Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation
by Trimiko Melancon
Temple University Press, 2014 Cloth: 978-1-4399-1145-7 | eISBN: 978-1-4399-1147-1 | Paper: 978-1-4399-1146-4 Library of Congress Classification PS153.N5M39 2014 Dewey Decimal Classification 810.992870899607
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Unbought and Unbossed critically examines the ways black women writers in the 1970s and early 1980s deploy black female characters that transgress racial, gender, and especially sexual boundaries. Trimiko Melancon analyzes literary and cultural texts, including Toni Morrison’s Sula and Gloria Naylor’s The Women of Brewster Place, in the socio-cultural and historical moments of their production. She shows how representations of black women in the American literary and cultural imagination diverge from stereotypes and constructions of “whiteness,” as well as constructions of female identity imposed by black nationalism.
Drawing from black feminist and critical race theories, historical discourses on gender and sexuality, and literary criticism, Melancon explores the variety and complexity of black female identity. She illuminates how authors including Ann Allen Shockley, Alice Walker, and Gayl Jones engage issues of desire, intimacy, and independence to shed light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality.
AUTHOR BIOGRAPHY
Trimiko Melancon is Assistant Professor of English, African American Studies, and Women's Studies at Loyola University New Orleans.
REVIEWS
"Trimiko Melancon offers beautiful and complex readings of novels by Toni Morrison, Ann Allen Shockley, Alice Walker, Gayl Jones, and Gloria Naylor while effortlessly synthesizing a generation of scholarship on black sexuality. Unbought and Unbossed is a refreshingly innovative new work destined to become a classic."
—Robert F. Reid-Pharr, author of Once You Go Black: Choice, Desire, and the Black American Intellectual
"Unbought and Unbossed is an interesting exploration of black female sexual politics and literary representations of black womanhood at the intersection of three political and aesthetic movements: black nationalism, (black) feminism, and postmodernism. I was especially impressed with Melancon’s close readings of the primary texts and her analysis of the symbolic sexual play and coming of age of the characters. This book is a welcome addition to the very few literary studies that deal explicitly with black womanhood and transgressive sexuality."
—Eve Dunbar, Associate Professor of English at Vassar College and author of Black Regions of the Imagination: African American Writers between the Nation and the World
"[A] critical analysis of five 'post-1960s black women’s texts.' ... Perhaps most provocatively, Melancon concentrates on the transgressive sexuality present in all of these books... and asserts its importance to the authors’ larger project.... [S]erious readers of African-American literature will value the innovative observations offered on the intersection of 'race, gender, and sexuality' in American life and letters." —Publishers Weekly
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Disrupting Dissemblance
1 “New World Black and New World Woman”: Or, Beyond the Classical Black Female Script
2 Toward an Aesthetic of Transgression: Ann Allen Shockley’s Loving Her and the Politics of Same-Gender Loving
3 Negotiating Cultural Politics
4 “That Way Lies Madness”: Sexuality, Violent Excess, and Perverse Desire
5 “Between a Rock and a Hard Place”: Gloria Naylor’s The Women of Brewster Place
Conclusion: “Without Fear of Reprisals”: Representation in the Age of Michelle Obama
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation
by Trimiko Melancon
Temple University Press, 2014 Cloth: 978-1-4399-1145-7 eISBN: 978-1-4399-1147-1 Paper: 978-1-4399-1146-4
Unbought and Unbossed critically examines the ways black women writers in the 1970s and early 1980s deploy black female characters that transgress racial, gender, and especially sexual boundaries. Trimiko Melancon analyzes literary and cultural texts, including Toni Morrison’s Sula and Gloria Naylor’s The Women of Brewster Place, in the socio-cultural and historical moments of their production. She shows how representations of black women in the American literary and cultural imagination diverge from stereotypes and constructions of “whiteness,” as well as constructions of female identity imposed by black nationalism.
Drawing from black feminist and critical race theories, historical discourses on gender and sexuality, and literary criticism, Melancon explores the variety and complexity of black female identity. She illuminates how authors including Ann Allen Shockley, Alice Walker, and Gayl Jones engage issues of desire, intimacy, and independence to shed light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality.
AUTHOR BIOGRAPHY
Trimiko Melancon is Assistant Professor of English, African American Studies, and Women's Studies at Loyola University New Orleans.
REVIEWS
"Trimiko Melancon offers beautiful and complex readings of novels by Toni Morrison, Ann Allen Shockley, Alice Walker, Gayl Jones, and Gloria Naylor while effortlessly synthesizing a generation of scholarship on black sexuality. Unbought and Unbossed is a refreshingly innovative new work destined to become a classic."
—Robert F. Reid-Pharr, author of Once You Go Black: Choice, Desire, and the Black American Intellectual
"Unbought and Unbossed is an interesting exploration of black female sexual politics and literary representations of black womanhood at the intersection of three political and aesthetic movements: black nationalism, (black) feminism, and postmodernism. I was especially impressed with Melancon’s close readings of the primary texts and her analysis of the symbolic sexual play and coming of age of the characters. This book is a welcome addition to the very few literary studies that deal explicitly with black womanhood and transgressive sexuality."
—Eve Dunbar, Associate Professor of English at Vassar College and author of Black Regions of the Imagination: African American Writers between the Nation and the World
"[A] critical analysis of five 'post-1960s black women’s texts.' ... Perhaps most provocatively, Melancon concentrates on the transgressive sexuality present in all of these books... and asserts its importance to the authors’ larger project.... [S]erious readers of African-American literature will value the innovative observations offered on the intersection of 'race, gender, and sexuality' in American life and letters." —Publishers Weekly
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Disrupting Dissemblance
1 “New World Black and New World Woman”: Or, Beyond the Classical Black Female Script
2 Toward an Aesthetic of Transgression: Ann Allen Shockley’s Loving Her and the Politics of Same-Gender Loving
3 Negotiating Cultural Politics
4 “That Way Lies Madness”: Sexuality, Violent Excess, and Perverse Desire
5 “Between a Rock and a Hard Place”: Gloria Naylor’s The Women of Brewster Place
Conclusion: “Without Fear of Reprisals”: Representation in the Age of Michelle Obama
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE