Michigan State University Press, 2015 Paper: 978-1-61186-158-7 | eISBN: 978-1-60917-444-6 Library of Congress Classification PS3601.P64A6 2015 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
A marvelous, moving new collection of poems, Requiem, Rwanda has its roots in 2006, when Laura Apol made her first trip to Rwanda. Apol’s initial goal was to develop, in conjunction with Rwandan and American colleagues, a project using narrative writing to facilitate healing among young survivors of the 1994 genocide. During the time she spent leading workshops, Apol felt moved to write her own poems, and after the writing-for-healing project ended, she returned to Rwanda several times to continue her creative work. The legacy of the genocide—on the people, on the land itself—makes its presence felt in many of the poems. The poems are also accounts of Apol’s relationships with and understandings of people post-genocide—where their stories go, how they reenter their lives, and how a country that has been deeply wounded by its history continues on. These poems don’t shy away from exploring the complications of being a white woman, a Westerner, and a witness in this setting: Apol relates her sense of compassion, privilege, horror, guilt, voyeurism, obligation, and love. This new collection is a rich testimonial to the strength of a nation and its people. The collection includes a closing essay, "Writer as a Witness."
AUTHOR BIOGRAPHY
Laura Apol is Associate Professor at Michigan State University, where she teaches poetry, writing, and literature.
REVIEWS
“As if breaking through the distracting cacophony of the outsider’s voice, of history, of landscape, of curiosities, there come these terrible grace moments of song from the voices of Rwandans— from their memories, their hauntings, their rituals of forgetting and remembering—and in them we are reminded of the blunt truth of a human tragedy that defies language. Apol holds these moments as sacred, and in so doing she, too, becomes a witness.”
—KWAME DAWES, author of Duppy Conqueror: New and Selected Poems
As if breaking through the distracting cacophony of the outsider’s voice, of history, of landscape, of curiosities, there come these terrible grace moments of song from the voices of Rwandans—from their memories, their hauntings, their rituals of forgetting and remembering—and in them we are reminded of the blunt truth of a human tragedy that defies language. Apol holds these moments as sacred, and in so doing she, too, becomes a witness.
—KWAME DAWES, author of Duppy Conqueror: New and Selected Poems
This is a book like no other: a small collection of remarkable poems, yes, but also an encapsulated history, a treatise on the healing power of story, a guide that will serve as a model on how to engage, respectfully, with cultures different from our own. Laura Apol is one of the most courageous writers I know. Her poems are heavy with the terrible history of genocide, but they are able to carry that weight because of her clarity, her humility and integrity, her poetic grace, and her belief, not easily gained, in the redemptive power of language. I love this book, and I applaud her talent and bravery. She makes me believe in poetry again.
—LORNA CROZIER, Professor Emeritus, University of Victoria, and author of The Wrong Cat
TABLE OF CONTENTS
Contents
Foreword
Preface
Prologue: A Brief History of Rwanda
Introit
Genesis: The Source of the Nile
Dies Irae
Early April in Rwanda
Six Seconds
Even the Land Did Not Escape
Canticle for the Bones of the Dead
Genocide Site 1: Nyamata Church
Genocide Site 2: Ntarama Church
Eucharist
Mother of God
Church at Nyange
Lacrimosa
Witness
Rift
The Lives of Others
Left
Pink
Confession
Return to Remera
Dry Bones
Sanctus
At the Hotel Bar
Watching a Man Cut the Grass
Lifelines
Before Memorial Week: April 5, 2009
Poolside after Dark
Testimony
Meeting François in Heaven
Samuel and the Boys
Gorilla Family Amahoro
Umuganda
Reparations
Rwanda Stands up for Haiti: January 2010
Language Lessons
Benedictus
Milkfugue
Notes on the Poems
Epilogue: Writer as Witness
Notes
Additional Resources
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Michigan State University Press, 2015 Paper: 978-1-61186-158-7 eISBN: 978-1-60917-444-6
A marvelous, moving new collection of poems, Requiem, Rwanda has its roots in 2006, when Laura Apol made her first trip to Rwanda. Apol’s initial goal was to develop, in conjunction with Rwandan and American colleagues, a project using narrative writing to facilitate healing among young survivors of the 1994 genocide. During the time she spent leading workshops, Apol felt moved to write her own poems, and after the writing-for-healing project ended, she returned to Rwanda several times to continue her creative work. The legacy of the genocide—on the people, on the land itself—makes its presence felt in many of the poems. The poems are also accounts of Apol’s relationships with and understandings of people post-genocide—where their stories go, how they reenter their lives, and how a country that has been deeply wounded by its history continues on. These poems don’t shy away from exploring the complications of being a white woman, a Westerner, and a witness in this setting: Apol relates her sense of compassion, privilege, horror, guilt, voyeurism, obligation, and love. This new collection is a rich testimonial to the strength of a nation and its people. The collection includes a closing essay, "Writer as a Witness."
AUTHOR BIOGRAPHY
Laura Apol is Associate Professor at Michigan State University, where she teaches poetry, writing, and literature.
REVIEWS
“As if breaking through the distracting cacophony of the outsider’s voice, of history, of landscape, of curiosities, there come these terrible grace moments of song from the voices of Rwandans— from their memories, their hauntings, their rituals of forgetting and remembering—and in them we are reminded of the blunt truth of a human tragedy that defies language. Apol holds these moments as sacred, and in so doing she, too, becomes a witness.”
—KWAME DAWES, author of Duppy Conqueror: New and Selected Poems
As if breaking through the distracting cacophony of the outsider’s voice, of history, of landscape, of curiosities, there come these terrible grace moments of song from the voices of Rwandans—from their memories, their hauntings, their rituals of forgetting and remembering—and in them we are reminded of the blunt truth of a human tragedy that defies language. Apol holds these moments as sacred, and in so doing she, too, becomes a witness.
—KWAME DAWES, author of Duppy Conqueror: New and Selected Poems
This is a book like no other: a small collection of remarkable poems, yes, but also an encapsulated history, a treatise on the healing power of story, a guide that will serve as a model on how to engage, respectfully, with cultures different from our own. Laura Apol is one of the most courageous writers I know. Her poems are heavy with the terrible history of genocide, but they are able to carry that weight because of her clarity, her humility and integrity, her poetic grace, and her belief, not easily gained, in the redemptive power of language. I love this book, and I applaud her talent and bravery. She makes me believe in poetry again.
—LORNA CROZIER, Professor Emeritus, University of Victoria, and author of The Wrong Cat
TABLE OF CONTENTS
Contents
Foreword
Preface
Prologue: A Brief History of Rwanda
Introit
Genesis: The Source of the Nile
Dies Irae
Early April in Rwanda
Six Seconds
Even the Land Did Not Escape
Canticle for the Bones of the Dead
Genocide Site 1: Nyamata Church
Genocide Site 2: Ntarama Church
Eucharist
Mother of God
Church at Nyange
Lacrimosa
Witness
Rift
The Lives of Others
Left
Pink
Confession
Return to Remera
Dry Bones
Sanctus
At the Hotel Bar
Watching a Man Cut the Grass
Lifelines
Before Memorial Week: April 5, 2009
Poolside after Dark
Testimony
Meeting François in Heaven
Samuel and the Boys
Gorilla Family Amahoro
Umuganda
Reparations
Rwanda Stands up for Haiti: January 2010
Language Lessons
Benedictus
Milkfugue
Notes on the Poems
Epilogue: Writer as Witness
Notes
Additional Resources
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE