Duke University Press, 2017 eISBN: 978-0-8223-7329-2 | Cloth: 978-0-8223-6312-5 | Paper: 978-0-8223-6326-2 Library of Congress Classification P92.J3M44 2017
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally.
Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
AUTHOR BIOGRAPHY
Marc Steinberg is Associate Professor of Film Studies at Concordia University and the author of Anime’s Media Mix: Franchising Toys and Characters in Japan.
Alexander Zahlten is Associate Professor of East Asian Languages and Civilizations at Harvard University.
REVIEWS
“Marc Steinberg and Alexander Zahlten cleverly edited this collection of essays, and it will likely become an important reference for critical re-examination of media studies in Japan and for reconsidering this field in the West, which means a reconstruction of the field of media studies.”
-- Shin Mizukoshi Designing Media Ecology
“A groundbreaking collection. . . . The diverse range of rigorous and engaging essays make the collection as a whole essential reading for an extensive range of audiences in media studies, Japan studies, and humanities-based area studies more broadly.”
-- Franz Prichard Pacific Affairs
“This groundbreaking collection is a welcome contribution to recent writing that focuses on Japan not only as an object of study but as a location of theory. Media Theory in Japan is a valuable start to necessary cultural commutation, a kind of atlas of thinking on media in Japan that only makes me wish for more pages.”
-- Michael Raine Critical Inquiry
"The question of how to recognize the complexity of new media at the scale which it intervenes in our collective consciousness and everyday life is one that Media Theory in Japan leaves its readers to grapple with on their own. . . . What this provocative set of essays ultimately points toward is a future media studies, both in and of Japan, where theory and method effectively collaborate in the construction of its evolving tower of babel."
-- Hoyt Long Journal of Japanese Studies
TABLE OF CONTENTS
Acknowledgments ix Preface / Akira Mizuta Lippit xi Introduction / Marc Steinberg and Alexander Zahlten 1 Part I. Communication Technologies 1. From Film to Television: Early Theories of Television in Japan / Aaron Gerow 33 2. Architecture as Atmospheric Media: Tange Lab and Cybernetics / Yuriko Furuhata 52 3. The Media Theory and Media Strategy of Azuma Hiroki, 1997-2003 / Takeshi Kadobayashi 80 4. The InterCommunication Project: Theorizing Media in Japan's Last Decades / Marilyn Ivy 101 Part II. Practical Theory 5. McLuhan as Prescription Drug: Actionable Theory and Advertising Industries / Marc Steinberg 131 6. The Culture Industries and Media Theory in Japan / Miryam Sas 151 7. Girlscape: The Marketing of Mediatic Ambience in Japan / Tomiko Yoda 173 8. 1980s "Nyū Aca": (Non)Media Theory as Romantic Performance / Alexander Zahlten 200 9. Critical Media Imagination: Nancy Seki's TV Criticism and the Media Space of the 1980s and 1990s / Ryoki Misono 221 10. At the Source (Code): Obscenity and Modularity in Rokudenashiko's Media Activism / Anne McKnight 250 Part III. Mediation and Media Theory 11. An Assault on "Meaning": On Nakai Masakazu's Concept of "Mediation" / Akihiro Kitada 285 12. Much Ado about "Nothing": The Kyōto School as "Media Philosophy" / Fabian Schäfer 305 13. Kobayashi Hideo and the Question of Media / Keisuke Kitano 328 14. Media, Mediation, and Crisis: A History—and the Case for Media Studies as (Postcultural) Anthropology / Tom Looser 347 Afterword. The Disjunctive Kernel of Japanese Media Theory / Mark N. B. Hansen 368 Bibliography 389 Contributors 413 Index 417
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Duke University Press, 2017 eISBN: 978-0-8223-7329-2 Cloth: 978-0-8223-6312-5 Paper: 978-0-8223-6326-2
Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally.
Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
AUTHOR BIOGRAPHY
Marc Steinberg is Associate Professor of Film Studies at Concordia University and the author of Anime’s Media Mix: Franchising Toys and Characters in Japan.
Alexander Zahlten is Associate Professor of East Asian Languages and Civilizations at Harvard University.
REVIEWS
“Marc Steinberg and Alexander Zahlten cleverly edited this collection of essays, and it will likely become an important reference for critical re-examination of media studies in Japan and for reconsidering this field in the West, which means a reconstruction of the field of media studies.”
-- Shin Mizukoshi Designing Media Ecology
“A groundbreaking collection. . . . The diverse range of rigorous and engaging essays make the collection as a whole essential reading for an extensive range of audiences in media studies, Japan studies, and humanities-based area studies more broadly.”
-- Franz Prichard Pacific Affairs
“This groundbreaking collection is a welcome contribution to recent writing that focuses on Japan not only as an object of study but as a location of theory. Media Theory in Japan is a valuable start to necessary cultural commutation, a kind of atlas of thinking on media in Japan that only makes me wish for more pages.”
-- Michael Raine Critical Inquiry
"The question of how to recognize the complexity of new media at the scale which it intervenes in our collective consciousness and everyday life is one that Media Theory in Japan leaves its readers to grapple with on their own. . . . What this provocative set of essays ultimately points toward is a future media studies, both in and of Japan, where theory and method effectively collaborate in the construction of its evolving tower of babel."
-- Hoyt Long Journal of Japanese Studies
TABLE OF CONTENTS
Acknowledgments ix Preface / Akira Mizuta Lippit xi Introduction / Marc Steinberg and Alexander Zahlten 1 Part I. Communication Technologies 1. From Film to Television: Early Theories of Television in Japan / Aaron Gerow 33 2. Architecture as Atmospheric Media: Tange Lab and Cybernetics / Yuriko Furuhata 52 3. The Media Theory and Media Strategy of Azuma Hiroki, 1997-2003 / Takeshi Kadobayashi 80 4. The InterCommunication Project: Theorizing Media in Japan's Last Decades / Marilyn Ivy 101 Part II. Practical Theory 5. McLuhan as Prescription Drug: Actionable Theory and Advertising Industries / Marc Steinberg 131 6. The Culture Industries and Media Theory in Japan / Miryam Sas 151 7. Girlscape: The Marketing of Mediatic Ambience in Japan / Tomiko Yoda 173 8. 1980s "Nyū Aca": (Non)Media Theory as Romantic Performance / Alexander Zahlten 200 9. Critical Media Imagination: Nancy Seki's TV Criticism and the Media Space of the 1980s and 1990s / Ryoki Misono 221 10. At the Source (Code): Obscenity and Modularity in Rokudenashiko's Media Activism / Anne McKnight 250 Part III. Mediation and Media Theory 11. An Assault on "Meaning": On Nakai Masakazu's Concept of "Mediation" / Akihiro Kitada 285 12. Much Ado about "Nothing": The Kyōto School as "Media Philosophy" / Fabian Schäfer 305 13. Kobayashi Hideo and the Question of Media / Keisuke Kitano 328 14. Media, Mediation, and Crisis: A History—and the Case for Media Studies as (Postcultural) Anthropology / Tom Looser 347 Afterword. The Disjunctive Kernel of Japanese Media Theory / Mark N. B. Hansen 368 Bibliography 389 Contributors 413 Index 417
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE