ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK Beautifully illustrated, a stirring and wide-ranging reflection on art, technology, culture—and the full-length mirror.
This book tells two stories about the full-length mirror. One story, through time and space, crisscrosses the globe to introduce a broad range of historical actors: kings and slaves, artists and writers, merchants and craftsmen, courtesans, and commoners. The other story explores the connections among objects, painting, and photography, the full-length mirror providing a new perspective on historical artifacts and their images in art and visual culture. The Full-Length Mirror represents a new kind of global art history in which “global” is understood in terms of both geography and visual medium, a history encompassing Europe, Asia, and North America, and spanning over two millennia from the fourth century BCE to the early twentieth century.
AUTHOR BIOGRAPHY Wu Hung is the Harrie A. Vanderstappen Distinguished Service Professor of Art History at the University of Chicago. His many books include A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture and Zooming In: Histories of Photography in China, both also published by Reaktion Books.
REVIEWS
“As has been the case with the numerous other books Wu Hung has offered us, The Full-Length Mirror is a significant work that aptly displays his original ideas, lucid writing and unparalleled erudition: no full-length mirror will ever be large enough to reflect the towering presence and shadow he has marked on art history and Sinology.”
— J. P. Park, June and Simon Li Professor in the History of Art, University of Oxford
“In an impressive sweep across time and space, enlivened by penetrating insights, this very readable study uses the full-length mirror as a point of entry into a highly stimulating range of questions about technologies, representations, and the connections between them.”
— Craig Clunas, Professor Emeritus of the History of Art, University of Oxford
“In this highly original and enthralling study, Hung takes readers on a journey across time, space, and media to explore how emperors as well as ordinary individuals in both China and Europe used full-length mirrors to express power, desire, memory and the self. The images are as stunning as the insights.”
— Meredith Martin, Associate Professor of Art History, New York University
TABLE OF CONTENTS
Cover
Title Page
Copyright
Contents
Preface
Prelude: A Prehistory of the Full-Length Mirror
Part One: Object and Reflection
One: From Versailles to the Forbidden City: The Global Invention of the Full-Length Mirror
Two: From the House of Green Delights to the Hall of Mental Cultivation: Mirror-Screens in the Literary and Visual Imagination
Part Two: Medium and Subjectivity
Three: From Europe to the World: The Global Circulation of Full-Length-Mirror Photography
Four: From Iconography to Subjectivity: Discovering the Self in the Full-Length Mirror
Coda: Disenchantment of the Full-Length Mirror
References
Select Bibliography
Photo Acknowledgements
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Beautifully illustrated, a stirring and wide-ranging reflection on art, technology, culture—and the full-length mirror.
This book tells two stories about the full-length mirror. One story, through time and space, crisscrosses the globe to introduce a broad range of historical actors: kings and slaves, artists and writers, merchants and craftsmen, courtesans, and commoners. The other story explores the connections among objects, painting, and photography, the full-length mirror providing a new perspective on historical artifacts and their images in art and visual culture. The Full-Length Mirror represents a new kind of global art history in which “global” is understood in terms of both geography and visual medium, a history encompassing Europe, Asia, and North America, and spanning over two millennia from the fourth century BCE to the early twentieth century.
AUTHOR BIOGRAPHY Wu Hung is the Harrie A. Vanderstappen Distinguished Service Professor of Art History at the University of Chicago. His many books include A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture and Zooming In: Histories of Photography in China, both also published by Reaktion Books.
REVIEWS
“As has been the case with the numerous other books Wu Hung has offered us, The Full-Length Mirror is a significant work that aptly displays his original ideas, lucid writing and unparalleled erudition: no full-length mirror will ever be large enough to reflect the towering presence and shadow he has marked on art history and Sinology.”
— J. P. Park, June and Simon Li Professor in the History of Art, University of Oxford
“In an impressive sweep across time and space, enlivened by penetrating insights, this very readable study uses the full-length mirror as a point of entry into a highly stimulating range of questions about technologies, representations, and the connections between them.”
— Craig Clunas, Professor Emeritus of the History of Art, University of Oxford
“In this highly original and enthralling study, Hung takes readers on a journey across time, space, and media to explore how emperors as well as ordinary individuals in both China and Europe used full-length mirrors to express power, desire, memory and the self. The images are as stunning as the insights.”
— Meredith Martin, Associate Professor of Art History, New York University
TABLE OF CONTENTS
Cover
Title Page
Copyright
Contents
Preface
Prelude: A Prehistory of the Full-Length Mirror
Part One: Object and Reflection
One: From Versailles to the Forbidden City: The Global Invention of the Full-Length Mirror
Two: From the House of Green Delights to the Hall of Mental Cultivation: Mirror-Screens in the Literary and Visual Imagination
Part Two: Medium and Subjectivity
Three: From Europe to the World: The Global Circulation of Full-Length-Mirror Photography
Four: From Iconography to Subjectivity: Discovering the Self in the Full-Length Mirror
Coda: Disenchantment of the Full-Length Mirror
References
Select Bibliography
Photo Acknowledgements
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE