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Hold-Outs: The Los Angeles Poetry Renaissance, 1948-1992
University of Iowa Press, 2011 Paper: 978-1-60938-073-1 Library of Congress Classification PS285.L7M65 2011 Dewey Decimal Classification 811.5409979494
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
In Hold-Outs, Bill Mohr, long a figure on the Los Angeles poetry scene, reveals the complicated evolution of the literary landscape in a city famous for its production of corporate culture. Mohr’s multigenerational account of the role of the poet-editor-publisher in Los Angeles community formation is nothing less than a radiant mosaic of previously little-known details about an important center of American poetry. While explaining the important role of L.A. in contemporary American poetry, Mohr also explores the ideals and perils of the small press movement in the twentieth century, providing a new generation of literary activists with the knowledge that is needed to inspire their own redefinitions of the social value of alternative artistic practices. Drawing on extensive archival research of original documents, Mohr argues that West Coast poets in general (and Los Angeles poets in particular) have been part of what can be called not so much a haven of more imaginatively inspired artists but, rather, a site of revisionist creativity. Revealed here are the personalities (including Stuart Perkoff, Wanda Coleman, Leland Hickman, Paul Vangelisti, Don Gordon, Suzanne Lummis, John Thomas, Ron Koertge, and Charles Bukowski, among others), the institutions, the publications, and the informal poetry groups that together formed a matrix that encouraged poetry to be written, performed, published, and acknowledged. Hold-Outs is a stunning roadmap of the interwoven contexts of an ongoing cultural debate whose most important witnesses are finally being heard. See other books on: American poetry | California | In literature | Los Angeles | Los Angeles (Calif.) See other titles from University of Iowa Press |
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Nearby on shelf for American literature / Special regions, states, etc. / West and Central:
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Hold-Outs: The Los Angeles Poetry Renaissance, 1948-1992
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
University of Iowa Press, 2011
Paper: 978-1-60938-073-1
Paper: 978-1-60938-073-1
In Hold-Outs, Bill Mohr, long a figure on the Los Angeles poetry scene, reveals the complicated evolution of the literary landscape in a city famous for its production of corporate culture. Mohr’s multigenerational account of the role of the poet-editor-publisher in Los Angeles community formation is nothing less than a radiant mosaic of previously little-known details about an important center of American poetry. While explaining the important role of L.A. in contemporary American poetry, Mohr also explores the ideals and perils of the small press movement in the twentieth century, providing a new generation of literary activists with the knowledge that is needed to inspire their own redefinitions of the social value of alternative artistic practices.
Drawing on extensive archival research of original documents, Mohr argues that West Coast poets in general (and Los Angeles poets in particular) have been part of what can be called not so much a haven of more imaginatively inspired artists but, rather, a site of revisionist creativity. Revealed here are the personalities (including Stuart Perkoff, Wanda Coleman, Leland Hickman, Paul Vangelisti, Don Gordon, Suzanne Lummis, John Thomas, Ron Koertge, and Charles Bukowski, among others), the institutions, the publications, and the informal poetry groups that together formed a matrix that encouraged poetry to be written, performed, published, and acknowledged.
Hold-Outs is a stunning roadmap of the interwoven contexts of an ongoing cultural debate whose most important witnesses are finally being heard.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
