Johnny Cash International: How and Why Fans Love the Man in Black
by Michael Hinds and Jonathan Silverman
University of Iowa Press, 2020 Paper: 978-1-60938-701-3 | eISBN: 978-1-60938-702-0 Library of Congress Classification ML420.C265 Dewey Decimal Classification 782.421642092
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Across all imaginable borders, Johnny Cash fans show the appeal of a thoroughly American performer who simultaneously inspires people worldwide. A young Norwegian shows off his Johnny Cash tattoo. A Canadian vlogger sings “I Walk the Line” to camel herders in Egypt’s White Desert. A shopkeeper in Northern Ireland plays Cash as his constant soundtrack. A Dutchwoman coordinates the activities of Cash fans worldwide and is subsequently offered the privilege of sleeping in Johnny’s bedroom. And on a more global scale, millions of people watch Cash’s videos online, then express themselves through commentary and debate.
In Johnny Cash International, Hinds and Silverman examine digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash’s international fans and their love for the man reveals new insights about music, fandom, and the United States.
AUTHOR BIOGRAPHY
Michael Hinds is associate professor of English at Dublin City University. He is coeditor of Rebound: The American Poetry Book. He lives in Dublin, Ireland.
Jonathan Silverman is associate professor of English at the University of Massachusetts Lowell. He is author of Nine Choices: Johnny Cash and American Culture. He lives in Arlington, Massachusetts.
REVIEWS
“Johnny Cash International gives us a vibrant window into a fandom that is transnational and translocal, one that Silverman and Hinds beautifully analyze as a text just as they provide deeper contexts for the ongoing legacy of the Man in Black around the world. Their fascinating book shows how fans create community, whether digitally or in person, with their own exuberant creativity and meaning.”—Leigh H. Edwards, author, Johnny Cash and the Paradox of American Identity
— Leigh H. Edwards
“Where is Cashland? The answer: nearly everywhere. Blending documentary, ethnography, and fieldwork, the authors discover an international ‘signifier of sanity’ whose iconicity transcends race, class, geography, and politics. ‘Life and love go on, let the music play,’ the Man in Black once said. In this unique and insightful book, Hinds and Silverman discover just how far that music goes.”—Joe Bonomo, author, Field Recordings from the Inside: Essays
— Joe Bonomo
“In Johnny Cash International, Michael Hinds and Jonathan Silverman show how Johnny Cash fans, through their creative use of technology, formation of tribute bands, globetrotting tourism, and whatever the next thing coming might be, built international cultures through the sounds and images created of Johnny Cash.”—Barbara Ching, author, Wrong’s What I Do Best: Hard Country Music and Contemporary Culture
— Barbara Ching
TABLE OF CONTENTS
Contents
Acknowledgments
Preface
Introduction
Part 1: Histories and Contexts of International Cash Fandom
Part 2: A Year in the Life of Cash Fans around the World
Afterword
Appendix
Notes
References
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Johnny Cash International: How and Why Fans Love the Man in Black
by Michael Hinds and Jonathan Silverman
University of Iowa Press, 2020 Paper: 978-1-60938-701-3 eISBN: 978-1-60938-702-0
Across all imaginable borders, Johnny Cash fans show the appeal of a thoroughly American performer who simultaneously inspires people worldwide. A young Norwegian shows off his Johnny Cash tattoo. A Canadian vlogger sings “I Walk the Line” to camel herders in Egypt’s White Desert. A shopkeeper in Northern Ireland plays Cash as his constant soundtrack. A Dutchwoman coordinates the activities of Cash fans worldwide and is subsequently offered the privilege of sleeping in Johnny’s bedroom. And on a more global scale, millions of people watch Cash’s videos online, then express themselves through commentary and debate.
In Johnny Cash International, Hinds and Silverman examine digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash’s international fans and their love for the man reveals new insights about music, fandom, and the United States.
AUTHOR BIOGRAPHY
Michael Hinds is associate professor of English at Dublin City University. He is coeditor of Rebound: The American Poetry Book. He lives in Dublin, Ireland.
Jonathan Silverman is associate professor of English at the University of Massachusetts Lowell. He is author of Nine Choices: Johnny Cash and American Culture. He lives in Arlington, Massachusetts.
REVIEWS
“Johnny Cash International gives us a vibrant window into a fandom that is transnational and translocal, one that Silverman and Hinds beautifully analyze as a text just as they provide deeper contexts for the ongoing legacy of the Man in Black around the world. Their fascinating book shows how fans create community, whether digitally or in person, with their own exuberant creativity and meaning.”—Leigh H. Edwards, author, Johnny Cash and the Paradox of American Identity
— Leigh H. Edwards
“Where is Cashland? The answer: nearly everywhere. Blending documentary, ethnography, and fieldwork, the authors discover an international ‘signifier of sanity’ whose iconicity transcends race, class, geography, and politics. ‘Life and love go on, let the music play,’ the Man in Black once said. In this unique and insightful book, Hinds and Silverman discover just how far that music goes.”—Joe Bonomo, author, Field Recordings from the Inside: Essays
— Joe Bonomo
“In Johnny Cash International, Michael Hinds and Jonathan Silverman show how Johnny Cash fans, through their creative use of technology, formation of tribute bands, globetrotting tourism, and whatever the next thing coming might be, built international cultures through the sounds and images created of Johnny Cash.”—Barbara Ching, author, Wrong’s What I Do Best: Hard Country Music and Contemporary Culture
— Barbara Ching
TABLE OF CONTENTS
Contents
Acknowledgments
Preface
Introduction
Part 1: Histories and Contexts of International Cash Fandom
Part 2: A Year in the Life of Cash Fans around the World
Afterword
Appendix
Notes
References
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE