edited by Heather Ostman, Howard Tinberg and Danizete Martínez
Utah State University Press, 2021 eISBN: 978-1-64642-166-4 | Paper: 978-1-64642-165-7 Library of Congress Classification PE1405.U6 Dewey Decimal Classification 808.042071173
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK Teaching Writing through the Immigrant Story explores the intersection between immigration and pedagogy via the narrative form. Embedded in the contexts of both student writing and student reading of literature chapters by scholars from four-year and two-year colleges and universities across the country, this book engages the topic of immigration within writing and literature courses as the site for extending, critiquing, and challenging assumptions about justice and equity while deepening students’ sense of ethics and humanity.
Each of the chapters recognizes the prevalence of immigrant students in writing classrooms across the United States—including foreign-born, first- and second-generation Americans, and more—and the myriad opportunities and challenges those students present to their instructors. These contributors have seen the validity in the stories and experiences these students bring to the classroom—evidence of their lifetimes of complex learning in both academic and nonacademic settings. Like thousands of college-level instructors in the United States, they have immigrant stories of their own. The immigrant “narrative” offers a unique framework for knowledge production in which students and teachers may learn from each other, in which the ordinary power dynamic of teacher and students begins to shift, to enable empathy to emerge and to provide space for an authentic kind of pedagogy.
By engaging writing and literature teachers within and outside the classroom, Teaching Writing through the Immigrant Story speaks to the immigrant narrative as a viable frame for teaching writing—an opportunity for building and articulating knowledge through academic discourse. The book creates a platform for immigration as a writing and literary theme, a framework for critical thinking, and a foundation for significant social change and advocacy.
Contributors: Tuli Chatterji, Katie Daily, Libby Garland, Silvia Giagnoni, Sibylle Gruber, John Havard, Timothy Henderson, Brennan Herring, Lilian Mina, Rachel Pate, Emily Schnee, Elizabeth Stone
AUTHOR BIOGRAPHY
Heather Ostman is professor of English and director of the Humanities Institute at SUNY Westchester Community College. She is the author or editor of several books, and she was a recipient of the NEH Community College Challenge Grant in 2012.
Howard Tinberg is professor of English at Bristol Community College. He is a former editor of Teaching English at the Two-Year College and chair of the Conference on College Composition and Communication. He is the author or editor of several books, including Border Talk: Writing and Knowing at the Two-Year College and Writing with Consequence: What Writing Does in the Disciplines. He was recognized in 2004 as the Outstanding Community College Professor by the Carnegie Foundation and CASE.
Danizete Martínez teaches a cross-cultural and regionally driven composition pedagogy at Central New Mexico Community College. She contributed a chapter, "Teaching Chicana Literature in Community College: Social, Ethnic, and Linguistic Hybridity,” to Transnational Chicanx Perspectives on Ana Castillo.
REVIEWS
“Composition students need this book.” —Eli Goldblatt, Temple University
“Teaching Writing through the Immigrant Story offers clear ideas, examples, and experiences that demonstrate the ways that immigrant narratives support students’ meaning making in terms of family history, politics, social justice, and social relations.” —Kaia Simon, University of Wisconsin–Eau Claire
“The authors, who are also teachers of writing, amplify and illustrate the realization of composition courses as gateways to education and thus, subscribe to the common responsibility to match values through literacy material and pedagogical practices that positively impact (im)migrant students.” —College English
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Teaching Writing through Immigrant Stories | Heather Ostman, Howard Tinberg, and Danizete Martínez
Part 1. Situating the Discussion
1. I am an Immigrant: Cultural Multiplicities in US Educational Systems | Sibylle Gruber
2. My Italian Grandmother, the Enemy Alien: Bringing Her Story and Others into My Classroom in an Age of Nativism | Elizabeth Stone
3. Immigrant Stories from the Deep South: Stories of Bias, Discrimination, and Hope | Lilian W. Mina, with Brittany Armstrong, Venijah Bellamy, and Paul Frick
Part 2. Teaching Through the Stories
4. Reorienting via Triad: From Animals, Rapists, and Gang Members to Living, Breathing, Human Beings | Katie Daily
5. Initiating a Globally Inclusive Undergraduate Curriculum through Luis Valdez’s Chicano/a Protest Theater | Danizete Martínez
6. Narratives and Counternarratives: Contextualizing Immigrant Voice | Tuli Chatterji
7. Classrooms Filled with Stories: Writing Immigrant Narratives in the Age of Trump | Libby Garland and Emily Schnee
8. Teaching Immigration in a Writing-Intensive Honors Course | John C. Havard, Silvia Giagnoni, Timothy J. Henderson, Brennan Herring, and Rachel Pate
9. Reflective Practice, Immigrant Narrative, and the Humanities Institute | Heather Ostman
Index
About the Authors
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
edited by Heather Ostman, Howard Tinberg and Danizete Martínez
Utah State University Press, 2021 eISBN: 978-1-64642-166-4 Paper: 978-1-64642-165-7
Teaching Writing through the Immigrant Story explores the intersection between immigration and pedagogy via the narrative form. Embedded in the contexts of both student writing and student reading of literature chapters by scholars from four-year and two-year colleges and universities across the country, this book engages the topic of immigration within writing and literature courses as the site for extending, critiquing, and challenging assumptions about justice and equity while deepening students’ sense of ethics and humanity.
Each of the chapters recognizes the prevalence of immigrant students in writing classrooms across the United States—including foreign-born, first- and second-generation Americans, and more—and the myriad opportunities and challenges those students present to their instructors. These contributors have seen the validity in the stories and experiences these students bring to the classroom—evidence of their lifetimes of complex learning in both academic and nonacademic settings. Like thousands of college-level instructors in the United States, they have immigrant stories of their own. The immigrant “narrative” offers a unique framework for knowledge production in which students and teachers may learn from each other, in which the ordinary power dynamic of teacher and students begins to shift, to enable empathy to emerge and to provide space for an authentic kind of pedagogy.
By engaging writing and literature teachers within and outside the classroom, Teaching Writing through the Immigrant Story speaks to the immigrant narrative as a viable frame for teaching writing—an opportunity for building and articulating knowledge through academic discourse. The book creates a platform for immigration as a writing and literary theme, a framework for critical thinking, and a foundation for significant social change and advocacy.
Contributors: Tuli Chatterji, Katie Daily, Libby Garland, Silvia Giagnoni, Sibylle Gruber, John Havard, Timothy Henderson, Brennan Herring, Lilian Mina, Rachel Pate, Emily Schnee, Elizabeth Stone
AUTHOR BIOGRAPHY
Heather Ostman is professor of English and director of the Humanities Institute at SUNY Westchester Community College. She is the author or editor of several books, and she was a recipient of the NEH Community College Challenge Grant in 2012.
Howard Tinberg is professor of English at Bristol Community College. He is a former editor of Teaching English at the Two-Year College and chair of the Conference on College Composition and Communication. He is the author or editor of several books, including Border Talk: Writing and Knowing at the Two-Year College and Writing with Consequence: What Writing Does in the Disciplines. He was recognized in 2004 as the Outstanding Community College Professor by the Carnegie Foundation and CASE.
Danizete Martínez teaches a cross-cultural and regionally driven composition pedagogy at Central New Mexico Community College. She contributed a chapter, "Teaching Chicana Literature in Community College: Social, Ethnic, and Linguistic Hybridity,” to Transnational Chicanx Perspectives on Ana Castillo.
REVIEWS
“Composition students need this book.” —Eli Goldblatt, Temple University
“Teaching Writing through the Immigrant Story offers clear ideas, examples, and experiences that demonstrate the ways that immigrant narratives support students’ meaning making in terms of family history, politics, social justice, and social relations.” —Kaia Simon, University of Wisconsin–Eau Claire
“The authors, who are also teachers of writing, amplify and illustrate the realization of composition courses as gateways to education and thus, subscribe to the common responsibility to match values through literacy material and pedagogical practices that positively impact (im)migrant students.” —College English
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Teaching Writing through Immigrant Stories | Heather Ostman, Howard Tinberg, and Danizete Martínez
Part 1. Situating the Discussion
1. I am an Immigrant: Cultural Multiplicities in US Educational Systems | Sibylle Gruber
2. My Italian Grandmother, the Enemy Alien: Bringing Her Story and Others into My Classroom in an Age of Nativism | Elizabeth Stone
3. Immigrant Stories from the Deep South: Stories of Bias, Discrimination, and Hope | Lilian W. Mina, with Brittany Armstrong, Venijah Bellamy, and Paul Frick
Part 2. Teaching Through the Stories
4. Reorienting via Triad: From Animals, Rapists, and Gang Members to Living, Breathing, Human Beings | Katie Daily
5. Initiating a Globally Inclusive Undergraduate Curriculum through Luis Valdez’s Chicano/a Protest Theater | Danizete Martínez
6. Narratives and Counternarratives: Contextualizing Immigrant Voice | Tuli Chatterji
7. Classrooms Filled with Stories: Writing Immigrant Narratives in the Age of Trump | Libby Garland and Emily Schnee
8. Teaching Immigration in a Writing-Intensive Honors Course | John C. Havard, Silvia Giagnoni, Timothy J. Henderson, Brennan Herring, and Rachel Pate
9. Reflective Practice, Immigrant Narrative, and the Humanities Institute | Heather Ostman
Index
About the Authors
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE