Wandering: Philosophical Performances of Racial and Sexual Freedom
by Sarah Jane Cervenak
Duke University Press, 2014 eISBN: 978-0-8223-7634-7 | Paper: 978-0-8223-5727-8 | Cloth: 978-0-8223-5715-5 Library of Congress Classification HT1523.C47 2014
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Combining black feminist theory, philosophy, and performance studies, Sarah Jane Cervenak ruminates on the significance of physical and mental roaming for black freedom. She is particularly interested in the power of wandering or daydreaming for those whose mobility has been under severe constraint, from the slave era to the present. Since the Enlightenment, wandering has been considered dangerous and even criminal when associated with people of color. Cervenak engages artist-philosophers who focus on wayward movement and daydreaming, or mental travel, that transcend state-imposed limitations on physical, geographic movement. From Sojourner Truth's spiritual and physical roaming to the rambling protagonist of Gayl Jones's novel Mosquito, Cervenak highlights modes of wandering that subvert Enlightenment-based protocols of rationality, composure, and upstanding comportment. Turning to the artists Pope.L (William Pope.L), Adrian Piper, and Carrie Mae Weems, Cervenak argues that their work produces an otherworldly movement, an errant kinesis that exceeds locomotive constraints, resisting the straightening-out processes of post-Enlightenment, white-supremacist, capitalist, sexist, and heteronormative modernity. Their roaming animates another terrain, one where free, black movement is not necessarily connected to that which can be seen, touched, known, and materially valued.
AUTHOR BIOGRAPHY
Sarah Jane Cervenak is Assistant Professor of Women's and Gender Studies and African American Studies at the University of North Carolina, Greensboro.
REVIEWS
“Cervenak's Wandering questions the very essence of wandering instead of simply adding a new magnitude to it.”
-- Miha Bookslut
“'Wandering,' in Sarah Jane Cervenak’s ambitious new book, is both an invitation and a warning…. Read alongside three contemporary performance and visual artists whom Cervenak considers in the conclusion, all of these philosophers offer models to exist, dream, imagine, move, and live in a world intent on constraining and restraining black freedom in all its varied forms.”
-- Alice Pederson Journal of American History
“This concise and insightful book was written from the perspective of performance studies, but as an interdisciplinary exercise it has much to offer historians who confront absence and contradictions in their research on slavery and race…. Cervenak strikes an effective balance as she lucidly examines black authors’ work even as she honors what they do not say or show as an act of resistance.”
-- Rachel Hooper Journal of Southern History
"[I]t became increasingly clear that even if Cervenak's text does not have musical references as works cited, this does not mean that the text does not swing, as sponsored by a summer breeze. Therefore, fully aware of the forthcoming holiday season, perhaps what the text encourages you, its muse, to do, albeit (a)religiously, is to wonder as you wander . . ."
-- I. Augustus Durham New Black Man (in Exile)
"A valuable contribution to studies of mobility, Wandering is particularly well-suited for readers interested in black feminist theory, philosophy, performance studies, and intellectual history."
-- Michael Ra-shon Hall Transfers
"Cervenak’s scholarship is an important contribution to performance theory in its unwavering focus on the idea that mental, spiritual, and kinesthetic wandering for black bodies are resistant acts, which, visible or invisible, prove dangerous and pleasurable in complex ways, yet always propel black bodies toward freedom."
-- Kristyl Dawn Tift Theatre Journal
"Cervenak’s attention to that which can neither be known nor discredited but is perhaps implied and discerned—the meandering, otherworldly thoughts of freedom produced by black subjects—is intriguing and important."
-- Jennifer DeVere Brody Signs
"Intellectually ambitious and beautifully written, Sarah Jane Cervenak’s Wandering is a timely contribution to interdisciplinary scholarship on the opaque powers of Black expressive culture."
-- Erin Gray GLQ
TABLE OF CONTENTS
Acknowledgments ix
Introduction 1
1. Losing Their Heads: Race, Sexuality, and the Perverse Moves of the European Enlightenment 24
2. Crooked Ways and Weak Pens: The Enactment of Enlightenment against Slavery 59
3. Writing under a Spell: Adrienne Kennedy's Theater 95
4. "I Am an African American Novel": Wandering as Noncompliance in Gayl Jones's Mosquito 122
Conclusion. "Before I Was Straightened Out" 145
Notes 173
Bibliography 197
Index 209
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Wandering: Philosophical Performances of Racial and Sexual Freedom
by Sarah Jane Cervenak
Duke University Press, 2014 eISBN: 978-0-8223-7634-7 Paper: 978-0-8223-5727-8 Cloth: 978-0-8223-5715-5
Combining black feminist theory, philosophy, and performance studies, Sarah Jane Cervenak ruminates on the significance of physical and mental roaming for black freedom. She is particularly interested in the power of wandering or daydreaming for those whose mobility has been under severe constraint, from the slave era to the present. Since the Enlightenment, wandering has been considered dangerous and even criminal when associated with people of color. Cervenak engages artist-philosophers who focus on wayward movement and daydreaming, or mental travel, that transcend state-imposed limitations on physical, geographic movement. From Sojourner Truth's spiritual and physical roaming to the rambling protagonist of Gayl Jones's novel Mosquito, Cervenak highlights modes of wandering that subvert Enlightenment-based protocols of rationality, composure, and upstanding comportment. Turning to the artists Pope.L (William Pope.L), Adrian Piper, and Carrie Mae Weems, Cervenak argues that their work produces an otherworldly movement, an errant kinesis that exceeds locomotive constraints, resisting the straightening-out processes of post-Enlightenment, white-supremacist, capitalist, sexist, and heteronormative modernity. Their roaming animates another terrain, one where free, black movement is not necessarily connected to that which can be seen, touched, known, and materially valued.
AUTHOR BIOGRAPHY
Sarah Jane Cervenak is Assistant Professor of Women's and Gender Studies and African American Studies at the University of North Carolina, Greensboro.
REVIEWS
“Cervenak's Wandering questions the very essence of wandering instead of simply adding a new magnitude to it.”
-- Miha Bookslut
“'Wandering,' in Sarah Jane Cervenak’s ambitious new book, is both an invitation and a warning…. Read alongside three contemporary performance and visual artists whom Cervenak considers in the conclusion, all of these philosophers offer models to exist, dream, imagine, move, and live in a world intent on constraining and restraining black freedom in all its varied forms.”
-- Alice Pederson Journal of American History
“This concise and insightful book was written from the perspective of performance studies, but as an interdisciplinary exercise it has much to offer historians who confront absence and contradictions in their research on slavery and race…. Cervenak strikes an effective balance as she lucidly examines black authors’ work even as she honors what they do not say or show as an act of resistance.”
-- Rachel Hooper Journal of Southern History
"[I]t became increasingly clear that even if Cervenak's text does not have musical references as works cited, this does not mean that the text does not swing, as sponsored by a summer breeze. Therefore, fully aware of the forthcoming holiday season, perhaps what the text encourages you, its muse, to do, albeit (a)religiously, is to wonder as you wander . . ."
-- I. Augustus Durham New Black Man (in Exile)
"A valuable contribution to studies of mobility, Wandering is particularly well-suited for readers interested in black feminist theory, philosophy, performance studies, and intellectual history."
-- Michael Ra-shon Hall Transfers
"Cervenak’s scholarship is an important contribution to performance theory in its unwavering focus on the idea that mental, spiritual, and kinesthetic wandering for black bodies are resistant acts, which, visible or invisible, prove dangerous and pleasurable in complex ways, yet always propel black bodies toward freedom."
-- Kristyl Dawn Tift Theatre Journal
"Cervenak’s attention to that which can neither be known nor discredited but is perhaps implied and discerned—the meandering, otherworldly thoughts of freedom produced by black subjects—is intriguing and important."
-- Jennifer DeVere Brody Signs
"Intellectually ambitious and beautifully written, Sarah Jane Cervenak’s Wandering is a timely contribution to interdisciplinary scholarship on the opaque powers of Black expressive culture."
-- Erin Gray GLQ
TABLE OF CONTENTS
Acknowledgments ix
Introduction 1
1. Losing Their Heads: Race, Sexuality, and the Perverse Moves of the European Enlightenment 24
2. Crooked Ways and Weak Pens: The Enactment of Enlightenment against Slavery 59
3. Writing under a Spell: Adrienne Kennedy's Theater 95
4. "I Am an African American Novel": Wandering as Noncompliance in Gayl Jones's Mosquito 122
Conclusion. "Before I Was Straightened Out" 145
Notes 173
Bibliography 197
Index 209
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE