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The Moxon Tennyson: A Landmark in Victorian Illustration

by Simon Cooke

Ohio University Press, 2021
Cloth: 978-0-8214-2426-1 | eISBN: 978-0-8214-4697-3
Library of Congress Classification PR5588.C66 2021
Dewey Decimal Classification 821.8

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC

ABOUT THIS BOOK

A new perspective on a book that transformed Victorian illustration into a stand-alone art.

Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.

AUTHOR BIOGRAPHY

Simon Cooke is the editor for book illustration and design on Victorian Web. He is the author of Illustrated Periodicals of the 1860s and coeditor of two collections of essays. He has published on Victorian book art, Gothic, Sensationalism, and the Pre-Raphaelites.

REVIEWS

“Well-researched and highly readable, Cooke’s richly illustrated book harmonizes two schools of illustration, deftly examines image and word, and skillfully reads the conventional and innovative aspects of Tennyson’s poetry, making a significant contribution to the growing field of illustration studies.”—Catherine J. Golden, author of Serials to Graphic Novels: The Evolution of the Victorian Illustrated Book

“Lavishly illustrated, The Moxon Tennyson by Simon Cooke makes important contributions to studies of Tennyson, print culture, and Victorian visuality. Cooke challenges prior scholarship’s focus on Tennyson’s Pre-Raphaelite illustrators, instead including all Tennyson’s illustrators in his illuminating, interactive assessment of poetry, printing, and Victorian art in this 1857 publishing landmark.”—Linda K. Hughes, coeditor of Replication in the Long Nineteenth Century: Re-makings and Reproductions

“Simon Cooke focuses his very considerable erudition concerning Victorian illustration in this new book-length study of the Moxon Tennyson of 1857. Eschewing traditional interpretations of the Moxon Tennyson as a landmark of Pre-Raphaelite illustration, Cooke argues for a shared idiom among the eight artist collaborators. The five chapters of the book provide lenses for refractions of this argument, culminating in Cooke’s claim that the Moxon Tennyson was a ‘workshop of new creative attitudes for book illustration’ and a turning point in the history of illustration itself. Throughout this study, Cooke’s deep knowledge of book production and illustrative techniques shines, as does his clearly written prose. Lavishly illustrated, this edition generously reproduces many of the illustrations that underpin Cooke’s detailed argument.”—Lisa Surridge, University of Victoria

TABLE OF CONTENTS

Contents

Illustrations

Acknowledgments

Introduction

1: The Making of the Book

2: Painting, Time, Light, Landscape

3: Englishness, the Modern, Copying from Nature

4: Psychology, Dreaming, Medievalism

5: Relationships, Gender, Androgyny

6: Reception, Influence, Afterlife

Appendix 1

Appendix 2

Notes

Bibliography

Index

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