Embodying Modernity: Race, Gender, and Fitness Culture in Brazil
by Daniel F. Silva
University of Pittsburgh Press, 2022 Cloth: 978-0-8229-4711-0 | eISBN: 978-0-8229-8875-5 Library of Congress Classification GV342.27.S59 2022 Dewey Decimal Classification 306.46130981
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Embodying Modernity examines the current boom of fitness culture in Brazil in the context of the white patriarchal notions of race, gender, and sexuality through which fitness practice, commodities, and cultural products traffic. The book traces the imperial meanings and orders of power conveyed through “fit” bodies and their different configurations of muscularity, beauty, strength, and health within mainstream visual media and national and global public spheres. Drawing from a wide range of Brazilian visual media sources including fitness magazines, television programs, film, and social media, Daniel F. Silva theorizes concepts and renderings of modern corporality, its racialized and gendered underpinnings, and its complex relationship to white patriarchal power and capital. This study works to define the ubiquitous parameters of fitness culture and argues that its growth is part of a longer collective nationalist project of modernity tied to whiteness, capitalist ideals, and historical exceptionalism.
AUTHOR BIOGRAPHY
Daniel F. Silva is associate professor of Luso-Hispanic Studies, director of Black Studies, and director of the Twilight Project at Middlebury College. He is the author of Anti-Empire: Decolonial Interventions in Lusophone Literatures and Subjectivity and theReproduction of Imperial Power: Empire’s Individuals. He has edited and coedited multiple anthologies and is coeditor of the Anthem Press book series Anthem Studies in Race, Power, and Society.
REVIEWS
“Embodying Modernity is a highly innovative, provocative, and interdisciplinary study that shows how ‘building’ the body was central to the very construction of race, gender, sexuality, nation, and modernity in Brazil. With theoretical rigor and historical depth, Silva unveils how the bodies at the heart of Brazilian fitness culture are in fact rich historical, cultural, and political archives by which to read and understand Brazil’s past and present.” —Lamonte Aidoo, author of Slavery Unseen: Sex, Power, and Violence in Brazilian History
“In this groundbreaking study of visual imagery of fitness cultures, Silva demonstrates how the asymmetrical attribution of value to different bodies and body parts, as well as the distribution and reordering of fitness practices have become integral to hegemonic narratives of modernity and Brazilian exceptionalism. This is a major contribution not only to Brazilian studies, but also to the fields of gender and sexuality, critical race, and disability studies.” —César Braga-Pinto, Northwestern University
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Modernity, Racial Difference, and Fitness
1. Gendering Muscle and Selling Corporal Fragments: Global Designs and Nationalist Narratives in Fitness Media and Commodities
2. Exceptionalist Imageries: Bunduda Spectacle and Gluteal Muscularity in Popular Visual Culture
3. Bunduda Exportacao: The Whitened National Symbol in Global Fitness Culture
4. Fitness, Alterity, and Orders of Whiteness in the Configuration of Modern Feminine Corporalities
5. From Magazines to Social Media: White Masculine Corporality and the Brazilian Public Sphere
6. Marginalized Masculinities and Deviant Muscularity: Race, Disability, and Sexuality
7. Race and Fitness Space: Signifying Modern and Unmodern Fitness Locales and Praxis
Conclusion
Bibliography
Index
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Embodying Modernity: Race, Gender, and Fitness Culture in Brazil
by Daniel F. Silva
University of Pittsburgh Press, 2022 Cloth: 978-0-8229-4711-0 eISBN: 978-0-8229-8875-5
Embodying Modernity examines the current boom of fitness culture in Brazil in the context of the white patriarchal notions of race, gender, and sexuality through which fitness practice, commodities, and cultural products traffic. The book traces the imperial meanings and orders of power conveyed through “fit” bodies and their different configurations of muscularity, beauty, strength, and health within mainstream visual media and national and global public spheres. Drawing from a wide range of Brazilian visual media sources including fitness magazines, television programs, film, and social media, Daniel F. Silva theorizes concepts and renderings of modern corporality, its racialized and gendered underpinnings, and its complex relationship to white patriarchal power and capital. This study works to define the ubiquitous parameters of fitness culture and argues that its growth is part of a longer collective nationalist project of modernity tied to whiteness, capitalist ideals, and historical exceptionalism.
AUTHOR BIOGRAPHY
Daniel F. Silva is associate professor of Luso-Hispanic Studies, director of Black Studies, and director of the Twilight Project at Middlebury College. He is the author of Anti-Empire: Decolonial Interventions in Lusophone Literatures and Subjectivity and theReproduction of Imperial Power: Empire’s Individuals. He has edited and coedited multiple anthologies and is coeditor of the Anthem Press book series Anthem Studies in Race, Power, and Society.
REVIEWS
“Embodying Modernity is a highly innovative, provocative, and interdisciplinary study that shows how ‘building’ the body was central to the very construction of race, gender, sexuality, nation, and modernity in Brazil. With theoretical rigor and historical depth, Silva unveils how the bodies at the heart of Brazilian fitness culture are in fact rich historical, cultural, and political archives by which to read and understand Brazil’s past and present.” —Lamonte Aidoo, author of Slavery Unseen: Sex, Power, and Violence in Brazilian History
“In this groundbreaking study of visual imagery of fitness cultures, Silva demonstrates how the asymmetrical attribution of value to different bodies and body parts, as well as the distribution and reordering of fitness practices have become integral to hegemonic narratives of modernity and Brazilian exceptionalism. This is a major contribution not only to Brazilian studies, but also to the fields of gender and sexuality, critical race, and disability studies.” —César Braga-Pinto, Northwestern University
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Modernity, Racial Difference, and Fitness
1. Gendering Muscle and Selling Corporal Fragments: Global Designs and Nationalist Narratives in Fitness Media and Commodities
2. Exceptionalist Imageries: Bunduda Spectacle and Gluteal Muscularity in Popular Visual Culture
3. Bunduda Exportacao: The Whitened National Symbol in Global Fitness Culture
4. Fitness, Alterity, and Orders of Whiteness in the Configuration of Modern Feminine Corporalities
5. From Magazines to Social Media: White Masculine Corporality and the Brazilian Public Sphere
6. Marginalized Masculinities and Deviant Muscularity: Race, Disability, and Sexuality
7. Race and Fitness Space: Signifying Modern and Unmodern Fitness Locales and Praxis
Conclusion
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE