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Sunday Houses the Sunday House
University of Iowa Press, 2007 Paper: 978-1-58729-528-7 | eISBN: 978-1-58729-726-7 Library of Congress Classification PS3608.U377S86 2007 Dewey Decimal Classification 813.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
2006 Iowa Poetry Prize winner In Sunday Houses the Sunday House, Elizabeth Hughey embraces the possibility that we can learn as much from objects as we can from other people, from the inanimate as much as the animate. Each poem descends upon a place and a time, takes a few notes, and then leaves quietly without slamming any doors. Sunday Houses the Sunday House reveals what the world is like when your attention is focused elsewhere, when your head is turned the other way. In ineffably beautiful verse, Hughey captures moments in time and place with confidence but without being judgmental. Although it may seem that the scope of these poems is rather small—a good party, a couple of eggs, a housekeeper’s daydream—they reveal both a deep intelligence and a spirit of whimsy. Gertrude Stein wrote that she wanted to be “drunk with nouns,” and in a sense that is what Hughey has accomplished here. |
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Nearby on shelf for American literature / Individual authors / 2001-:
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Sunday Houses the Sunday House
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
University of Iowa Press, 2007
Paper: 978-1-58729-528-7
eISBN: 978-1-58729-726-7
Paper: 978-1-58729-528-7
eISBN: 978-1-58729-726-7
2006 Iowa Poetry Prize winner
In Sunday Houses the Sunday House, Elizabeth Hughey embraces the possibility that we can learn as much from objects as we can from other people, from the inanimate as much as the animate. Each poem descends upon a place and a time, takes a few notes, and then leaves quietly without slamming any doors. Sunday Houses the Sunday House reveals what the world is like when your attention is focused elsewhere, when your head is turned the other way.
In ineffably beautiful verse, Hughey captures moments in time and place with confidence but without being judgmental. Although it may seem that the scope of these poems is rather small—a good party, a couple of eggs, a housekeeper’s daydream—they reveal both a deep intelligence and a spirit of whimsy. Gertrude Stein wrote that she wanted to be “drunk with nouns,” and in a sense that is what Hughey has accomplished here.
In Sunday Houses the Sunday House, Elizabeth Hughey embraces the possibility that we can learn as much from objects as we can from other people, from the inanimate as much as the animate. Each poem descends upon a place and a time, takes a few notes, and then leaves quietly without slamming any doors. Sunday Houses the Sunday House reveals what the world is like when your attention is focused elsewhere, when your head is turned the other way.
In ineffably beautiful verse, Hughey captures moments in time and place with confidence but without being judgmental. Although it may seem that the scope of these poems is rather small—a good party, a couple of eggs, a housekeeper’s daydream—they reveal both a deep intelligence and a spirit of whimsy. Gertrude Stein wrote that she wanted to be “drunk with nouns,” and in a sense that is what Hughey has accomplished here.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
