Duke University Press, 2022 Cloth: 978-1-4780-1528-4 | eISBN: 978-1-4780-2252-7 | Paper: 978-1-4780-1790-5 Library of Congress Classification PS3570.A635Z46 2022
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew André Breton, Salvador Dalí, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Lévi-Strauss, and many more of the twentieth century’s major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person.” Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.
AUTHOR BIOGRAPHY Nathaniel Tarn is Distinguished Professor Emeritus of Comparative Literature and Anthropology at Rutgers University and the author of over three dozen works of poetry, criticism, and scholarship, including The Hölderliniae, Gondwana and Other Poems, and The Embattled Lyric: Essays and Conversations in Poetics and Anthropology. He has lived north of Santa Fe, New Mexico, for the past forty years.
REVIEWS
“Nathaniel Tarn doesn’t fit our whole world within his imagined autobiographical Atlantis, but he comes intoxicatingly close by way of a rigorous and expansive investigation of his lifelong quest to achieve a science of spirituality. ‘Completion,’ Tarn declares, ‘is not a word that should ever come near this book.’ Likewise, no reader interested in the myriad histories and personae of the self will wish for it either.”
-- Albert Mobilio
“What a great pleasure it is to read such a thoughtful, original, and necessary book, one that touches on so many aspects of culture, the life of the mind, the sources and resources of the creative imagination, all indelibly arrayed against a long life full of exotic travels and memorable human encounters. There is so much to savor in this fabulously inviting work of courageous generosity.”
-- Jed Rasula
"A work of brilliant originality, simultaneously a memoir, an ethnography, a sweeping masterpiece of travel literature, and above all, a poetic testimony of unflinching intelligence and grand passion."
-- Norman Finkelstein Restless Messengers
"It’s singularly interesting experience to ingest this book, to be amid it, even to be overwhelmed by it. Atlantis, is a readable avalanche, a discontinuous (but still chronological) memoir, a Big Bricolage of notations, essayistic forays, diary squibs of living life, field notes and polemics, giving the reader charming and telling vignettes . . . these being anecdotes of rare drollery, along with polemics of incisive, and sometimes got-a-bee-in-bonnet challenges...."
Duke University Press, 2022 Cloth: 978-1-4780-1528-4 eISBN: 978-1-4780-2252-7 Paper: 978-1-4780-1790-5
Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew André Breton, Salvador Dalí, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Lévi-Strauss, and many more of the twentieth century’s major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person.” Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.
AUTHOR BIOGRAPHY Nathaniel Tarn is Distinguished Professor Emeritus of Comparative Literature and Anthropology at Rutgers University and the author of over three dozen works of poetry, criticism, and scholarship, including The Hölderliniae, Gondwana and Other Poems, and The Embattled Lyric: Essays and Conversations in Poetics and Anthropology. He has lived north of Santa Fe, New Mexico, for the past forty years.
REVIEWS
“Nathaniel Tarn doesn’t fit our whole world within his imagined autobiographical Atlantis, but he comes intoxicatingly close by way of a rigorous and expansive investigation of his lifelong quest to achieve a science of spirituality. ‘Completion,’ Tarn declares, ‘is not a word that should ever come near this book.’ Likewise, no reader interested in the myriad histories and personae of the self will wish for it either.”
-- Albert Mobilio
“What a great pleasure it is to read such a thoughtful, original, and necessary book, one that touches on so many aspects of culture, the life of the mind, the sources and resources of the creative imagination, all indelibly arrayed against a long life full of exotic travels and memorable human encounters. There is so much to savor in this fabulously inviting work of courageous generosity.”
-- Jed Rasula
"A work of brilliant originality, simultaneously a memoir, an ethnography, a sweeping masterpiece of travel literature, and above all, a poetic testimony of unflinching intelligence and grand passion."
-- Norman Finkelstein Restless Messengers
"It’s singularly interesting experience to ingest this book, to be amid it, even to be overwhelmed by it. Atlantis, is a readable avalanche, a discontinuous (but still chronological) memoir, a Big Bricolage of notations, essayistic forays, diary squibs of living life, field notes and polemics, giving the reader charming and telling vignettes . . . these being anecdotes of rare drollery, along with polemics of incisive, and sometimes got-a-bee-in-bonnet challenges...."