The Culture of Cursilería: Bad Taste, Kitsch, and Class in Modern Spain
by Noël Valis
Duke University Press, 2002 Cloth: 978-0-8223-3000-4 | Paper: 978-0-8223-2997-8 | eISBN: 978-0-8223-8428-1 Library of Congress Classification BH301.K5V35 2002 Dewey Decimal Classification 306.0946
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Not easily translated, the Spanish terms cursi and cursilería refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.
Valis finds evidence in literature, cultural objects, and popular customs to argue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering from nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class exaggerated their own social status in an attempt to protect their cultural capital. While the resulting manifestations of cursilería were often provincial, indeed backward, the concept was—and still is—closely associated with a sense of home. Ultimately, Valis shows how cursilería embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity. The Culture of Cursilería will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.
AUTHOR BIOGRAPHY
Noël Valis is Professor of Spanish at Yale University. Her previous books include The Decadent Vision in Leopoldo Alas and The Novels of Jacinto Octavio Picón.
REVIEWS
“Noël Valis offers brilliant, innovative insights into a cultural phenomenon that illuminates many aspects of nineteenth- and twentieth-century Spain. As perhaps one of the most distinguished cultural critics of Hispanic studies today, Valis takes an interdisciplinary approach to expose the links between text, economics, politics, and historical events.”—Harriet S. Turner, University of Nebraska
“Noël Valis's writing is powerful and insightful. Her arguments are brilliant, subtle, and carefully textured; they cleverly elucidate the duality of cursi. This is an important, imaginative, fully accomplished book that will be essential reading for anyone interested in understanding more fully the cultural and literary realities of Spain a century ago.”—David T. Gies, University of Virginia
TABLE OF CONTENTS
List of Illustrations
Acknowledgments
Introduction
1. On Origins
2. Adorning the Feminine, or the Language of Fans
3. Salon Poets, the Becquer Craze, and Romanticism
4. Textual Economies: The Embellishment of Credit
5. Fabricating History
6. The Dream of Negation
7. The Margins of Home: Modernist Cursileria
8. The Culture of Nostalgia, or the Language of Flowers
9. Coda: The Metaphor of Culture in Post-Franco Spain
Appendix
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
The Culture of Cursilería: Bad Taste, Kitsch, and Class in Modern Spain
by Noël Valis
Duke University Press, 2002 Cloth: 978-0-8223-3000-4 Paper: 978-0-8223-2997-8 eISBN: 978-0-8223-8428-1
Not easily translated, the Spanish terms cursi and cursilería refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.
Valis finds evidence in literature, cultural objects, and popular customs to argue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering from nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class exaggerated their own social status in an attempt to protect their cultural capital. While the resulting manifestations of cursilería were often provincial, indeed backward, the concept was—and still is—closely associated with a sense of home. Ultimately, Valis shows how cursilería embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity. The Culture of Cursilería will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.
AUTHOR BIOGRAPHY
Noël Valis is Professor of Spanish at Yale University. Her previous books include The Decadent Vision in Leopoldo Alas and The Novels of Jacinto Octavio Picón.
REVIEWS
“Noël Valis offers brilliant, innovative insights into a cultural phenomenon that illuminates many aspects of nineteenth- and twentieth-century Spain. As perhaps one of the most distinguished cultural critics of Hispanic studies today, Valis takes an interdisciplinary approach to expose the links between text, economics, politics, and historical events.”—Harriet S. Turner, University of Nebraska
“Noël Valis's writing is powerful and insightful. Her arguments are brilliant, subtle, and carefully textured; they cleverly elucidate the duality of cursi. This is an important, imaginative, fully accomplished book that will be essential reading for anyone interested in understanding more fully the cultural and literary realities of Spain a century ago.”—David T. Gies, University of Virginia
TABLE OF CONTENTS
List of Illustrations
Acknowledgments
Introduction
1. On Origins
2. Adorning the Feminine, or the Language of Fans
3. Salon Poets, the Becquer Craze, and Romanticism
4. Textual Economies: The Embellishment of Credit
5. Fabricating History
6. The Dream of Negation
7. The Margins of Home: Modernist Cursileria
8. The Culture of Nostalgia, or the Language of Flowers
9. Coda: The Metaphor of Culture in Post-Franco Spain
Appendix
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE