Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice
edited by Marilyn G. Miller
Duke University Press, 2014 Paper: 978-0-8223-5566-3 | eISBN: 978-0-8223-7723-8 | Cloth: 978-0-8223-5549-6 Library of Congress Classification GV1796.T3T3369 2013 Dewey Decimal Classification 793.33
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries.
Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
AUTHOR BIOGRAPHY
Marilyn G. Miller is Associate Professor of Spanish and Portuguese at Tulane University. She is the author of Rise and Fall of the Cosmic Race: The Cult of Mestizaje in Latin America.
REVIEWS
"Tango is unique in Argentine history. More than a national music and dance, it has been considered the defining icon of Buenos Aires and of Argentina's vibrant cultural history. Yet, despite its notoriety, scholarship on tango, especially in English, is surprisingly scant. Tango Lessons makes an important contribution by bringing together in one volume profoundly original essays investigating tango as a multifaceted cultural form."—Florencia Garramuño, author of Primitive Modernities: Tango, Samba, and Nation
"Until now, scholars have known little about the social, cultural, and economic aspects of contemporary tango. This collection brings tango scholarship up to date. Deeply involved in the contemporary tango scene, contributors convey a broad and timely appreciation of tango as a dance, a musical genre, a type of lyrical song, a historical archive, and a cultural form that is alive and evolving."—Arlene Dávila, author of Culture Works: Space, Value, and Mobility across the Neoliberal Americas
“This is a book to read carefully and to savor for each essay's distinctive take on the contemporary tango…. It is impossible in a brief review to do justice to such a varied collection of essays… [T]his is a solid and diverse collection, and the detailed and highly informative footnotes further embellish the essays. Even those readers who are well versed in tango history will learn a great deal from Tango Lessons.”
-- Deborah Jakubs Hispanic American Historical Review
"[T]he volume is to be commended for its consistent quality of prose and strength of analysis across contributions, especially given the international makeup and disciplinary diversity of the authors. The range of topics, methods, disciplinary perspectives, and regional voices provides a rich tapestry of content that in the hands of a lesser editor might suffer from a lack of coherence or conformity."
-- Joanna Bosse Ethnomusicology
TABLE OF CONTENTS
Acknowledgments
Introduction / Marilyn G. Miller
1. Lunfardo in Tango: A Way of Speaking that Defines a Way of Being / Oscar Conde
2. Borges, Tango, and Milonga / Alejandro Susti
3. Picturing Tango / Marilyn G. Miller
4. Tango, Politics, and the Musical of Exile / Antonio Gómez
5. The Return of the Tango in Documentary Film / Fernando Rosenberg
6. "Manejame como un auto": Drive Me Like a Car, or What's So New about Tango Nuevo? / Carolyn Merritt
7. Contemporary Tango and the Cultural Politics of Música Popula / Morgan James Luker
8. Gotan Project's Tango Project / Esteban Buch
Contributors and Translators
Glossary
Notes
Works Cited
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice
edited by Marilyn G. Miller
Duke University Press, 2014 Paper: 978-0-8223-5566-3 eISBN: 978-0-8223-7723-8 Cloth: 978-0-8223-5549-6
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries.
Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
AUTHOR BIOGRAPHY
Marilyn G. Miller is Associate Professor of Spanish and Portuguese at Tulane University. She is the author of Rise and Fall of the Cosmic Race: The Cult of Mestizaje in Latin America.
REVIEWS
"Tango is unique in Argentine history. More than a national music and dance, it has been considered the defining icon of Buenos Aires and of Argentina's vibrant cultural history. Yet, despite its notoriety, scholarship on tango, especially in English, is surprisingly scant. Tango Lessons makes an important contribution by bringing together in one volume profoundly original essays investigating tango as a multifaceted cultural form."—Florencia Garramuño, author of Primitive Modernities: Tango, Samba, and Nation
"Until now, scholars have known little about the social, cultural, and economic aspects of contemporary tango. This collection brings tango scholarship up to date. Deeply involved in the contemporary tango scene, contributors convey a broad and timely appreciation of tango as a dance, a musical genre, a type of lyrical song, a historical archive, and a cultural form that is alive and evolving."—Arlene Dávila, author of Culture Works: Space, Value, and Mobility across the Neoliberal Americas
“This is a book to read carefully and to savor for each essay's distinctive take on the contemporary tango…. It is impossible in a brief review to do justice to such a varied collection of essays… [T]his is a solid and diverse collection, and the detailed and highly informative footnotes further embellish the essays. Even those readers who are well versed in tango history will learn a great deal from Tango Lessons.”
-- Deborah Jakubs Hispanic American Historical Review
"[T]he volume is to be commended for its consistent quality of prose and strength of analysis across contributions, especially given the international makeup and disciplinary diversity of the authors. The range of topics, methods, disciplinary perspectives, and regional voices provides a rich tapestry of content that in the hands of a lesser editor might suffer from a lack of coherence or conformity."
-- Joanna Bosse Ethnomusicology
TABLE OF CONTENTS
Acknowledgments
Introduction / Marilyn G. Miller
1. Lunfardo in Tango: A Way of Speaking that Defines a Way of Being / Oscar Conde
2. Borges, Tango, and Milonga / Alejandro Susti
3. Picturing Tango / Marilyn G. Miller
4. Tango, Politics, and the Musical of Exile / Antonio Gómez
5. The Return of the Tango in Documentary Film / Fernando Rosenberg
6. "Manejame como un auto": Drive Me Like a Car, or What's So New about Tango Nuevo? / Carolyn Merritt
7. Contemporary Tango and the Cultural Politics of Música Popula / Morgan James Luker
8. Gotan Project's Tango Project / Esteban Buch
Contributors and Translators
Glossary
Notes
Works Cited
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE