University of Massachusetts Press, 2020 eISBN: 978-1-61376-761-0 | Paper: 978-1-62534-511-0 Library of Congress Classification PS3616.U35S73 2020 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Christina Pugh's fifth book of poems explores the technologies both ancient and new that inhabit our contemporary cultural moment. Mapping an uncanny journey through the clusters of media we encounter daily but seldom stop to contemplate, Pugh's focused descriptions, contrasting linguistic textures, and acute poetic music become multifarious sources of beauty, disruption, humor, and hurt. Here, Netflix and YouTube share space with eighteenth-century paintings, Italian graffiti, ballet, Kurt Cobain's recordings, and even a collection of rocks. Whether technology is a vessel for joy or grief in these poems, it is always an expression of our continuing desire to invent and to mediate. At once personal archive and cultural barometer, Stardust Media traces the moving constellations of life in the distant twenty-first century, "a kaleidoscope / . . . half-filled with sky-blue glass-cut blossoming, / then labored to crystallize."
AUTHOR BIOGRAPHY
CHRISTINA PUGH is professor of English in the Program for Writers at the University of Illinois at Chicago and consulting editor for Poetry. Her fourth book, Perception, was named one of the top poetry books of 2017 by the Chicago Review of Books, and she has been awarded the John Simon Guggenheim Memorial Fellowship in poetry and the Poetry Society of America's Lucille Medwick Memorial Award for her work. Pugh's poems have appeared widely in such outlets as the Atlantic, Poetry, the Kenyon Review, and Colorado Review.
REVIEWS
"Pugh wants to gather up and sift through all she can manage just a little ways into the twenty-first century. It's a mammoth job and she knows it, she treats it with delicate respect and a whole lot of thoughtful arrangement. Nothing is only one thing, anything can be everything. Stardust Media makes for a wild ride and a good one."—Dara Wier, Juniper Prize for Poetry judge and author of You Good Thing
"Christina Pugh's Stardust Media goes right to the heart of how we live now: What particular human qualities does our technological civilization enliven or deaden inside us? What really astonishes and fortifies the reader are the endlessly inventive ways the poet has found to figure and refigure her own restless vision. Quiet virtuosity, complexly registered thinking-as-feeling—these are her signature qualities as a poet, as original as she is intelligent."—Tom Sleigh, author of House of Fact, House of Ruin: Poems
"The poems in Stardust Media are major works by a major poet. Their virtuoso technique enlivens the reader's sense of just how complex and rich the world may be, even as the poems strive toward their fundamental, bedrock motive—to preserve and transmit the imprint of the human."—Kenyon Review
TABLE OF CONTENTS
Cover
Title Page
Copyright
Dedication
Contents
Acknowledgments
My Twenty-First Century
Smartphone Inlet
An Ancient Text
Toll
I Don’t Know How to Make a Website,
Voice Road
With a Song
Like Truffles. Like Channel-Surfing.
Hot or Cool Media
Transparent
Stardust Media
Origins of the Collection
My Hand Too Bright a Night-Light
Eighty Percent of Light in Space is Missing, Scientists Say
A Benefit
Pink, Pink, Pink
Timbale
Off the Web
I’m Taking a Vacation on My Desktop
In the Distant Twenty-First Century
The Close-Up
And My Beloved
Alba
November Begins
Flirt
Heads Up
What Does the Camera Catch from the World?
Have You Heard the Annunciation?
Blue Angels
The Wheel
The Shirt
Portofino
Tragicomic
Scribble
Allegories
Frozen Music
The Impersonal is our Paradise
Gleam
The Impersonal
Shirt Noise
The Staircase
I Called the Video
Living Under a Bridge in the Early Nineties
The Social Fabric
Linden
Parable
Carmine Lake
“Death to America Chant Doesn’t Really Mean Death to America,"
University of Massachusetts Press, 2020 eISBN: 978-1-61376-761-0 Paper: 978-1-62534-511-0
Christina Pugh's fifth book of poems explores the technologies both ancient and new that inhabit our contemporary cultural moment. Mapping an uncanny journey through the clusters of media we encounter daily but seldom stop to contemplate, Pugh's focused descriptions, contrasting linguistic textures, and acute poetic music become multifarious sources of beauty, disruption, humor, and hurt. Here, Netflix and YouTube share space with eighteenth-century paintings, Italian graffiti, ballet, Kurt Cobain's recordings, and even a collection of rocks. Whether technology is a vessel for joy or grief in these poems, it is always an expression of our continuing desire to invent and to mediate. At once personal archive and cultural barometer, Stardust Media traces the moving constellations of life in the distant twenty-first century, "a kaleidoscope / . . . half-filled with sky-blue glass-cut blossoming, / then labored to crystallize."
AUTHOR BIOGRAPHY
CHRISTINA PUGH is professor of English in the Program for Writers at the University of Illinois at Chicago and consulting editor for Poetry. Her fourth book, Perception, was named one of the top poetry books of 2017 by the Chicago Review of Books, and she has been awarded the John Simon Guggenheim Memorial Fellowship in poetry and the Poetry Society of America's Lucille Medwick Memorial Award for her work. Pugh's poems have appeared widely in such outlets as the Atlantic, Poetry, the Kenyon Review, and Colorado Review.
REVIEWS
"Pugh wants to gather up and sift through all she can manage just a little ways into the twenty-first century. It's a mammoth job and she knows it, she treats it with delicate respect and a whole lot of thoughtful arrangement. Nothing is only one thing, anything can be everything. Stardust Media makes for a wild ride and a good one."—Dara Wier, Juniper Prize for Poetry judge and author of You Good Thing
"Christina Pugh's Stardust Media goes right to the heart of how we live now: What particular human qualities does our technological civilization enliven or deaden inside us? What really astonishes and fortifies the reader are the endlessly inventive ways the poet has found to figure and refigure her own restless vision. Quiet virtuosity, complexly registered thinking-as-feeling—these are her signature qualities as a poet, as original as she is intelligent."—Tom Sleigh, author of House of Fact, House of Ruin: Poems
"The poems in Stardust Media are major works by a major poet. Their virtuoso technique enlivens the reader's sense of just how complex and rich the world may be, even as the poems strive toward their fundamental, bedrock motive—to preserve and transmit the imprint of the human."—Kenyon Review
TABLE OF CONTENTS
Cover
Title Page
Copyright
Dedication
Contents
Acknowledgments
My Twenty-First Century
Smartphone Inlet
An Ancient Text
Toll
I Don’t Know How to Make a Website,
Voice Road
With a Song
Like Truffles. Like Channel-Surfing.
Hot or Cool Media
Transparent
Stardust Media
Origins of the Collection
My Hand Too Bright a Night-Light
Eighty Percent of Light in Space is Missing, Scientists Say
A Benefit
Pink, Pink, Pink
Timbale
Off the Web
I’m Taking a Vacation on My Desktop
In the Distant Twenty-First Century
The Close-Up
And My Beloved
Alba
November Begins
Flirt
Heads Up
What Does the Camera Catch from the World?
Have You Heard the Annunciation?
Blue Angels
The Wheel
The Shirt
Portofino
Tragicomic
Scribble
Allegories
Frozen Music
The Impersonal is our Paradise
Gleam
The Impersonal
Shirt Noise
The Staircase
I Called the Video
Living Under a Bridge in the Early Nineties
The Social Fabric
Linden
Parable
Carmine Lake
“Death to America Chant Doesn’t Really Mean Death to America,"
Stardust Media II
Instructions to a Dancer
With an Abyss of Warmth in My Heart
The Partner
To the Composers
But the Avant-Garde
A Lung a Girl
Now Whither for Brighter Colors?
Whither Thou Goest
Integrity
Note
Back Cover
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC