University of Pittsburgh Press, 2017 Paper: 978-0-8229-6499-5 | eISBN: 978-0-8229-8297-5 Library of Congress Classification PS3603.L36523A6 2017 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | AWARDS | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Winner of the 2016 Donald Hall Prize in Poetry
Lauren Clark’s poems move lucidly, depicting beautiful struggles of distrust, dream, grief, and intimacy. They show such conflicts through entrancing narrative drive and song-like abandon. In their unpredictable, unforgettable language, they make pain a tonic for pleasure, sorrow ground for revelation. This is a book that is celebratory, gentle, and queer.
AUTHOR BIOGRAPHY
Lauren Clark’s poems have appeared in FIELD, Ninth Letter, the Offing, and many other journals. They earned an MFA from the University of Michigan, where they won four of five categories of the university’s prestigious Hopwood Awards. They have been the recipient of scholarships from the New York State Summer Writers Institute and the Sewanee Writers Conference. They work as program and development coordinator at Poets House in New York City and collaborate with Etc. Gallery in Chicago.
REVIEWS
"In this dreamlike debut, Clark seeks the impossible ritual—a conditional that could never be fulfilled, the one 'in which metaphor stops being habit/ and becomes real.' Searching for that transformational power, the poems uncover a newly emergent self. Clark’s central metaphor is an otherworldly, logic-defying, fragmented ceremony that shifts from wedding to funeral and back, replete with rites that are both hopeful and abnegating. . . . Despite the elusive and impermanent nature of the book’s setting, the body (“the unlearnable instrument is/ the body attached to us”) remains remarkably present and its beating heart is what grounds the collection and lets the reader travel along. Clark manages to be both optimistic and mournful at once; their writing embodies a complete experience." —Publishers Weekly
“Lauren Clark’s imagination is, paradoxically, both torrential and discriminating. Their writing is forceful and self-delighting yet minutely attentive to the world’s particulars. They deploy in these stunning poems the maximum amount of intellectual power consistent with a delicacy of perception, subtle sonic and rhetorical modulations, and emotional honesty and vulnerability. Their poems are a marriage and reconciliation of many if not of all the disparate, contradictory, and opposing elements of our experience.”
—Vijay Seshadri, judge
“Clark’s work is entirely original, but springs out of poetry’s deepest and most ancient inclinations. Lauren establishes a relationship with the invisible and the ineffable, bringing image and language (as if by magic) to the page and to the reader. A poet of extraordinary talent and range, their first book is a collection readers will return to again and again.”
—Laura Kasischke
TABLE OF CONTENTS
Contents
[untitled]
Mothers Day
Ladies Grove
I Have Nothing
Someone Else’s Wedding
May Day
Five Minute Dream
Self-Portrait with Bees
Heirloom
Epithalamion
Dedicated to the One I Love
Carmina 5
George Clark across the United States
In Hibernation
Listening to “Rolling in the Deep” for Twenty Hours Straight
Aubade
In a Dream We Are Eating Dinner Together by the Atlantic Ocean
Observation Car
Carmina 101
The Reception Continues
Interlude
Like This
I am dead
Prairie Village
Kim Kardashian and Ray J Sex Tape
Two Weddings
Everything Will Change
Western Zuihitsu
I See Jeff Daniels in the Street
Interlude
Reprise (reprise)
Afterfeast
Vortex Temporum
Parable
Interlude
Antiepithalamion
The bride
Ritual
Carmina 5
Vigil
Layla
Illinois in Spring
Notes
Acknowledgments
AWARDS Winner of the 2016 Donald Hall Prize for Poetry.
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Pittsburgh Press, 2017 Paper: 978-0-8229-6499-5 eISBN: 978-0-8229-8297-5
Winner of the 2016 Donald Hall Prize in Poetry
Lauren Clark’s poems move lucidly, depicting beautiful struggles of distrust, dream, grief, and intimacy. They show such conflicts through entrancing narrative drive and song-like abandon. In their unpredictable, unforgettable language, they make pain a tonic for pleasure, sorrow ground for revelation. This is a book that is celebratory, gentle, and queer.
AUTHOR BIOGRAPHY
Lauren Clark’s poems have appeared in FIELD, Ninth Letter, the Offing, and many other journals. They earned an MFA from the University of Michigan, where they won four of five categories of the university’s prestigious Hopwood Awards. They have been the recipient of scholarships from the New York State Summer Writers Institute and the Sewanee Writers Conference. They work as program and development coordinator at Poets House in New York City and collaborate with Etc. Gallery in Chicago.
REVIEWS
"In this dreamlike debut, Clark seeks the impossible ritual—a conditional that could never be fulfilled, the one 'in which metaphor stops being habit/ and becomes real.' Searching for that transformational power, the poems uncover a newly emergent self. Clark’s central metaphor is an otherworldly, logic-defying, fragmented ceremony that shifts from wedding to funeral and back, replete with rites that are both hopeful and abnegating. . . . Despite the elusive and impermanent nature of the book’s setting, the body (“the unlearnable instrument is/ the body attached to us”) remains remarkably present and its beating heart is what grounds the collection and lets the reader travel along. Clark manages to be both optimistic and mournful at once; their writing embodies a complete experience." —Publishers Weekly
“Lauren Clark’s imagination is, paradoxically, both torrential and discriminating. Their writing is forceful and self-delighting yet minutely attentive to the world’s particulars. They deploy in these stunning poems the maximum amount of intellectual power consistent with a delicacy of perception, subtle sonic and rhetorical modulations, and emotional honesty and vulnerability. Their poems are a marriage and reconciliation of many if not of all the disparate, contradictory, and opposing elements of our experience.”
—Vijay Seshadri, judge
“Clark’s work is entirely original, but springs out of poetry’s deepest and most ancient inclinations. Lauren establishes a relationship with the invisible and the ineffable, bringing image and language (as if by magic) to the page and to the reader. A poet of extraordinary talent and range, their first book is a collection readers will return to again and again.”
—Laura Kasischke
TABLE OF CONTENTS
Contents
[untitled]
Mothers Day
Ladies Grove
I Have Nothing
Someone Else’s Wedding
May Day
Five Minute Dream
Self-Portrait with Bees
Heirloom
Epithalamion
Dedicated to the One I Love
Carmina 5
George Clark across the United States
In Hibernation
Listening to “Rolling in the Deep” for Twenty Hours Straight
Aubade
In a Dream We Are Eating Dinner Together by the Atlantic Ocean
Observation Car
Carmina 101
The Reception Continues
Interlude
Like This
I am dead
Prairie Village
Kim Kardashian and Ray J Sex Tape
Two Weddings
Everything Will Change
Western Zuihitsu
I See Jeff Daniels in the Street
Interlude
Reprise (reprise)
Afterfeast
Vortex Temporum
Parable
Interlude
Antiepithalamion
The bride
Ritual
Carmina 5
Vigil
Layla
Illinois in Spring
Notes
Acknowledgments
AWARDS Winner of the 2016 Donald Hall Prize for Poetry.
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | AWARDS | REQUEST ACCESSIBLE FILE