One Homogeneous People: Narratives of White Southern Identity, 1890–1920
by Trent A. Watts
University of Tennessee Press, 2010 eISBN: 978-1-57233-743-5 | Cloth: 978-1-57233-503-5 Library of Congress Classification F209.W37 2010 Dewey Decimal Classification 305.800975
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Southerners have a reputation as storytellers, as a people fond of telling about family, community, and the southern way of life. A compelling book about some of those stories and their consequences, One Homogeneous People examines the forging and the embracing of southern “pan-whiteness” as an ideal during the volatile years surrounding the turn of the twentieth century.
Trent Watts argues that despite real and signifcant divisions within the South along lines of religion, class, and ethnicity, white southerners—especially in moments of perceived danger—asserted that they were one people bound by a shared history, a love of family, home, and community, and an uncompromising belief in white supremacy. Watts explores how these southerners explained their region and its people to themselves and other Americans through narratives found in a variety of forms and contexts: political oratory, fiction, historiography, journalism, correspondence, literary criticism, and the built environment.
Watts examines the assertions of an ordered, homogeneous white South (and the threats to it) in the unsettling years following the end of Reconstruction through the early 1900s. In three extended essays on related themes of race and power, the book demonstrates the remarkable similarity of discourses of pan-whiteness across formal and generic lines. In an insightful concluding essay that focuses on an important but largely unexamined institution, Mississippi’s Neshoba County Fair, Watts shows how narratives of pan-white identity initiated in the late nineteenth century have persisted to the present day.
Written in a lively style, One Homogeneous People is a valuable addition to the scholarship on southern culture and post-Reconstruction southern history.
AUTHOR BIOGRAPHY
Trent Watts is the editor of White Masculinity in the Recent South. His work has appeared in Southern Cultures and The New Encyclopedia of Southern Culture. He is assistant professor of American studies at the Missouri University of Science and Technology.
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction
Chapter 1. The Road to a Closed Society: Mississippi Politics and the Language of White Southern Identity
Chapter 2. Manhood, Family, and White Identity in Thomas Nelson Page’s “Marse Chan” and Thomas W. Dixon’s The Leopard’s Spots
Chapter 3. “The South Is a Single, Homogeneous People”: Canonizing Southern History and Literature
Conclusion: “Mississippi’s Giant House Party”: Whiteness and Community at the Neshoba County Fair
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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One Homogeneous People: Narratives of White Southern Identity, 1890–1920
by Trent A. Watts
University of Tennessee Press, 2010 eISBN: 978-1-57233-743-5 Cloth: 978-1-57233-503-5
Southerners have a reputation as storytellers, as a people fond of telling about family, community, and the southern way of life. A compelling book about some of those stories and their consequences, One Homogeneous People examines the forging and the embracing of southern “pan-whiteness” as an ideal during the volatile years surrounding the turn of the twentieth century.
Trent Watts argues that despite real and signifcant divisions within the South along lines of religion, class, and ethnicity, white southerners—especially in moments of perceived danger—asserted that they were one people bound by a shared history, a love of family, home, and community, and an uncompromising belief in white supremacy. Watts explores how these southerners explained their region and its people to themselves and other Americans through narratives found in a variety of forms and contexts: political oratory, fiction, historiography, journalism, correspondence, literary criticism, and the built environment.
Watts examines the assertions of an ordered, homogeneous white South (and the threats to it) in the unsettling years following the end of Reconstruction through the early 1900s. In three extended essays on related themes of race and power, the book demonstrates the remarkable similarity of discourses of pan-whiteness across formal and generic lines. In an insightful concluding essay that focuses on an important but largely unexamined institution, Mississippi’s Neshoba County Fair, Watts shows how narratives of pan-white identity initiated in the late nineteenth century have persisted to the present day.
Written in a lively style, One Homogeneous People is a valuable addition to the scholarship on southern culture and post-Reconstruction southern history.
AUTHOR BIOGRAPHY
Trent Watts is the editor of White Masculinity in the Recent South. His work has appeared in Southern Cultures and The New Encyclopedia of Southern Culture. He is assistant professor of American studies at the Missouri University of Science and Technology.
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction
Chapter 1. The Road to a Closed Society: Mississippi Politics and the Language of White Southern Identity
Chapter 2. Manhood, Family, and White Identity in Thomas Nelson Page’s “Marse Chan” and Thomas W. Dixon’s The Leopard’s Spots
Chapter 3. “The South Is a Single, Homogeneous People”: Canonizing Southern History and Literature
Conclusion: “Mississippi’s Giant House Party”: Whiteness and Community at the Neshoba County Fair
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE