Women, the New York School, and Other True Abstractions
by Maggie Nelson
University of Iowa Press, 2007 eISBN: 978-1-58729-748-9 | Cloth: 978-1-58729-615-4 | Paper: 978-1-60938-109-7 Library of Congress Classification PS255.N5N46 2007 Dewey Decimal Classification 811.5409
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.
AUTHOR BIOGRAPHY
Maggie Nelson is a poet and essayist on the faculty of the School of Critical Studies at California Institute of the Arts. She is the author of a book of nonfiction, The Red Parts: A Memoir, as well as several books of poetry, including Jane: A Murder (finalist, PEN/Martha Albrand Award for the Art of the Memoir), The Latest Winter, and Shiner. A fourth collection of poems, Something Bright, Then Holes, is forthcoming.
REVIEWS
"After decades of listening (enthralled, of course) to the knitted ribbon-dress observations of John Ashbery, Frank O'Hara, and James Schuyler, finally, the other serious ladies of the necessarily 'so called' New York School--Joan Mitchell, Barbara Guest, Bernadette Mayer, Alice Notley, and Eileen Myles--are invited to give their full throated response. Smart as a whip and fun as an after hours bar, Maggie Nelson gets fresh with heretofore queerly ignored matters poetic, aesthetic, and feminist. Rearranging the school's classroom seating, illuminating details, all the while demonstrating how crucial not caring is to care, Nelson remaps the 'one flow' of poetry. Let me blunt: reading her bravura study's like spying on Joan Jett taking Helen Vendler for a joyride."--Bruce Hainley
"So many times over the years I’ve been asked, What’s it like to be a woman in rock music? It’s always been sort of a paralyzing question-to answer it is to give the question itself meaning. Maggie Nelson here opens it all up for examination with this incredibly timely and astute book."-Kim Gordon of Sonic Youth
"Maggie Nelson is deft and revelatory in bringing sociological as well as psychological, stylistic, and political insights to bear on her title terms, ‘women’ and ‘the New York School.’ She lays bare an obscured history, performs imaginative and incisive readings of careers as well as books and poems, and foots her way with exciting skill through the overlapping minefields of professional, national, and sexual politics."--Eve Kosofsky Sedgwick, author, A Dialogue on Love
TABLE OF CONTENTS
Contents
Tales in and out of School: An Introduction
Part One
Abstract Practices: The Art of Joan Mitchell, Barbara Guest, and Their Others
Getting Particular: Gender at Play in the Work of John Ashbery, Frank O’Hara, and James Schuyler
Part Two
What Life Isn’t Daily? The Gratuitous Art of Bernadette Mayer
Dear Dark Continent: Alice Notley’s Disobediences
When We’re Alone in Public: The Metabolic Work of Eileen Myles
Afterword
Notes
Selected Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Women, the New York School, and Other True Abstractions
by Maggie Nelson
University of Iowa Press, 2007 eISBN: 978-1-58729-748-9 Cloth: 978-1-58729-615-4 Paper: 978-1-60938-109-7
Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.
AUTHOR BIOGRAPHY
Maggie Nelson is a poet and essayist on the faculty of the School of Critical Studies at California Institute of the Arts. She is the author of a book of nonfiction, The Red Parts: A Memoir, as well as several books of poetry, including Jane: A Murder (finalist, PEN/Martha Albrand Award for the Art of the Memoir), The Latest Winter, and Shiner. A fourth collection of poems, Something Bright, Then Holes, is forthcoming.
REVIEWS
"After decades of listening (enthralled, of course) to the knitted ribbon-dress observations of John Ashbery, Frank O'Hara, and James Schuyler, finally, the other serious ladies of the necessarily 'so called' New York School--Joan Mitchell, Barbara Guest, Bernadette Mayer, Alice Notley, and Eileen Myles--are invited to give their full throated response. Smart as a whip and fun as an after hours bar, Maggie Nelson gets fresh with heretofore queerly ignored matters poetic, aesthetic, and feminist. Rearranging the school's classroom seating, illuminating details, all the while demonstrating how crucial not caring is to care, Nelson remaps the 'one flow' of poetry. Let me blunt: reading her bravura study's like spying on Joan Jett taking Helen Vendler for a joyride."--Bruce Hainley
"So many times over the years I’ve been asked, What’s it like to be a woman in rock music? It’s always been sort of a paralyzing question-to answer it is to give the question itself meaning. Maggie Nelson here opens it all up for examination with this incredibly timely and astute book."-Kim Gordon of Sonic Youth
"Maggie Nelson is deft and revelatory in bringing sociological as well as psychological, stylistic, and political insights to bear on her title terms, ‘women’ and ‘the New York School.’ She lays bare an obscured history, performs imaginative and incisive readings of careers as well as books and poems, and foots her way with exciting skill through the overlapping minefields of professional, national, and sexual politics."--Eve Kosofsky Sedgwick, author, A Dialogue on Love
TABLE OF CONTENTS
Contents
Tales in and out of School: An Introduction
Part One
Abstract Practices: The Art of Joan Mitchell, Barbara Guest, and Their Others
Getting Particular: Gender at Play in the Work of John Ashbery, Frank O’Hara, and James Schuyler
Part Two
What Life Isn’t Daily? The Gratuitous Art of Bernadette Mayer
Dear Dark Continent: Alice Notley’s Disobediences
When We’re Alone in Public: The Metabolic Work of Eileen Myles
Afterword
Notes
Selected Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE