University of Pittsburgh Press, 2011 eISBN: 978-0-8229-7778-0 | Paper: 978-0-8229-6150-5 Library of Congress Classification PE1404.S535 2011 Dewey Decimal Classification 808
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
To many academics, composition still represents typewritten texts on 8.5” x 11” pages that follow rote argumentative guidelines. In Toward a Composition Made Whole, Jody Shipka views composition as an act of communication that can be expressed through any number of media and as a path to meaning-making. Her study offers an in-depth examination of multimodality via the processes, values, structures, and semiotic practices people employ everyday to compose and communicate their thoughts.
Shipka counters current associations that equate multimodality only with computer, digitized, or screen-mediated texts, which are often self-limiting. She stretches the boundaries of composition to include a hybridization of aural, visual, and written forms. Shipka analyzes the work of current scholars in multimodality and combines this with recent writing theory to create her own teaching framework. Among her methods, Shipka employs process-oriented reflection and a statement of goals and choices to prepare students to compose using various media in ways that spur their rhetorical and material awareness. They are encouraged to produce unusual text forms while also learning to understand the composition process as a whole. Shipka presents several case studies of students working in multimodal composition and explains the strategies, tools, and spaces they employ. She then offers methods to critically assess multimodal writing projects. Toward a Composition Made Whole challenges theorists and compositionists to further investigate communication practices and broaden the scope of writing to include all composing methods. While Shipka views writing as crucial to discourse, she challenges us to always consider the various purposes that writing serves.
AUTHOR BIOGRAPHY
Jody Shipka is assistant professor of English at the University of Maryland, Baltimore County.
REVIEWS
“Multimodal composition has been gaining ground in the field of composition studies for years, and Jody Shipka is a foundational voice in that conversation.” —Kairos
“Shipka addresses a profound need in composition studies, especially as we talk about (and talk around) multimodality, composition, new media, and more: to better contextualize how, when, where, and why composing happens in a way that can capture some of the vast complexities and nuances that emerge across composing tasks.”
—Danielle Nicole DeVoss, Michigan State University
“Jody Shipka moves us to think of composition more holistically. She urges us to consider more multimodal compositions—the full range of representational expressions, from plays to ephemera to (memorably) ballet slippers. She considers the environments, moments, and physical demands of composition, a process carried out against the backdrop of complex lives. And she provides us the tools to apply these lessons in our own classrooms. A timely and thought-provoking book.”
—Clay Spinuzzi, University of Texas at Austin
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Multimodality and Communicative Practice
Chapter 1. Rethinking Composition/Rethinking Process
Chapter 2. Partners in Action: On Mind, Materiality, and Mediation
Chapter 3. A Framework for Action: Mediating Process Research
Chapter 4. Making Things Fit in (Any Number of) New Ways
Chapter 5. Negotiating Rhetorical, Technological, and Methodological Difference
Conclusion: Realizing a Composition Made Whole
Appendix: Relevant Documents
References
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
University of Pittsburgh Press, 2011 eISBN: 978-0-8229-7778-0 Paper: 978-0-8229-6150-5
To many academics, composition still represents typewritten texts on 8.5” x 11” pages that follow rote argumentative guidelines. In Toward a Composition Made Whole, Jody Shipka views composition as an act of communication that can be expressed through any number of media and as a path to meaning-making. Her study offers an in-depth examination of multimodality via the processes, values, structures, and semiotic practices people employ everyday to compose and communicate their thoughts.
Shipka counters current associations that equate multimodality only with computer, digitized, or screen-mediated texts, which are often self-limiting. She stretches the boundaries of composition to include a hybridization of aural, visual, and written forms. Shipka analyzes the work of current scholars in multimodality and combines this with recent writing theory to create her own teaching framework. Among her methods, Shipka employs process-oriented reflection and a statement of goals and choices to prepare students to compose using various media in ways that spur their rhetorical and material awareness. They are encouraged to produce unusual text forms while also learning to understand the composition process as a whole. Shipka presents several case studies of students working in multimodal composition and explains the strategies, tools, and spaces they employ. She then offers methods to critically assess multimodal writing projects. Toward a Composition Made Whole challenges theorists and compositionists to further investigate communication practices and broaden the scope of writing to include all composing methods. While Shipka views writing as crucial to discourse, she challenges us to always consider the various purposes that writing serves.
AUTHOR BIOGRAPHY
Jody Shipka is assistant professor of English at the University of Maryland, Baltimore County.
REVIEWS
“Multimodal composition has been gaining ground in the field of composition studies for years, and Jody Shipka is a foundational voice in that conversation.” —Kairos
“Shipka addresses a profound need in composition studies, especially as we talk about (and talk around) multimodality, composition, new media, and more: to better contextualize how, when, where, and why composing happens in a way that can capture some of the vast complexities and nuances that emerge across composing tasks.”
—Danielle Nicole DeVoss, Michigan State University
“Jody Shipka moves us to think of composition more holistically. She urges us to consider more multimodal compositions—the full range of representational expressions, from plays to ephemera to (memorably) ballet slippers. She considers the environments, moments, and physical demands of composition, a process carried out against the backdrop of complex lives. And she provides us the tools to apply these lessons in our own classrooms. A timely and thought-provoking book.”
—Clay Spinuzzi, University of Texas at Austin
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Multimodality and Communicative Practice
Chapter 1. Rethinking Composition/Rethinking Process
Chapter 2. Partners in Action: On Mind, Materiality, and Mediation
Chapter 3. A Framework for Action: Mediating Process Research
Chapter 4. Making Things Fit in (Any Number of) New Ways
Chapter 5. Negotiating Rhetorical, Technological, and Methodological Difference
Conclusion: Realizing a Composition Made Whole
Appendix: Relevant Documents
References
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE