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The Jamaica Reader: History, Culture, Politics

edited by Diana Paton and Matthew J. Smith

Duke University Press, 2021
Cloth: 978-1-4780-1049-4 | eISBN: 978-1-4780-1309-9 | Paper: 978-1-4780-1151-4
Library of Congress Classification F1881.J36 2021

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE

ABOUT THIS BOOK
From Miss Lou to Bob Marley and Usain Bolt to Kamala Harris, Jamaica has had an outsized reach in global mainstream culture. Yet many of its most important historical, cultural, and political events and aspects are largely unknown beyond the island. The Jamaica Reader presents a panoramic history of the country, from its precontact indigenous origins to the present. Combining more than one hundred classic and lesser-known texts that include journalism, lyrics, memoir, and poetry, the Reader showcases myriad voices from over the centuries: the earliest published black writer in the English-speaking world; contemporary dancehall artists; Marcus Garvey; and anonymous migrant workers. It illuminates the complexities of Jamaica's past, addressing topics such as resistance to slavery, the modern tourist industry, the realities of urban life, and the struggle to find a national identity following independence in 1962. Throughout, it sketches how its residents and visitors have experienced and shaped its place in the world. Providing an unparalleled look at Jamaica's history, culture, and politics, this volume is an ideal companion for anyone interested in learning about this magnetic and dynamic nation.

AUTHOR BIOGRAPHY
Diana Paton is William Robertson Professor of History at the University of Edinburgh.

Matthew J. Smith is Professor of History and Director of The Centre for the Study of Legacies of British Slave-Ownership, University College London.

REVIEWS

“Jamaica is an endless paradox, virtually impossible to summarize neatly in any single document. In The Jamaica Reader, Diana Paton and Matthew Smith extend an invitation to us to reflect on this paradox, its histories, and its cultural-political implications. In their thoughtful and diverse selection of texts (some expressive, some analytical, some narrative), framed by an engaging introduction, they offer a searching panorama of sometimes competing perspectives on the very idea of Jamaica.”

-- David Scott, Columbia University

“This is a bird's-eye view of the island shaped like a swimming turtle. It is a learned and joyful compendium of everything anyone needs to know about the place Columbus called the fairest isle that eyes ever beheld. Diana Paton and Matthew J. Smith have done a brilliant job of curating what is surely the most complete and all-encompassing gathering of writing about Jamaica ever assembled.”

-- Lorna Goodison, Poet Laureate of Jamaica

"This is an essential text for students of Jamaican history, society, culture and politics, and I am confident it will be a standard reader in Caribbean studies for many years to come.… It is impossible to see this book as anything other than the best introduction to the history of Jamaica, and the lives of the Jamaican people."

-- F.S.J. Ledgister Caribbean Quarterly

"The Jamaica Reader will prove highly useful to students and scholars alike. Indeed, such is the nature and layout of the excerpts that have been included that it appeals simultaneously to those looking for a general introduction to the history, politics and culture of Jamaica, and to those who may be already familiar with the island, but wish to explore further and in greater depth. Additionally, the generally short nature of each of the extracts actually makes the book an ideal teaching resource, whether as an introduction to engaging with the historiography of Jamaica, or as a way of exploring a wider variety of contemporary sources and accounts."

-- Ben Markham History

"It’s hard to think of a better introductory resource on the island, replete with bibliography, illustrations, and excellent brief introductions to each chapter."

-- Richard Price and Sally Price New West Indian Guide

"The cultural selections on visual arts—enhanced by color illustrations—and the worldwide influence of reggae are welcome additions to the more familiar material. Best for courses on Caribbean and Latin American studies in general. Recommended. General readers through graduate students."

-- Choice

TABLE OF CONTENTS

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