"Did Galileo really study gravity by dropping objects from the Leaning Tower of Pisa, as many of us learned in school? According to science historian [Alberto A.] Martínez, a rich variety of tall tales, myths, and fictitious accounts have congealed around famous scientists 'like plaster, paint, and acrylic gloss.' In a laudable effort to separate the fragments of truth from the hype surrounding a number of eureka moments in the history of science, Martínez skillfully reveals how even the best biographers and writers make plausible but incorrect connections between historical events and often rely on their imagination instead of the facts. VERDICT: Martínez’s more truthful reconstructions of these mythlike stories about Newton, Einstein, Darwin, and other scientists are only a starting point for a fascinating analysis of the historical and social factors that created these legends and keep them alive. This book should be required reading for all college science majors. The author’s meticulous and engaging use of historical evidence will also appeal to history of science enthusiasts."
—Library Journal

“Combines the best qualities of popular science writing with the thorough documentation that one would expect from a professional historian. Highly recommended.”
—ChoiceMagazine

“Martínez does four valuable things in this book: he refutes several well-established myths and misunderstandings in the history of science, he finds a common thread to many of the older myths in a hidden history of Pythagoreanism, he shows how to detect such mistakes in the work of others, and how to avoid them in one’s own work. It is at once a work of solid scholarship and an education in how to do history of science and it can be read with pleasure and excitement by anyone who cares about the place of science in the modern world.”
—Jeremy Gray, The Open University