Poets, Philosophers, Lovers: On the Writings of Giannina Braschi
edited by Frederick Luis Aldama and Tess O'Dwyer
University of Pittsburgh Press, 2020 Cloth: 978-0-8229-4618-2 | eISBN: 978-0-8229-8759-8 Library of Congress Classification PQ7440.B67Z84 2020 Dewey Decimal Classification 863.64
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK This collection of essays, by fifteen scholars across diverse fields, explores forty years of writing by Giannina Braschi, one of the most revolutionary Latinx authors of her generation. Since the 1980s, Braschi’s linguistic and structural ingenuities, radical thinking, and poetic hilarity have spanned the genres of theatre, poetry, fiction, essay, musical, manifesto, political philosophy, and spoken word. Her best-known titles are El imperio de los sueños, Yo-Yo Boing!, and United States of Banana. She writes in Spanish, Spanglish, and English and embraces timely and enduring subjects: love, liberty, creativity, environment, economy, censorship, borders, immigration, debt, incarceration, colonialization, terrorism, and revolution. Her work has been widely adapted into theater, photography, film, lithography, painting, sculpture, comics, and music. The essays in this volume explore the marvelous ways that Braschi’s texts shake upside down our ideas of ourselves and enrich our understanding of how powerful narratives can wake us to our higher expectations.
AUTHOR BIOGRAPHY Frederick Luis Aldama is distinguished university professor at the Ohio State University with a joint appointment in Spanish and Portuguese as well as faculty affiliation in film studies and the Center for Cognitive and Brain Sciences. He is the award-winning author, co-author, and editor of over 40 books and the editor of 9 book series. For more on Aldama visit https://professorlatinx.osu.edu/.
Tess O’Dwyer won the Columbia University Translation Center Award for her rendition of Giannina Braschi’s postmodern poetry epic Empire of Dreams and translated Braschi’s Spanglish classic Yo-Yo Boing! as well as Martin Rivas by Alberto Blest Gana. She is the Chairman of the Board of the Academy of American Poets.
REVIEWS
"At long last! Aldama and O’Dwyer have brought together a lineup of talent to match the vivacious audacity of Giannina Braschi. Admirers of Braschi will feast on every sumptuous page of this book, and they'll return to her lush storyworlds with renewed vigor. Poets, Philosophers, Lovers reveals the challenging necessity of this transformative Latinx author." —Christopher González, Utah State University, author of Permissible Narratives: The Promise of Latino/a Literature
“The book’s main thrust is to reintroduce Braschi to a wider academic public and reframe her, through the critical lens of the day, as ‘one of today’s foremost experimental Latinx authors.’ For Aldama and the book’s contributors, Braschi participates in a long, albeit less visible, branch of Latinx writing that has been and continues to be driven by aesthetic and literary experimentation rather than explicit realist representation.” —World Literature Today
“A new collection of essays by well-known scholars helps foster a deeper understanding of the innovation and relevance of [Braschi’s] work.” —Hispanic New York
TABLE OF CONTENTS
Contents
Acknowledgments
Foreword by Ilan Stavans
Introduction | Frederick Luis Aldama
I: Vanguard Forms and Latinx Sensibilities
Chapter 1: The Uncommon Wealth of Art: Poetic Progress as Resistance to the Commodification of Culture in United States of Banana | Madelena Gonzalez
Chapter 2: Rompiendo esquemas: Catastrophic Bravery in United States of Banana | John “Rio” Riofrio
Chapter 3: Exile and Burial of Ontological Sameness: A Dialogue between Zarathustra and Giannina | Anne Ashbaugh
Chapter 4: Yo-Yo Boing! Or Literature as a Translingual Practice | Francisco Moreno-Fernández
Chapter 5: Bilingual Big Bang: Giannina Braschi’s Trilogy Levels the Spanish-English Playing Field | Maritza Stanchich
II: Persuasive Art of Dramatic Voices
Chapter 6: Giannina and Braschi: A Polyphony of Voices | Cristina Garrigós
Chapter 7: The Poetry of Giannina Braschi: Art and Magic in Assault on Time | Laura R. Loustau
Chapter 8: The Human Barnyard: Rhetoric, Identification, and Symbolic Representation in United States of Banana | Elizabeth Lowry
Chapter 9: Gamifying World Literature: Giannina Braschi’s United States of Banana | Daniela Daniele
III: Intermedial Poetics and Radical Thinking
Chapter 10: Leaping Off the Page: Giannina Braschi’s Intermedialities | Dorian Lugo Bertrán
Chapter 11: Free-dom: United States of Banana and the Limits of Sovereignty | Ronald Mendoza-de Jesús
Chapter 12: The Holy Trinity: Money, Power, and Success in United States of Banana | Francisco José Ramos
Chapter 13: My Dinner with Giannina: Rolando Pérez Interviews Giannina Braschi
Contributors
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Poets, Philosophers, Lovers: On the Writings of Giannina Braschi
edited by Frederick Luis Aldama and Tess O'Dwyer
University of Pittsburgh Press, 2020 Cloth: 978-0-8229-4618-2 eISBN: 978-0-8229-8759-8
This collection of essays, by fifteen scholars across diverse fields, explores forty years of writing by Giannina Braschi, one of the most revolutionary Latinx authors of her generation. Since the 1980s, Braschi’s linguistic and structural ingenuities, radical thinking, and poetic hilarity have spanned the genres of theatre, poetry, fiction, essay, musical, manifesto, political philosophy, and spoken word. Her best-known titles are El imperio de los sueños, Yo-Yo Boing!, and United States of Banana. She writes in Spanish, Spanglish, and English and embraces timely and enduring subjects: love, liberty, creativity, environment, economy, censorship, borders, immigration, debt, incarceration, colonialization, terrorism, and revolution. Her work has been widely adapted into theater, photography, film, lithography, painting, sculpture, comics, and music. The essays in this volume explore the marvelous ways that Braschi’s texts shake upside down our ideas of ourselves and enrich our understanding of how powerful narratives can wake us to our higher expectations.
AUTHOR BIOGRAPHY Frederick Luis Aldama is distinguished university professor at the Ohio State University with a joint appointment in Spanish and Portuguese as well as faculty affiliation in film studies and the Center for Cognitive and Brain Sciences. He is the award-winning author, co-author, and editor of over 40 books and the editor of 9 book series. For more on Aldama visit https://professorlatinx.osu.edu/.
Tess O’Dwyer won the Columbia University Translation Center Award for her rendition of Giannina Braschi’s postmodern poetry epic Empire of Dreams and translated Braschi’s Spanglish classic Yo-Yo Boing! as well as Martin Rivas by Alberto Blest Gana. She is the Chairman of the Board of the Academy of American Poets.
REVIEWS
"At long last! Aldama and O’Dwyer have brought together a lineup of talent to match the vivacious audacity of Giannina Braschi. Admirers of Braschi will feast on every sumptuous page of this book, and they'll return to her lush storyworlds with renewed vigor. Poets, Philosophers, Lovers reveals the challenging necessity of this transformative Latinx author." —Christopher González, Utah State University, author of Permissible Narratives: The Promise of Latino/a Literature
“The book’s main thrust is to reintroduce Braschi to a wider academic public and reframe her, through the critical lens of the day, as ‘one of today’s foremost experimental Latinx authors.’ For Aldama and the book’s contributors, Braschi participates in a long, albeit less visible, branch of Latinx writing that has been and continues to be driven by aesthetic and literary experimentation rather than explicit realist representation.” —World Literature Today
“A new collection of essays by well-known scholars helps foster a deeper understanding of the innovation and relevance of [Braschi’s] work.” —Hispanic New York
TABLE OF CONTENTS
Contents
Acknowledgments
Foreword by Ilan Stavans
Introduction | Frederick Luis Aldama
I: Vanguard Forms and Latinx Sensibilities
Chapter 1: The Uncommon Wealth of Art: Poetic Progress as Resistance to the Commodification of Culture in United States of Banana | Madelena Gonzalez
Chapter 2: Rompiendo esquemas: Catastrophic Bravery in United States of Banana | John “Rio” Riofrio
Chapter 3: Exile and Burial of Ontological Sameness: A Dialogue between Zarathustra and Giannina | Anne Ashbaugh
Chapter 4: Yo-Yo Boing! Or Literature as a Translingual Practice | Francisco Moreno-Fernández
Chapter 5: Bilingual Big Bang: Giannina Braschi’s Trilogy Levels the Spanish-English Playing Field | Maritza Stanchich
II: Persuasive Art of Dramatic Voices
Chapter 6: Giannina and Braschi: A Polyphony of Voices | Cristina Garrigós
Chapter 7: The Poetry of Giannina Braschi: Art and Magic in Assault on Time | Laura R. Loustau
Chapter 8: The Human Barnyard: Rhetoric, Identification, and Symbolic Representation in United States of Banana | Elizabeth Lowry
Chapter 9: Gamifying World Literature: Giannina Braschi’s United States of Banana | Daniela Daniele
III: Intermedial Poetics and Radical Thinking
Chapter 10: Leaping Off the Page: Giannina Braschi’s Intermedialities | Dorian Lugo Bertrán
Chapter 11: Free-dom: United States of Banana and the Limits of Sovereignty | Ronald Mendoza-de Jesús
Chapter 12: The Holy Trinity: Money, Power, and Success in United States of Banana | Francisco José Ramos
Chapter 13: My Dinner with Giannina: Rolando Pérez Interviews Giannina Braschi
Contributors
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE