University of Pittsburgh Press, 2017 Paper: 978-0-8229-6518-3 | eISBN: 978-0-8229-8318-7 Library of Congress Classification PS3604.A525A6 2017 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
A reverent jag of irreverence, tilting forward to arresting moments of beauty, astonishment, confusion, and grief, the poems in David Daniel’s Ornaments find their myths in history and pop culture; they take their truths, but just as much their doubts, from the fallibility of what we remember and the desperation with which we struggle to reassemble it. Surreal, lyrical, madcap, they bring a faith, above all, in poetry. Which means in people and their bewildered hearts.
AUTHOR BIOGRAPHY
David Daniel is the author of Seven-Star Bird, which won the Levis Reading Prize. Poetry editor of Ploughshares for more than a decade, he founded and produces WAMFEST: The Words and Music Festival, which has brought together many of the most celebrated artists for unique collaborative performances: Bruce Springsteen with Robert Pinsky, Rosanne Cash with C. D. Wright, Talib Kweli with Quincy Troupe, and dozens of others. He’s been a member of the core faculty of the Bennington Writing Seminars and teaches at Fairleigh Dickinson University. Daniel lives in Cambridge, Massachusetts.
REVIEWS
“So you didn't think Rimbaud's Illuminations were possible in an American idiom? You didn't think that the explosive and tender, the vulgar and the visionary, could take concepts of spirit and body and wring their necks? These poems take on the South and the intricacies of race, they meditate on how power empties out the private life, all the while refusing to be pigeon-holed by ideologies of any stripe. They say with Whitman, ‘Do I contradict myself? Well then, I contradict myself. . . .’ Fierce and funny, ecstatic in their melancholy, these poems blow past any curb on the imagination. No one in any generation is writing poems that are like these: smart, visceral, immensely pleasurable to read.”
—Tom Sleigh
“David Daniel has long known what wreckage and wounds break the soul to a blossoming wonder, both on the page and in the ear. Remarkable for how he remasters his and our suffering into sacred song, I bear witness in saying: Ornaments is a sweet American solo act that inspires a new telling that ‘we can love by’.”
—Major Jackson
“Ornaments has some of the most elegant, aggressive, sweet, hallucinatory, stone-carved, and raggedy-ass writing that I have ever read. Out of our slow, churning fall from childhood into adult life, David Daniel makes a poetry full of mortal reckonings and whispered pleasures, sending us on a submariner’s tour of many of the most dangerous undercurrents in American history—his totally alive Rimbaud-like pilot at the helm night and day.”
—David Rivard
TABLE OF CONTENTS
Contents
Part I
Glass
All You’re Losing
The Naturalist
The Earth
Crash
The Mouse’s Nest
Rock and Roll
Part II
The Sonnet
Where We Feel It the Most
Jet Pack
Banks and Breaks
The Order
Bodies of Water
Juan Rulfo
Fear of Glass
Part III
Whatever It Is
Some Things Are True
If We but Cease Its Beauty to Display
The Striker in Concord, Massachusetts
As Best We Can
Walt Whitman at Stones River Battlefield: A Photograph
Stones River Canticle
Stones River’s Robins in the Aftermath of War
Limestone and Rain
Part IV
Ornaments
Notes
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Pittsburgh Press, 2017 Paper: 978-0-8229-6518-3 eISBN: 978-0-8229-8318-7
A reverent jag of irreverence, tilting forward to arresting moments of beauty, astonishment, confusion, and grief, the poems in David Daniel’s Ornaments find their myths in history and pop culture; they take their truths, but just as much their doubts, from the fallibility of what we remember and the desperation with which we struggle to reassemble it. Surreal, lyrical, madcap, they bring a faith, above all, in poetry. Which means in people and their bewildered hearts.
AUTHOR BIOGRAPHY
David Daniel is the author of Seven-Star Bird, which won the Levis Reading Prize. Poetry editor of Ploughshares for more than a decade, he founded and produces WAMFEST: The Words and Music Festival, which has brought together many of the most celebrated artists for unique collaborative performances: Bruce Springsteen with Robert Pinsky, Rosanne Cash with C. D. Wright, Talib Kweli with Quincy Troupe, and dozens of others. He’s been a member of the core faculty of the Bennington Writing Seminars and teaches at Fairleigh Dickinson University. Daniel lives in Cambridge, Massachusetts.
REVIEWS
“So you didn't think Rimbaud's Illuminations were possible in an American idiom? You didn't think that the explosive and tender, the vulgar and the visionary, could take concepts of spirit and body and wring their necks? These poems take on the South and the intricacies of race, they meditate on how power empties out the private life, all the while refusing to be pigeon-holed by ideologies of any stripe. They say with Whitman, ‘Do I contradict myself? Well then, I contradict myself. . . .’ Fierce and funny, ecstatic in their melancholy, these poems blow past any curb on the imagination. No one in any generation is writing poems that are like these: smart, visceral, immensely pleasurable to read.”
—Tom Sleigh
“David Daniel has long known what wreckage and wounds break the soul to a blossoming wonder, both on the page and in the ear. Remarkable for how he remasters his and our suffering into sacred song, I bear witness in saying: Ornaments is a sweet American solo act that inspires a new telling that ‘we can love by’.”
—Major Jackson
“Ornaments has some of the most elegant, aggressive, sweet, hallucinatory, stone-carved, and raggedy-ass writing that I have ever read. Out of our slow, churning fall from childhood into adult life, David Daniel makes a poetry full of mortal reckonings and whispered pleasures, sending us on a submariner’s tour of many of the most dangerous undercurrents in American history—his totally alive Rimbaud-like pilot at the helm night and day.”
—David Rivard
TABLE OF CONTENTS
Contents
Part I
Glass
All You’re Losing
The Naturalist
The Earth
Crash
The Mouse’s Nest
Rock and Roll
Part II
The Sonnet
Where We Feel It the Most
Jet Pack
Banks and Breaks
The Order
Bodies of Water
Juan Rulfo
Fear of Glass
Part III
Whatever It Is
Some Things Are True
If We but Cease Its Beauty to Display
The Striker in Concord, Massachusetts
As Best We Can
Walt Whitman at Stones River Battlefield: A Photograph
Stones River Canticle
Stones River’s Robins in the Aftermath of War
Limestone and Rain
Part IV
Ornaments
Notes
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE