University of Utah Press, 1989 Paper: 978-0-87480-323-5 Library of Congress Classification QH14.W75 1989 Dewey Decimal Classification 808.066508
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Writing Natural History is the edited record of four public dialogues held at the University of Utah in 1988 between eminent writers in the fields of natural history. In these interchanges the writers discussed their traditions, perspectives, values, purposes, techniques, and personal insights. Their conversations, like their work, link the sciences with the humanities in surprising ways, enhancing our understanding and appreciation of both. This volume maintains the vitality of the spoken dialogues and conveys a lively sense of each speaker’s concern with the processes of the natural world and our human position in it.
Half of the authors began as professionals in the natural sciences before becoming recognized for their literary skills; the other half are established writers whose works reflect their vital human affinity with and respect for nature. Writing Natural History will appeal to all readers involved in conservation, nature study, creative writing, environmental issues, the natural sciences, the outdoors, and the ecological politics of Earth.
Authors dialogues feature Barry Lopez and Edward O. Wilson, Robert Finch and Terry Tempest Williams, Gary Paul Nabhan and Ann Zwinger, Paul Brooks and Edward Lueders.
AUTHOR BIOGRAPHY
Edward Lueders is emeritus professor of English at the University of Utah and a veteran of WW II. He is the author of The Clam Lake Papers and nine other books. Since the 1940s he has also been a professional jazz pianist.
REVIEWS
“Gives the reader a new perspective on this avenue of writing.”—The National Writers Club
“Serves as a sampler: of styles, of perceptions, of world views, from an idea of our place in the universe to the detail of why red chilies grow under red-fruited trees in the Sonoran desert. Reading the words of these very different writers side by side, we get a sense of what nature writers as a group do.”—Utah Humanities News
“Writing Natural History can give us ways to help our students find wholeness. The book shows us the need for, and demonstrates, the connections between science and the humanities.”—Middlebury College, Bread Loaf News
TABLE OF CONTENTS
Preface
Introduction: The Continuities of Nature Writing - Thomas J. Lyon
Dialogue 1: Ecology and the Human Imagination - Barry Lopez and E.O. Wilson
Dialogue 2: Landscape, People, and Place - Robert Finch and Terry Tempest Williams
Dialogue 3: Field Notes and the Literary Process - Gary Paul Nabhan and Ann Zwinger
Dialogue 4: Natural History as Literature - Paul Brooks and Edward Lueders
Further Readings From the Authors
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Utah Press, 1989 Paper: 978-0-87480-323-5
Writing Natural History is the edited record of four public dialogues held at the University of Utah in 1988 between eminent writers in the fields of natural history. In these interchanges the writers discussed their traditions, perspectives, values, purposes, techniques, and personal insights. Their conversations, like their work, link the sciences with the humanities in surprising ways, enhancing our understanding and appreciation of both. This volume maintains the vitality of the spoken dialogues and conveys a lively sense of each speaker’s concern with the processes of the natural world and our human position in it.
Half of the authors began as professionals in the natural sciences before becoming recognized for their literary skills; the other half are established writers whose works reflect their vital human affinity with and respect for nature. Writing Natural History will appeal to all readers involved in conservation, nature study, creative writing, environmental issues, the natural sciences, the outdoors, and the ecological politics of Earth.
Authors dialogues feature Barry Lopez and Edward O. Wilson, Robert Finch and Terry Tempest Williams, Gary Paul Nabhan and Ann Zwinger, Paul Brooks and Edward Lueders.
AUTHOR BIOGRAPHY
Edward Lueders is emeritus professor of English at the University of Utah and a veteran of WW II. He is the author of The Clam Lake Papers and nine other books. Since the 1940s he has also been a professional jazz pianist.
REVIEWS
“Gives the reader a new perspective on this avenue of writing.”—The National Writers Club
“Serves as a sampler: of styles, of perceptions, of world views, from an idea of our place in the universe to the detail of why red chilies grow under red-fruited trees in the Sonoran desert. Reading the words of these very different writers side by side, we get a sense of what nature writers as a group do.”—Utah Humanities News
“Writing Natural History can give us ways to help our students find wholeness. The book shows us the need for, and demonstrates, the connections between science and the humanities.”—Middlebury College, Bread Loaf News
TABLE OF CONTENTS
Preface
Introduction: The Continuities of Nature Writing - Thomas J. Lyon
Dialogue 1: Ecology and the Human Imagination - Barry Lopez and E.O. Wilson
Dialogue 2: Landscape, People, and Place - Robert Finch and Terry Tempest Williams
Dialogue 3: Field Notes and the Literary Process - Gary Paul Nabhan and Ann Zwinger
Dialogue 4: Natural History as Literature - Paul Brooks and Edward Lueders
Further Readings From the Authors
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE