Contested City: Art and Public History as Mediation at New York's Seward Park Urban Renewal Area
by Gabrielle Bendiner-Viani
University of Iowa Press, 2018 eISBN: 978-1-60938-611-5 | Paper: 978-1-60938-610-8 Library of Congress Classification HT168.N5 Dewey Decimal Classification 307.341609747
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
2020 Brendan Gill Prize finalist
For forty years, as New York’s Lower East Side went from disinvested to gentrified, residents lived with a wound at the heart of the neighborhood, a wasteland of vacant lots known as the Seward Park Urban Renewal Area (SPURA). Most of the buildings on the fourteen-square-block area were condemned in 1967, displacing thousands of low-income people of color with the promise that they would soon return to new housing—housing that never came.
Over decades, efforts to keep out affordable housing sparked deep-rooted enmity and stalled development, making SPURA a dramatic study of failed urban renewal, as well as a microcosm epitomizing the greatest challenges faced by American cities since World War II.
Artist and urban scholar Gabrielle Bendiner-Viani was invited to enter this tense community to support a new approach to planning, which she accepted using collaboration, community organizing, public history, and public art. Having engaged her students at The New School in a multi-year collaboration with community activists, the exhibitions and guided tours of her Layered SPURA project provided crucial new opportunities for dialogue about the past, present, and future of the neighborhood.
Simultaneously revealing the incredible stories of community and activism at SPURA, and shedding light on the importance of collaborative creative public projects, Contested City bridges art, design, community activism, and urban history. This is a book for artists, planners, scholars, teachers, cultural institutions, and all those who seek to collaborate in new ways with communities.
AUTHOR BIOGRAPHY
Gabrielle Bendiner-Viani is an artist, urban scholar, and curator pioneering public arts and urban research for community engagement. She is principal of the design and research studio Buscada, and teaches urban studies and public art at The New School. Gabrielle lives in New York City.
REVIEWS
“Displacement is one of the most critical issues of our time. Bendiner-Viani brings her expertise in environmental psychology and urban history to this highly accessible and provocative book that explores art, community, and student engagement. Focused on New York City, the issues and practices described in this book are widely applicable in cities across the globe.”
— Yolanda Chávez Leyva, director of the Institute of Oral History & Borderlands Public History Lab, University of Texas at El Paso
“This book demonstrates the power of creative community-engaged practice to understand complex problems like affordable housing in the Lower East Side of Manhattan. It serves as an indispensable guide to those contemplating community-engaged work that weaves together public history, visual analysis, mapping, and oral history.”
— Mallika Bose, Pennsylvania State University
“Bendiner-Viani has written an exemplary, must-read study of long-term neighborhood activism and engaged teaching. Her rigorous, absorbing prose gives witness to and unpacks what it means to organize for people’s place-making and the ongoing fight against rapacious urban bullying and paranoid racial politics.”
— Jack Tchen, Inaugural Clement Price Chair of Public History and Humanities, Rutgers-Newark
“Contested City is a welcome sounding board for artists, designers, planners, educators, and others seeking to alter landscapes of power everywhere. Gabrielle Bendiner-Viani critically orients readers to how stories, conflicts, and cities shape one another, while demonstrating how art and design can supplement self-government ‘without claiming centrality,’ and how making things that ‘don’t tell you what to think’ can be helpful for all of us.”
— Damon Rich, urban designer, MacArthur Fellow
“This underdeveloped piece of downtown Manhattan has long confounded New Yorkers. With scholarly rigor and deep respect for community, Dr. Bendiner-Viani uncovers its secrets at last. Her research has resonance for controversial ‘urban renewal’ projects everywhere.”
— Ada Calhoun, St. Marks Is Dead: The Many Lives of America's Hippest Street
“The author’s recipe for a bright outcome is also what constitutes her very distinctive methodology in the book and in her professional life. . . . The approach is both wonderful and subtle; it would be terrific if all of New York City’s mega projects could receive the same treatment as they proceed.”—City & Community
— City & Community
TABLE OF CONTENTS
Contents
Acknowledgments
Foreword
1. Layered SPURA: “Unless It’s Written, It Never Happened”
2. Walking the Neighborhood: “Where Did All Those People Go?”
3. In Practice #1: Crises and Teaching
4. Three Words: Community, Collaboration, and Public
5. In Practice #2: “In the Same Room without Screaming”
6. The Next Fifty Years: “The Situation Is Getting Real”
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Contested City: Art and Public History as Mediation at New York's Seward Park Urban Renewal Area
by Gabrielle Bendiner-Viani
University of Iowa Press, 2018 eISBN: 978-1-60938-611-5 Paper: 978-1-60938-610-8
2020 Brendan Gill Prize finalist
For forty years, as New York’s Lower East Side went from disinvested to gentrified, residents lived with a wound at the heart of the neighborhood, a wasteland of vacant lots known as the Seward Park Urban Renewal Area (SPURA). Most of the buildings on the fourteen-square-block area were condemned in 1967, displacing thousands of low-income people of color with the promise that they would soon return to new housing—housing that never came.
Over decades, efforts to keep out affordable housing sparked deep-rooted enmity and stalled development, making SPURA a dramatic study of failed urban renewal, as well as a microcosm epitomizing the greatest challenges faced by American cities since World War II.
Artist and urban scholar Gabrielle Bendiner-Viani was invited to enter this tense community to support a new approach to planning, which she accepted using collaboration, community organizing, public history, and public art. Having engaged her students at The New School in a multi-year collaboration with community activists, the exhibitions and guided tours of her Layered SPURA project provided crucial new opportunities for dialogue about the past, present, and future of the neighborhood.
Simultaneously revealing the incredible stories of community and activism at SPURA, and shedding light on the importance of collaborative creative public projects, Contested City bridges art, design, community activism, and urban history. This is a book for artists, planners, scholars, teachers, cultural institutions, and all those who seek to collaborate in new ways with communities.
AUTHOR BIOGRAPHY
Gabrielle Bendiner-Viani is an artist, urban scholar, and curator pioneering public arts and urban research for community engagement. She is principal of the design and research studio Buscada, and teaches urban studies and public art at The New School. Gabrielle lives in New York City.
REVIEWS
“Displacement is one of the most critical issues of our time. Bendiner-Viani brings her expertise in environmental psychology and urban history to this highly accessible and provocative book that explores art, community, and student engagement. Focused on New York City, the issues and practices described in this book are widely applicable in cities across the globe.”
— Yolanda Chávez Leyva, director of the Institute of Oral History & Borderlands Public History Lab, University of Texas at El Paso
“This book demonstrates the power of creative community-engaged practice to understand complex problems like affordable housing in the Lower East Side of Manhattan. It serves as an indispensable guide to those contemplating community-engaged work that weaves together public history, visual analysis, mapping, and oral history.”
— Mallika Bose, Pennsylvania State University
“Bendiner-Viani has written an exemplary, must-read study of long-term neighborhood activism and engaged teaching. Her rigorous, absorbing prose gives witness to and unpacks what it means to organize for people’s place-making and the ongoing fight against rapacious urban bullying and paranoid racial politics.”
— Jack Tchen, Inaugural Clement Price Chair of Public History and Humanities, Rutgers-Newark
“Contested City is a welcome sounding board for artists, designers, planners, educators, and others seeking to alter landscapes of power everywhere. Gabrielle Bendiner-Viani critically orients readers to how stories, conflicts, and cities shape one another, while demonstrating how art and design can supplement self-government ‘without claiming centrality,’ and how making things that ‘don’t tell you what to think’ can be helpful for all of us.”
— Damon Rich, urban designer, MacArthur Fellow
“This underdeveloped piece of downtown Manhattan has long confounded New Yorkers. With scholarly rigor and deep respect for community, Dr. Bendiner-Viani uncovers its secrets at last. Her research has resonance for controversial ‘urban renewal’ projects everywhere.”
— Ada Calhoun, St. Marks Is Dead: The Many Lives of America's Hippest Street
“The author’s recipe for a bright outcome is also what constitutes her very distinctive methodology in the book and in her professional life. . . . The approach is both wonderful and subtle; it would be terrific if all of New York City’s mega projects could receive the same treatment as they proceed.”—City & Community
— City & Community
TABLE OF CONTENTS
Contents
Acknowledgments
Foreword
1. Layered SPURA: “Unless It’s Written, It Never Happened”
2. Walking the Neighborhood: “Where Did All Those People Go?”
3. In Practice #1: Crises and Teaching
4. Three Words: Community, Collaboration, and Public
5. In Practice #2: “In the Same Room without Screaming”
6. The Next Fifty Years: “The Situation Is Getting Real”
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE