|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
The Magic Hour: Film At Fin De Siecle
Temple University Press, 2003 Cloth: 978-1-56639-995-1 | Paper: 978-1-56639-996-8 Library of Congress Classification PN1994.H57 2003 Dewey Decimal Classification 791.43
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
The "magic hour" is the name film-makers give the pre-dusk late afternoon, when anything photographed can be bathed in a melancholy golden light. A similar mood characterized the movies of the 1990s, occasioned by cinema's 1995-96 centennial and the waning of the twentieth century, as well as the decline of cinephilia and the seemingly universal triumph of Hollywood.The Magic Hour: Film at Fin de Siècle anthologizes J. Hoberman's movie reviews, cultural criticism, and political essays, published in The Village Voice, Artforum, and elsewhere during the period bracketed by the fall of the Berlin Wall and the collapse of the World Trade Towers. Demonstrating Hoberman's range as a critic, this collection reflects on the influence of Fritz Lang, as well as Quentin Tarantino, on the end of the Western and representation of the Gulf War, the Hong Kong neo-wave and the "boomerography" manifest in the cycle of movies inspired by the reign of Bill Clinton. As in his previous anthology, Vulgar Modernism: Writings on Movies and Other Media (nominated for a National Book Critics Circle Award), Hoberman's overriding interest is the intersection of popular culture and political power at the point where the history of film merges with what Jean-Luc Godard called "the film of history." See other books on: Hoberman, J. | Media Studies | Motion pictures | Reviews | Social Science See other titles from Temple University Press |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Nearby on shelf for Literature (General) / Drama / Motion pictures:
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Magic Hour: Film At Fin De Siecle
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
Temple University Press, 2003
Cloth: 978-1-56639-995-1
Paper: 978-1-56639-996-8
Cloth: 978-1-56639-995-1
Paper: 978-1-56639-996-8
The "magic hour" is the name film-makers give the pre-dusk late afternoon, when anything photographed can be bathed in a melancholy golden light. A similar mood characterized the movies of the 1990s, occasioned by cinema's 1995-96 centennial and the waning of the twentieth century, as well as the decline of cinephilia and the seemingly universal triumph of Hollywood.The Magic Hour: Film at Fin de Siècle anthologizes J. Hoberman's movie reviews, cultural criticism, and political essays, published in The Village Voice, Artforum, and elsewhere during the period bracketed by the fall of the Berlin Wall and the collapse of the World Trade Towers. Demonstrating Hoberman's range as a critic, this collection reflects on the influence of Fritz Lang, as well as Quentin Tarantino, on the end of the Western and representation of the Gulf War, the Hong Kong neo-wave and the "boomerography" manifest in the cycle of movies inspired by the reign of Bill Clinton. As in his previous anthology, Vulgar Modernism: Writings on Movies and Other Media (nominated for a National Book Critics Circle Award), Hoberman's overriding interest is the intersection of popular culture and political power at the point where the history of film merges with what Jean-Luc Godard called "the film of history."
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
