University of Iowa Press, 2018 eISBN: 978-1-60938-560-6 | Paper: 978-1-60938-559-0 Library of Congress Classification PS310.N3E36 2018 Dewey Decimal Classification 811.5093553
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume’s essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others.
Contributors offer readings of a diverse range of poets, few of whom have previously been read as nature writers—from midcentury Beat poet Michael McClure, Objectivist poet George Oppen, and African American poets Melvin Tolson and Robert Hayden; to contemporary writers such as Diné poet Sherwin Bitsui, hybrid/ collage poets Claudia Rankine and Evelyn Reilly, emerging QPOC poet Xandria Phillips, and members of the Olimpias disability culture artists’ collective. While addressing preconceptions about the categories of nature writing and ecopoetics, contributors explore, challenge, and reimagine concepts that have been central to environmental discourse, from apocalypse and embodiment to toxicity and sustainability.
This collection of essays makes the compelling argument that ecopoetics should be read as “coextensive with post-1945 poetry and poetics,” rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today.
Contributors: Joshua Bennett, Rob Halpern, Matt Hooley, Angela Hume, Lynn Keller, Petra Kuppers, Michelle Niemann, Gillian Osborne, Samia Rahimtoola, Joan Retallack, Joshua Schuster, Jonathan Skinner.
AUTHOR BIOGRAPHY
Angela Hume is assistant professor of English, creative writing, and environmental literature and theory at the University of Minnesota, Morris. Hume is the author of the poetry chapbooks Melos, The Middle, and Second Story of Your Body, and the book of poetry Middle Time. She lives in both Morris and Minneapolis, Minnesota. Gillian Osborne is an instructor and curriculum advisor for the Poetry in America project at Harvard. Her essays, poems, and reviews have appeared in such journals as the Boston Review, Believer, Critical Flame, New Inquiry, Threepenny Review, and Volt. Osborne lives in Somerville, Massachusetts.
REVIEWS
“This innovative volume showcases a capacious range of critical approaches to the diverse forms, social practices, and political imaginaries of contemporary ecologically oriented poetics. Drawing poetry and environmental theory into compelling new configurations, Ecopoetics: Essays in the Field offers an essential field guide to ecopoetics in a calamitous era.”—Margaret Ronda, University of California–Davis
“These incisive essays offer persuasive arguments for the relevance of diverse poetry to the actualities of ecological damage. They demonstrate how many contemporary poets, whether writing about green stuff, cities, selves, or language, take a critical stand alongside environmental scientists and campaigners, offering vital resources for our altering world.”—Peter Middleton, University of Southampton
This sharply conceived volume is a hive of essays by alert pollinators, buzzing around ecopoetics with fierce determination to rise above casual assumptions about its potential and its applicability. Their deft appraisals are instructive, witty, and bound to provoke serious reconsideration of all that’s at stake in poetry.”—Jed Rasula, University of Georgia
TABLE OF CONTENTS
Contents
Acknowledgments
Ecopoetics as Expanded Critical Practice: An Introduction / Angela Hume and Gillian Osborne
Part 1. The Apocalyptic Imagination
1. Making Art “Under These Apo-Calypso Rays”: Crisis, Apocalypse, and Contemporary Ecopoetics / Lynn Keller
2. “The Idiot Stone”: George Oppen’s Geological Imagination; Or, Objectivist Realism as Ecopoetics / Rob Halpern
Part 2. Embodiment and Animality
3. Visceral Ecopoetics in Charles Olson and Michael McClure: Proprioception, Biology, and the Writing Body / Jonathan Skinner
4. Playing in the Planetary Field: Vulnerability and Syncretic Myth Making in Robert Duncan’s Ecopoetics / Michelle Niemann
5. “Beyond the Vomiting Dark”: Toward a Black Hydropoetics / Joshua Bennett
6. Writing with the Salamander: An Ecopoetic Community Performance Project / Petra Kuppers
Part 3. Environmental Justice
7. Toxic Recognition: Coloniality and Ecocritical Attention / Matt Hooley
8. Toward an Antiracist Ecopoetics: Waste and Wasting in the Poetry of Claudia Rankine / Angela Hume
Part 4. Beyond Sustainability
9. “Hung Up in the Flood”: Resilience, Variability, and the Poetry of Lorine Niedecker / Samia Rahimtoola
10. Reading the Environs: Toward a Conceptual Ecopoetics / Joshua Schuster
11. Hard Days Nights in the Anthropocene / Joan Retallack
Notes
Permissions
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
University of Iowa Press, 2018 eISBN: 978-1-60938-560-6 Paper: 978-1-60938-559-0
Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume’s essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others.
Contributors offer readings of a diverse range of poets, few of whom have previously been read as nature writers—from midcentury Beat poet Michael McClure, Objectivist poet George Oppen, and African American poets Melvin Tolson and Robert Hayden; to contemporary writers such as Diné poet Sherwin Bitsui, hybrid/ collage poets Claudia Rankine and Evelyn Reilly, emerging QPOC poet Xandria Phillips, and members of the Olimpias disability culture artists’ collective. While addressing preconceptions about the categories of nature writing and ecopoetics, contributors explore, challenge, and reimagine concepts that have been central to environmental discourse, from apocalypse and embodiment to toxicity and sustainability.
This collection of essays makes the compelling argument that ecopoetics should be read as “coextensive with post-1945 poetry and poetics,” rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today.
Contributors: Joshua Bennett, Rob Halpern, Matt Hooley, Angela Hume, Lynn Keller, Petra Kuppers, Michelle Niemann, Gillian Osborne, Samia Rahimtoola, Joan Retallack, Joshua Schuster, Jonathan Skinner.
AUTHOR BIOGRAPHY
Angela Hume is assistant professor of English, creative writing, and environmental literature and theory at the University of Minnesota, Morris. Hume is the author of the poetry chapbooks Melos, The Middle, and Second Story of Your Body, and the book of poetry Middle Time. She lives in both Morris and Minneapolis, Minnesota. Gillian Osborne is an instructor and curriculum advisor for the Poetry in America project at Harvard. Her essays, poems, and reviews have appeared in such journals as the Boston Review, Believer, Critical Flame, New Inquiry, Threepenny Review, and Volt. Osborne lives in Somerville, Massachusetts.
REVIEWS
“This innovative volume showcases a capacious range of critical approaches to the diverse forms, social practices, and political imaginaries of contemporary ecologically oriented poetics. Drawing poetry and environmental theory into compelling new configurations, Ecopoetics: Essays in the Field offers an essential field guide to ecopoetics in a calamitous era.”—Margaret Ronda, University of California–Davis
“These incisive essays offer persuasive arguments for the relevance of diverse poetry to the actualities of ecological damage. They demonstrate how many contemporary poets, whether writing about green stuff, cities, selves, or language, take a critical stand alongside environmental scientists and campaigners, offering vital resources for our altering world.”—Peter Middleton, University of Southampton
This sharply conceived volume is a hive of essays by alert pollinators, buzzing around ecopoetics with fierce determination to rise above casual assumptions about its potential and its applicability. Their deft appraisals are instructive, witty, and bound to provoke serious reconsideration of all that’s at stake in poetry.”—Jed Rasula, University of Georgia
TABLE OF CONTENTS
Contents
Acknowledgments
Ecopoetics as Expanded Critical Practice: An Introduction / Angela Hume and Gillian Osborne
Part 1. The Apocalyptic Imagination
1. Making Art “Under These Apo-Calypso Rays”: Crisis, Apocalypse, and Contemporary Ecopoetics / Lynn Keller
2. “The Idiot Stone”: George Oppen’s Geological Imagination; Or, Objectivist Realism as Ecopoetics / Rob Halpern
Part 2. Embodiment and Animality
3. Visceral Ecopoetics in Charles Olson and Michael McClure: Proprioception, Biology, and the Writing Body / Jonathan Skinner
4. Playing in the Planetary Field: Vulnerability and Syncretic Myth Making in Robert Duncan’s Ecopoetics / Michelle Niemann
5. “Beyond the Vomiting Dark”: Toward a Black Hydropoetics / Joshua Bennett
6. Writing with the Salamander: An Ecopoetic Community Performance Project / Petra Kuppers
Part 3. Environmental Justice
7. Toxic Recognition: Coloniality and Ecocritical Attention / Matt Hooley
8. Toward an Antiracist Ecopoetics: Waste and Wasting in the Poetry of Claudia Rankine / Angela Hume
Part 4. Beyond Sustainability
9. “Hung Up in the Flood”: Resilience, Variability, and the Poetry of Lorine Niedecker / Samia Rahimtoola
10. Reading the Environs: Toward a Conceptual Ecopoetics / Joshua Schuster
11. Hard Days Nights in the Anthropocene / Joan Retallack
Notes
Permissions
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE