Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War
by Jennifer Ponce de León
Duke University Press, 2021 eISBN: 978-1-4780-1278-8 | Paper: 978-1-4780-1125-5 | Cloth: 978-1-4780-1020-3 Library of Congress Classification N72.S6P663 2021
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
AUTHOR BIOGRAPHY Jennifer Ponce de León is Assistant Professor of English at the University of Pennsylvania.
REVIEWS
“One of the most significant areas of new research in socially engaged art concerns the ways in which this work both challenges existing aesthetic paradigms and calls upon us to develop new ones that can account for its unique complexity as both artistic practice and political praxis. Another Aesthetics Is Possible breaks new ground in this endeavor, offering a materialist concept of the aesthetic, rooted in Marxist theory and anticolonial resistance, along with nuanced readings of key projects developed in the Americas over the past two decades. Sure to be required reading for classes in activist and engaged art as well as postcolonial studies.”
-- Grant H. Kester, coeditor of Collective Situations: Readings in Contemporary Latin American Art, 1995–2010
“Rather than thinking about art as a response to oppressive political moments, Jennifer Ponce de León points us to artistic practices that force us to read against the systems of domination that authoritarian regimes and liberal ideologies uphold. Another Aesthetics Is Possible makes a profound intervention in fields interested in the intersection of art and politics, serving as a model into the future for anyone interested in truly ameliorating social and economic circumstances for people across the Americas. Engaging and thoroughly provocative.”
-- Laura G. Gutiérrez, author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage
"The role of criticism is to enable this impact, to keep the aesthetic practice alive for one, two, three generations afterwards so it persists as a resource for building another world. Another Aesthetics is Possible is an exemplary model of performing this role."
-- Michael Dango Lateral
"With Another Aesthetics is Possible, Ponce de León raises the bar for cultural critics, particularly those on the left, by arguing that they should register and study people’s innovative ways of resisting oppression within the framework of collectively lived experience rather than the fantasy of the narcissist individual."
-- Fouad Mami Cleveland Review of Books
"A vital intervention this book makes is to challenge the notion of the arts as an autonomous production separate from world-defining social struggles. . . . Another Aesthetics Is Possible, like the movements and artists it examines, contributes to the collective work of reorienting our aesthetic frameworks so that we can materialize a livable world beyond the demands of totalitarian neoliberalism."
-- Josh Rios Latin American and Latinx Visual Culture
TABLE OF CONTENTS
Acknowledgments ix Introduction 1 1. Through an Anticolonial Looking Glass 29 2. Historiographers of the Invisible 80 3. Reframing Violence and Justice: Human Rights and Class Warfare 126 4. State Theater, Security, T/Errorism 192 Conclusion: Another Aesthetics—Another Politics—Is Possible 247 Notes 251 Bibliography 279 Index 303
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If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War
by Jennifer Ponce de León
Duke University Press, 2021 eISBN: 978-1-4780-1278-8 Paper: 978-1-4780-1125-5 Cloth: 978-1-4780-1020-3
In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
AUTHOR BIOGRAPHY Jennifer Ponce de León is Assistant Professor of English at the University of Pennsylvania.
REVIEWS
“One of the most significant areas of new research in socially engaged art concerns the ways in which this work both challenges existing aesthetic paradigms and calls upon us to develop new ones that can account for its unique complexity as both artistic practice and political praxis. Another Aesthetics Is Possible breaks new ground in this endeavor, offering a materialist concept of the aesthetic, rooted in Marxist theory and anticolonial resistance, along with nuanced readings of key projects developed in the Americas over the past two decades. Sure to be required reading for classes in activist and engaged art as well as postcolonial studies.”
-- Grant H. Kester, coeditor of Collective Situations: Readings in Contemporary Latin American Art, 1995–2010
“Rather than thinking about art as a response to oppressive political moments, Jennifer Ponce de León points us to artistic practices that force us to read against the systems of domination that authoritarian regimes and liberal ideologies uphold. Another Aesthetics Is Possible makes a profound intervention in fields interested in the intersection of art and politics, serving as a model into the future for anyone interested in truly ameliorating social and economic circumstances for people across the Americas. Engaging and thoroughly provocative.”
-- Laura G. Gutiérrez, author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage
"The role of criticism is to enable this impact, to keep the aesthetic practice alive for one, two, three generations afterwards so it persists as a resource for building another world. Another Aesthetics is Possible is an exemplary model of performing this role."
-- Michael Dango Lateral
"With Another Aesthetics is Possible, Ponce de León raises the bar for cultural critics, particularly those on the left, by arguing that they should register and study people’s innovative ways of resisting oppression within the framework of collectively lived experience rather than the fantasy of the narcissist individual."
-- Fouad Mami Cleveland Review of Books
"A vital intervention this book makes is to challenge the notion of the arts as an autonomous production separate from world-defining social struggles. . . . Another Aesthetics Is Possible, like the movements and artists it examines, contributes to the collective work of reorienting our aesthetic frameworks so that we can materialize a livable world beyond the demands of totalitarian neoliberalism."
-- Josh Rios Latin American and Latinx Visual Culture
TABLE OF CONTENTS
Acknowledgments ix Introduction 1 1. Through an Anticolonial Looking Glass 29 2. Historiographers of the Invisible 80 3. Reframing Violence and Justice: Human Rights and Class Warfare 126 4. State Theater, Security, T/Errorism 192 Conclusion: Another Aesthetics—Another Politics—Is Possible 247 Notes 251 Bibliography 279 Index 303
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE