University of Massachusetts Press, 2023 eISBN: 978-1-68575-023-7 | Paper: 978-1-62534-730-5 Library of Congress Classification PS3620.A9593S66 2023 Dewey Decimal Classification 813.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Some called her the Everywhen Woman. She claimed to be 321 years of age. In 2038, after the big storm and the great flood and the bad times, Betty Baach wrote these words down and sometimes spoke them aloud, at her homeplace on Freon Hill. She referred to them as songs. All stories are songs, she’d always say.
Set in West Virginia, The Songs of Betty Baach is a magical guide to resisting despair and a compendium of wisdom and rhythms by which to fortify oneself. The lives of the Baaches of Keystone and the Knoxes of Mosestown twist and connect in a tale of survival and retribution that crosses three centuries—moving from Betty’s girlhood in colonial America to a future warped by environmental collapse and political unrest. Refusing the erasure of the lives of women, Indigenous peoples, and Black people who have always called this region home, this eloquent and distinctive novel is a necessary remedy for the continued distortion of a land and its inhabitants.
AUTHOR BIOGRAPHY
GLENN TAYLOR is author of the novels A Hanging at Cinder Bottom, The Marrowbone Marble Company, and The Ballad of Trenchmouth Taggart, which was a finalist for the National Book Critics Circle Award. His work has appeared in the Oxford American, the Guardian, Gulf Coast, Electric Literature, and Huizache, among other outlets. Born and raised in Huntington, West Virginia, Taylor now resides in Morgantown, where he is associate professor of English at West Virginia University.
REVIEWS
“‘Bend me your ear and I'll tell you a story about everything,’ begins the wondrous Songs of Betty Baach. A genre-bender, this illustrated book spans the complexity of the world: Is it a collection, novel, parable, song cycle? Our guide here speaks with such knowing, witty, sorrowing wisdom, the voice becomes both urgent and inevitable, hallmarks of our greatest literature.”—Edie Meidav, author of Another Love Discourse
“Brilliant . . . Taylor’s tuned to a visionary frequency you’ve never heard or imagined. Get ready to fly.”—Ann Pancake, author of Me and My Daddy Listen to Bob Marley
"Glenn Taylor has one of the best ears in all of American literature. His is a rowdy, rooted, tender troubadour poet's heart."—Claire Vaye Watkins, author of I Love You but I've Chosen Darkness
University of Massachusetts Press, 2023 eISBN: 978-1-68575-023-7 Paper: 978-1-62534-730-5
Some called her the Everywhen Woman. She claimed to be 321 years of age. In 2038, after the big storm and the great flood and the bad times, Betty Baach wrote these words down and sometimes spoke them aloud, at her homeplace on Freon Hill. She referred to them as songs. All stories are songs, she’d always say.
Set in West Virginia, The Songs of Betty Baach is a magical guide to resisting despair and a compendium of wisdom and rhythms by which to fortify oneself. The lives of the Baaches of Keystone and the Knoxes of Mosestown twist and connect in a tale of survival and retribution that crosses three centuries—moving from Betty’s girlhood in colonial America to a future warped by environmental collapse and political unrest. Refusing the erasure of the lives of women, Indigenous peoples, and Black people who have always called this region home, this eloquent and distinctive novel is a necessary remedy for the continued distortion of a land and its inhabitants.
AUTHOR BIOGRAPHY
GLENN TAYLOR is author of the novels A Hanging at Cinder Bottom, The Marrowbone Marble Company, and The Ballad of Trenchmouth Taggart, which was a finalist for the National Book Critics Circle Award. His work has appeared in the Oxford American, the Guardian, Gulf Coast, Electric Literature, and Huizache, among other outlets. Born and raised in Huntington, West Virginia, Taylor now resides in Morgantown, where he is associate professor of English at West Virginia University.
REVIEWS
“‘Bend me your ear and I'll tell you a story about everything,’ begins the wondrous Songs of Betty Baach. A genre-bender, this illustrated book spans the complexity of the world: Is it a collection, novel, parable, song cycle? Our guide here speaks with such knowing, witty, sorrowing wisdom, the voice becomes both urgent and inevitable, hallmarks of our greatest literature.”—Edie Meidav, author of Another Love Discourse
“Brilliant . . . Taylor’s tuned to a visionary frequency you’ve never heard or imagined. Get ready to fly.”—Ann Pancake, author of Me and My Daddy Listen to Bob Marley
"Glenn Taylor has one of the best ears in all of American literature. His is a rowdy, rooted, tender troubadour poet's heart."—Claire Vaye Watkins, author of I Love You but I've Chosen Darkness
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TABLE OF CONTENTS
Cover
Title Page
Copyright Page
About Betty Baach
Epigraph
Contents
Song of the MuleBird
Song of the WorkShirt
Song of the Llama
Song of the Nascent
Song of the Robot
Song of the Tree
Song of the Exalted
Song of the Recidivist
Song of Memory
Song of Solomon Wood
Song of Imagination
Song of the Stringbean
Song of the Bad Prize
Song of the Fishbird
Song of Recurring Dream #44
Song of Blood
Song of the Arrow
Song of the Runaways
Song of the Marvelous Museum
Song of Water
Song of the Panther
Song of Bone
Song of Providence
Song of Recurring Dream #77
Song of the Flood
Song of the Oxherd
Song of Recurring Dream #99
Song of the BucketMouth of TalePackia
Song of Sorrow
Song of the Great Horned Owl
Song of Regret
Song of Switchback
Song of the Splintercat
Acknowledgments
Back Cover
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC