"This volume proves that 'small is beautiful' and can be significant. In only 136 pages, the late Szasz provides a fascinating account of the depiction of atomic warfare and energy in US and Japanese comics and cartoons. Some of what Szasz reveals is downright scary: the extreme censorship of WW II and the devastating impacts of American nuclear testing and failures. The inclusion of small press comics such as Leonard Rifas's EduComics testifies to the comprehensive nature of this book. Summing Up: Highly recommended. All readers."
magazine; Outstanding Academic Title in 2012
“Charming and sophisticated . . . One might view Atomic Comics
through many lenses. To some degree, the book fits in the ‘researcher studies pop culture’ category, but it is much too entertainingly--even at times, wryly--written to consign to the academic corner of the library.”
—Bulletin of Atomic Scientists
is well worth reading for those who want to know more about how the Atomic Age impacted the American imagination.”
"Reading Atomic Comics
reminded me of the reasons why I enjoy smart history and historians who draw meaningful conclusions from their research."
"...Atomic Comics: Cartoonists Confront the Nuclear World
is a seminal work
identifying the perspective that cartoonists brought to nuclear issues that was to prove enduringly influential upon public opinion--an influence that continues to be felt to this very day."
—Midwest Book Review
"An immensely readable
survey of how comic books have sowed fear and excitement ... clearly written and free of the jargon one might expect from an academic press."
—Pat Padua in blogcritcs.org
"… Atomic Comics
is a useful text, serving as a lucid introduction to the various intersections of popular culture and social issues during the Cold War. In a more general sense, it clearly identifies the ways all manner of popular cultural forms express the ideological conditions of their historical moment, thus serving as a succinct introduction to the study of popular culture and history. Szasz's prose is accessible and jargon-free, friendly to both undergraduate and general readers and the text is filled with images of the works he describes. It could fruitfully appear on undergraduate syllabi in American studies, history, and popular culture courses.
is the 2013 winner of the ALA's “Choice Outstanding Academic Title” award. I read it in almost one sitting, and if this book is any indication of academic writing, then we’d all be reading nothing but academic titles. . . . Although we’ve been living in the atomic age for more than seventy years, many of us are woefully lacking in any clear understanding of what the atom is all about. Szasz is less interested in educating the reader about the atom than in telling us about the role comic books played in a dedicated effort to bring the atomic age, in both fiction and nonfiction, into the hands of the public – and he does a bang-??up job. . . . Szasz writes with an atomic power all his own. This is not a big book (163 pages, text and notes), but he takes the history of the comic book all the way from its beginning to the twenty-??first century with its atomic events, good and bad. The industry’s eagerness to educate and entertain in all things atomic will leave readers wishing Szasz had written more. The index alone is worth the price of admission."
—Bookin' with Sunny
"An excellent resource, as informative and entertaining as one could wish for."