From Dickinson to Dylan: Visions of Transcendence in Modernist Literature
by Glenn Hughes
University of Missouri Press, 2020 Cloth: 978-0-8262-2220-6 | eISBN: 978-0-8262-7452-6 Library of Congress Classification PS228.T725 Dewey Decimal Classification 810.9005
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK Glenn Hughes examines the ways in which six literary modernists—Emily Dickinson, Marcel Proust, T. S. Eliot, Ezra Pound, Samuel Beckett, and Bob Dylan—have explored the human relationship to a transcendent mystery of meaning. Hughes argues that visions of transcendence are, perhaps surprisingly, a significant feature in modernist literature, and that these authors’ works account for many of the options for interpreting what transcendent reality might be.
This work is unique in its extended focus, in a comparative study spanning a century, on the persistence and centrality in modernist literature of the struggle to understand and articulate the dependence of human meaning on the mystery of transcendent meaning. Hughes shows us that each of these authors is a mystic in his or her way, and that none are tempted by the modern inclination to suppose that meaning originates with human beings. Together, they address one of the most difficult and important challenges of modern literature: how to be a mystic in modernity.
AUTHOR BIOGRAPHY Glenn Hughes is Professor Emeritus of Philosophy at St. Mary’s University in San Antonio. He is the author of several books, including AMore Beautiful Question: The Spiritual in Poetry and Art, and Transcendence and History: The Search for Ultimacy from Ancient Societies to Postmodernity (both University of Missouri Press).
REVIEWS
“I consider this book to be absolutely brilliant. The authors it discusses are central to the modernist movement in literature, and Hughes offers a new perspective regarding what makes them important. His use of philosophy to deepen his literary analysis is especially valuable, and he uses it to make a compelling case for the centrality of the theme of transcendence to their works. He explains his thesis so clearly and illustrates it so well that I think even a reader averse to that theme would recognize its importance to these authors.”—Eugene Webb, University of Washington, author of The Dark Dove: The Sacred and Secular in Modern Literature
“Any reader of this book will be led to admire the exceptional combination of a great philosophical competence and a notable literary sensitivity by which it excels. Glenn Hughes proposes to study six 'visions in modern literature' and the promise implied by this formula is splendidly fulfilled. Through his voice, in the form of an immensely learned book, we hear the most essential messages of meaning from such celebrated writers as Emily Dickinson, Marcel Proust. T.S. Eliot, Ezra Pound, Samuel Beckett, Bob Dylan.”—Tilo Schabert, University of Erlangen-Nuremberg, author of The Figure of Modernity: On the Irregularity of an Epoch
“Glenn Hughes has performed an inestimable service in demonstrating the extent to which the great works of modernist literature are saturated with an awareness of the transcendent. The range of authors covered and the compelling character of the analysis makes this a seminal work of literary, philosophical, and spiritual interpretation. From Dickinson to Dylan makes it increasingly difficult to maintain the shibboleth of modernity as largely bereft of the sacred. In addition, Hughes reveals the authoritative role of art in generating publicly evocative symbolizations of the order of being. This is a major achievement.”—David Walsh, Catholic University of America, author of Politics of the Person as the Politics of Being
TABLE OF CONTENTS
Contents
Introduction
Chapter One. Emily Dickinson: Transcendence, Love, and Terror
Chapter Two. Marcel Proust: In Between World and Eternal Being
Chapter Three. Unsought Revelations of the Eternal: T. S. Eliot’s Four Quartets and Proust
Chapter Four. History and Transcendence in Ezra Pound’s Cantos and T. S. Eliot’s Four Quartets
Chapter Five. Mystic Without Faith: Samuel Beckett and the Ghost of Love in Krapp’s Last Tape
Chapter Six. Bob Dylan’s Evocations of Mystery
Conclusion
Acknowledgments
Notes
Bibliography
Index
Permissions
REQUEST ACCESSIBLE FILE
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From Dickinson to Dylan: Visions of Transcendence in Modernist Literature
by Glenn Hughes
University of Missouri Press, 2020 Cloth: 978-0-8262-2220-6 eISBN: 978-0-8262-7452-6
Glenn Hughes examines the ways in which six literary modernists—Emily Dickinson, Marcel Proust, T. S. Eliot, Ezra Pound, Samuel Beckett, and Bob Dylan—have explored the human relationship to a transcendent mystery of meaning. Hughes argues that visions of transcendence are, perhaps surprisingly, a significant feature in modernist literature, and that these authors’ works account for many of the options for interpreting what transcendent reality might be.
This work is unique in its extended focus, in a comparative study spanning a century, on the persistence and centrality in modernist literature of the struggle to understand and articulate the dependence of human meaning on the mystery of transcendent meaning. Hughes shows us that each of these authors is a mystic in his or her way, and that none are tempted by the modern inclination to suppose that meaning originates with human beings. Together, they address one of the most difficult and important challenges of modern literature: how to be a mystic in modernity.
AUTHOR BIOGRAPHY Glenn Hughes is Professor Emeritus of Philosophy at St. Mary’s University in San Antonio. He is the author of several books, including AMore Beautiful Question: The Spiritual in Poetry and Art, and Transcendence and History: The Search for Ultimacy from Ancient Societies to Postmodernity (both University of Missouri Press).
REVIEWS
“I consider this book to be absolutely brilliant. The authors it discusses are central to the modernist movement in literature, and Hughes offers a new perspective regarding what makes them important. His use of philosophy to deepen his literary analysis is especially valuable, and he uses it to make a compelling case for the centrality of the theme of transcendence to their works. He explains his thesis so clearly and illustrates it so well that I think even a reader averse to that theme would recognize its importance to these authors.”—Eugene Webb, University of Washington, author of The Dark Dove: The Sacred and Secular in Modern Literature
“Any reader of this book will be led to admire the exceptional combination of a great philosophical competence and a notable literary sensitivity by which it excels. Glenn Hughes proposes to study six 'visions in modern literature' and the promise implied by this formula is splendidly fulfilled. Through his voice, in the form of an immensely learned book, we hear the most essential messages of meaning from such celebrated writers as Emily Dickinson, Marcel Proust. T.S. Eliot, Ezra Pound, Samuel Beckett, Bob Dylan.”—Tilo Schabert, University of Erlangen-Nuremberg, author of The Figure of Modernity: On the Irregularity of an Epoch
“Glenn Hughes has performed an inestimable service in demonstrating the extent to which the great works of modernist literature are saturated with an awareness of the transcendent. The range of authors covered and the compelling character of the analysis makes this a seminal work of literary, philosophical, and spiritual interpretation. From Dickinson to Dylan makes it increasingly difficult to maintain the shibboleth of modernity as largely bereft of the sacred. In addition, Hughes reveals the authoritative role of art in generating publicly evocative symbolizations of the order of being. This is a major achievement.”—David Walsh, Catholic University of America, author of Politics of the Person as the Politics of Being
TABLE OF CONTENTS
Contents
Introduction
Chapter One. Emily Dickinson: Transcendence, Love, and Terror
Chapter Two. Marcel Proust: In Between World and Eternal Being
Chapter Three. Unsought Revelations of the Eternal: T. S. Eliot’s Four Quartets and Proust
Chapter Four. History and Transcendence in Ezra Pound’s Cantos and T. S. Eliot’s Four Quartets
Chapter Five. Mystic Without Faith: Samuel Beckett and the Ghost of Love in Krapp’s Last Tape
Chapter Six. Bob Dylan’s Evocations of Mystery
Conclusion
Acknowledgments
Notes
Bibliography
Index
Permissions
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE