The New Real: Media and Mimesis in Japan from Stereographs to Emoji
University of Minnesota Press, 2022
Paper: 978-1-5179-1391-5 | eISBN: 978-1-4529-6808-7 | Cloth: 978-1-5179-1066-2
Library of Congress Classification JK1899.F73G74 2021
Dewey Decimal Classification 323.092
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS
ABOUT THIS BOOK
Unlocking a vital understanding of how literary studies and media studies overlap and are bound together
From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji.
By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world.
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