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Picking Up the Tab: The Life and Movies of Martin Ritt
University of Wisconsin Press, 1994 Cloth: 978-0-87972-671-3 | Paper: 978-0-87972-672-0 Library of Congress Classification PN1998.3.R578J3 1994 Dewey Decimal Classification 791.430233092
ABOUT THIS BOOK
ABOUT THIS BOOK
Martin Ritt has been hailed as the United States’s greatest maker of social films. From No Down Payment early in his career to Stanley and Iris, his last production, he delineated the nuances of American society. In between were other social statements such as Hud, Sounder, The Spy Who Came In From the Cold, Norma Rae, and The Great White Hope. See other books on: Jackson, Carlton | Life | Motion picture producers and directors | Movies | Picking Up See other titles from University of Wisconsin Press |
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Nearby on shelf for Literature (General) / Drama / Motion pictures:
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![](https://www.bibliovault.org/thumbs/978-0-8093-2451-4-thumb.jpg "Volker Schlondorff's Cinema: Adaptation, Politics, and the "Movie-Appropriate"")
Picking Up the Tab: The Life and Movies of Martin Ritt
ABOUT THIS BOOK
University of Wisconsin Press, 1994
Cloth: 978-0-87972-671-3
Paper: 978-0-87972-672-0
Cloth: 978-0-87972-671-3
Paper: 978-0-87972-672-0
Martin Ritt has been hailed as the United States’s greatest maker of social films. From No Down Payment early in his career to Stanley and Iris, his last production, he delineated the nuances of American society. In between were other social statements such as Hud, Sounder, The Spy Who Came In From the Cold, Norma Rae, and The Great White Hope.
ABOUT THIS BOOK
