University of Pittsburgh Press, 2012 Paper: 978-0-8229-6201-4 | eISBN: 978-0-8229-7839-8 Library of Congress Classification PS3552.L36533L66 2012 Dewey Decimal Classification 811.54
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel, is a genealogy of the heart, exploring how his family’s emotion legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.
AUTHOR BIOGRAPHY
Richard Blanco was selected as the 2013 inaugural poet for President Barack Obama. He is the author of two other poetry collections: Directions to The Beach of the Dead, winner of the PEN/Beyond Margins Award; and City of a Hundred Fires, winner of the Agnes Lynch Starrett Poetry Prize. Exploring themes of Latino identity and place, Blanco's poems have appeared in Best American Poetry 2000 and Best American Prose Poems and have been featured on NPR. He is a fellow of the Bread Loaf Writers Conference, recipient of two Florida Artist Fellowships, and has taught at Georgetown and American universities. A builder of cities and poems, Blanco is also a professional civil engineer.
REVIEWS
“W. H. Auden, asked to define poetry from the other written arts, wrote that poetry was ‘memorable speech.’ Richard Blanco’s speech invites the reader in with its search for home. His lyrics open doors onto his Cuban immigrant family, his father’s early death, and his own migration from a life in Florida to a life in Maine. His speech houses a generous love of others and a persistent reach for what is absent. There is nothing here you will not remember.”
—Spencer Reece
“Every poem in Looking for The Gulf Motel packs an emotional wallop and an intellectual caress. A virtuoso of art and craft who juggles the subjective and the objective beautifully, Blanco is at the height of his creative prowess and one of the best of the best poets writing today.”
—Jim Elledge
“The poems in Looking for The Gulf Motel are bittersweet songs that ache with the ‘sweet and slow honey of a bolero.’ They croon about journeys from Cuba and Spain to Florida and Maine; mourn languages, lovers, and names that were or could have been; and praise the forgotten pop culture icons that expanded one young person’s view of his nationality and manhood. If all loss is like exile, Blanco tells us, then searching for love (in the self, in others) is healing, is finding home, because ‘love is thicker than any country.’”
—Rigoberto González
TABLE OF CONTENTS
Contents
Looking for The Gulf Motel
Part 1
The Name I Wanted:
Betting on America
Tía Margarita Johnson’s House in Hollywood
Cousin Consuelo, On Piano
Taking My Cousin’s Photo at the Statue of Liberty
Of Consequence, Inconsequently
The Island Within
Poem Between Havana and Varadero
Habla Cuba Speaking
5:00 am in Cuba
Practice Problem
El Florida Room
Sitting on My Mother’s Porch in Westchester, Florida
Part 2
Playing House with Pepín
Afternoons as Endora
Queer Theory: According to My Grandmother
Abuelo in a Western
The Port Pilot
My Brother on Mt. Barker
Papá at the Kitchen Table
My Father, My Hands
Love as if Love
Maybe
Cheers to Hyakutake
Thicker Than Country
Killing Mark
Love Poem According to Quantum Theory
Part 3
Birthday Portrait
Mamá with Indians: 1973, 2007
Venus in Miami Beach
Cooking with Mamá in Maine
House of the Virgin Mary
Mi Rosa y Mi Sal
Questioning My Cousin Elena
Remembering What Tía Noelia Can’t
Unspoken Elegy for Tía Cucha
Bones, Teeth
Burning in the Rain
Place of Mind
Some Days the Sea
Since Unfinished
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
University of Pittsburgh Press, 2012 Paper: 978-0-8229-6201-4 eISBN: 978-0-8229-7839-8
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel, is a genealogy of the heart, exploring how his family’s emotion legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.
AUTHOR BIOGRAPHY
Richard Blanco was selected as the 2013 inaugural poet for President Barack Obama. He is the author of two other poetry collections: Directions to The Beach of the Dead, winner of the PEN/Beyond Margins Award; and City of a Hundred Fires, winner of the Agnes Lynch Starrett Poetry Prize. Exploring themes of Latino identity and place, Blanco's poems have appeared in Best American Poetry 2000 and Best American Prose Poems and have been featured on NPR. He is a fellow of the Bread Loaf Writers Conference, recipient of two Florida Artist Fellowships, and has taught at Georgetown and American universities. A builder of cities and poems, Blanco is also a professional civil engineer.
REVIEWS
“W. H. Auden, asked to define poetry from the other written arts, wrote that poetry was ‘memorable speech.’ Richard Blanco’s speech invites the reader in with its search for home. His lyrics open doors onto his Cuban immigrant family, his father’s early death, and his own migration from a life in Florida to a life in Maine. His speech houses a generous love of others and a persistent reach for what is absent. There is nothing here you will not remember.”
—Spencer Reece
“Every poem in Looking for The Gulf Motel packs an emotional wallop and an intellectual caress. A virtuoso of art and craft who juggles the subjective and the objective beautifully, Blanco is at the height of his creative prowess and one of the best of the best poets writing today.”
—Jim Elledge
“The poems in Looking for The Gulf Motel are bittersweet songs that ache with the ‘sweet and slow honey of a bolero.’ They croon about journeys from Cuba and Spain to Florida and Maine; mourn languages, lovers, and names that were or could have been; and praise the forgotten pop culture icons that expanded one young person’s view of his nationality and manhood. If all loss is like exile, Blanco tells us, then searching for love (in the self, in others) is healing, is finding home, because ‘love is thicker than any country.’”
—Rigoberto González
TABLE OF CONTENTS
Contents
Looking for The Gulf Motel
Part 1
The Name I Wanted:
Betting on America
Tía Margarita Johnson’s House in Hollywood
Cousin Consuelo, On Piano
Taking My Cousin’s Photo at the Statue of Liberty
Of Consequence, Inconsequently
The Island Within
Poem Between Havana and Varadero
Habla Cuba Speaking
5:00 am in Cuba
Practice Problem
El Florida Room
Sitting on My Mother’s Porch in Westchester, Florida
Part 2
Playing House with Pepín
Afternoons as Endora
Queer Theory: According to My Grandmother
Abuelo in a Western
The Port Pilot
My Brother on Mt. Barker
Papá at the Kitchen Table
My Father, My Hands
Love as if Love
Maybe
Cheers to Hyakutake
Thicker Than Country
Killing Mark
Love Poem According to Quantum Theory
Part 3
Birthday Portrait
Mamá with Indians: 1973, 2007
Venus in Miami Beach
Cooking with Mamá in Maine
House of the Virgin Mary
Mi Rosa y Mi Sal
Questioning My Cousin Elena
Remembering What Tía Noelia Can’t
Unspoken Elegy for Tía Cucha
Bones, Teeth
Burning in the Rain
Place of Mind
Some Days the Sea
Since Unfinished
Acknowledgments
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE