyd is one of Britain’s most respected historians and novelists. His many books include London: The Biography, Hawksmoor, and the History of England series.
REVIEWS
“Bright ghosts of performances past haunt these pages, electric ephemera conjured from the shadows of history, and it's impossible not to feel some of the shivers they originally inspired. Ackroyd generously gives us both the prose and the poetry of great English acting—the craft and commerce that allowed it to happen and the magic that made it mythic.”
— Ben Brantley, former chief theater critic for the New York Times
"Acting is like sculpting in snow. All the more splendid that Ackroyd has written a book which gives so much life to performances long melted away."
— Sir Richard Eyre, English film, theater, television and opera director
"Ackroyd has given us another sweep through history, roaring through the centuries. This time, we learn about the origins of spoken performance in England and how the art of acting has developed. The book is colorfully informative about the bridge between the premodern and modern ages in acting. As we would expect from Ackroyd, there is a lot of entertainment and enjoyable, ornate characters."
— The Oldie
“What separates English actors from their rivals? Ackroyd’s starstruck history celebrates a thousand years of strutting thesps. In this admiring tome, the English actor, incarnated by [Laurence] Olivier, was and remains a breed apart. He belongs to 'a tradition that has lasted more than a thousand years'; and, by fairly strong implication, he is quite superior to his cousins abroad. Across twenty-six chapters [Ackroyd] gives a running history of English theater from the medieval mysteries to the present day.”
— Daily Telegraph
“Sir Ralph Richardson pursued a desire to 'illustrate literature.' This, the eminent writer and historian Ackroyd says, is the essence of the English actor. A respect for the text, a devotion to words on the page. Ackroyd begins his history in medieval times. . . . This is when Ackroyd’s book works best, documenting the birth of acting, its evolution from the church tradition of mystery plays to what we would recognize as modern stagecraft.”
— Sunday Times
"What makes a great stage actor? Ackroyd attempts to answer this question in his magnificent chronicle of the history and legacy of the English theatre. . . . Driven by a passion for his subject that is the author’s hallmark, this is an essential read for anyone fascinated by the smell of the greasepaint and the roar of the crowd."
— Mail on Sunday
"[An] impressively lively and ambitious study."
— Literary Review
TABLE OF CONTENTS
Cover
Title Page
Copyright
Contents
Prologue
One: In the beginning
Two: The first playhouses
Three: The art of playing
Four: The early actors
Five: The new styles
Six: The female actor
Seven: The changing audience
Eight: Fickle fashion
Nine: Damme, Tom, it’ll do!
Ten: Wonders and ranters
Eleven: Lights! Action!
Twelve: Females in front
Thirteen: Studies in contrast
Fourteen: Management and melodrama
Fifteen: The new styles
Sixteen: Short and quick
Seventeen: A quartet
Eighteen: Female persuasion
Nineteen: The enigmas
Twenty: Female stars
Twenty-one: The impossible players
Twenty-two: A new breed
Twenty-three: Quiet flows the style
Twenty-four: All together now
Twenty-five: Acting essentials
Twenty-six: A new style
Epilogue
Further Reading
Acknowledgements
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
From a leading historian and writer, a delightful exploration of the great English tradition of treading the boards.
The English Actor charts the uniquely English approach to stagecraft, from the medieval period to the present day. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting—deriving from the Church tradition of Mystery Plays—through the flourishing of the craft in the Renaissance, to modern methods following the advent of film and television. Across centuries and media, The English Actor also explores the biographies of the most notable and celebrated British actors. From the first woman actor on the English stage, Margaret Hughes, who played Desdemona in 1660; to luminaries like Laurence Olivier, Peter O’Toole, Maggie Smith, Judi Dench, and Helen Mirren; to contemporary multihyphenates like Gary Oldman, Kenneth Branagh, Sophie Okonedo, and Chiwetel Ejiofor, Ackroyd gives all fans of the theater an original and superbly entertaining appraisal of how actors have acted, how audiences have responded, and what we mean by the magic of the stage.
AUTHOR BIOGRAPHY Peter Ackroyd is one of Britain’s most respected historians and novelists. His many books include London: The Biography, Hawksmoor, and the History of England series.
REVIEWS
“Bright ghosts of performances past haunt these pages, electric ephemera conjured from the shadows of history, and it's impossible not to feel some of the shivers they originally inspired. Ackroyd generously gives us both the prose and the poetry of great English acting—the craft and commerce that allowed it to happen and the magic that made it mythic.”
— Ben Brantley, former chief theater critic for the New York Times
"Acting is like sculpting in snow. All the more splendid that Ackroyd has written a book which gives so much life to performances long melted away."
— Sir Richard Eyre, English film, theater, television and opera director
"Ackroyd has given us another sweep through history, roaring through the centuries. This time, we learn about the origins of spoken performance in England and how the art of acting has developed. The book is colorfully informative about the bridge between the premodern and modern ages in acting. As we would expect from Ackroyd, there is a lot of entertainment and enjoyable, ornate characters."
— The Oldie
“What separates English actors from their rivals? Ackroyd’s starstruck history celebrates a thousand years of strutting thesps. In this admiring tome, the English actor, incarnated by [Laurence] Olivier, was and remains a breed apart. He belongs to 'a tradition that has lasted more than a thousand years'; and, by fairly strong implication, he is quite superior to his cousins abroad. Across twenty-six chapters [Ackroyd] gives a running history of English theater from the medieval mysteries to the present day.”
— Daily Telegraph
“Sir Ralph Richardson pursued a desire to 'illustrate literature.' This, the eminent writer and historian Ackroyd says, is the essence of the English actor. A respect for the text, a devotion to words on the page. Ackroyd begins his history in medieval times. . . . This is when Ackroyd’s book works best, documenting the birth of acting, its evolution from the church tradition of mystery plays to what we would recognize as modern stagecraft.”
— Sunday Times
"What makes a great stage actor? Ackroyd attempts to answer this question in his magnificent chronicle of the history and legacy of the English theatre. . . . Driven by a passion for his subject that is the author’s hallmark, this is an essential read for anyone fascinated by the smell of the greasepaint and the roar of the crowd."
— Mail on Sunday
"[An] impressively lively and ambitious study."
— Literary Review
TABLE OF CONTENTS
Cover
Title Page
Copyright
Contents
Prologue
One: In the beginning
Two: The first playhouses
Three: The art of playing
Four: The early actors
Five: The new styles
Six: The female actor
Seven: The changing audience
Eight: Fickle fashion
Nine: Damme, Tom, it’ll do!
Ten: Wonders and ranters
Eleven: Lights! Action!
Twelve: Females in front
Thirteen: Studies in contrast
Fourteen: Management and melodrama
Fifteen: The new styles
Sixteen: Short and quick
Seventeen: A quartet
Eighteen: Female persuasion
Nineteen: The enigmas
Twenty: Female stars
Twenty-one: The impossible players
Twenty-two: A new breed
Twenty-three: Quiet flows the style
Twenty-four: All together now
Twenty-five: Acting essentials
Twenty-six: A new style
Epilogue
Further Reading
Acknowledgements
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE