edited by Felicitas Becker, Joel Cabrita and Marie Rodet
Ohio University Press, 2018 Cloth: 978-0-8214-2303-5 | eISBN: 978-0-8214-4624-9 Library of Congress Classification BV652.97.A35R45 2017 Dewey Decimal Classification 261.52096
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas—Christianity and Islam, digital media and “old” media—have been studied separately.
Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondences among different media and between the two faiths. In the process they challenge the technological determinism—the notion that certain types of media generate particular forms of religious expression—that haunts many studies. In evaluating how media usage and religious commitment intersect in the social, cultural, and political landscapes of modern Africa, this collection will contribute to the development of new paradigms for media and religious studies.
Contributors: Heike Behrend, Andre Chappatte, Maria Frahm-Arp, David Gordon, Liz Gunner, Bruce S. Hall, Sean Hanretta, Jorg Haustein, Katrien Pype, and Asonzeh Ukah.
AUTHOR BIOGRAPHY
Felicitas Becker is professor of African history at Ghent University, and a specialist in the history of Islam in East Africa. She is the author of Becoming Muslim in Mainland Tanzania and coeditor of AIDS and religious practice in Africa. Her current work focuses on Islamic preaching, the rhetoric of development and aetiologies of poverty in East Africa.
Joel Cabrita is Susan Ford Dorsey Director of the Center for African Studies and an associate professor of African history at Stanford University and a senior research associate in the Department of Historical Studies at the University of Johannesburg. Her work focuses on religion, gender, and the politics of knowledge production in Africa and globally. She is the author of Text and Authority in the South African Nazaretha Church and The People’s Zion: Southern Africa, the United States, and a Transatlantic Faith-Healing Movement.
Marie Rodet is a senior lecturer in the history of Africa at SOAS. Her research interests lie in the field of modern migration history, gender studies and the history of slavery in francophone West Africa. She is the author of Les migrantes ignorées du Haut-Sénégal, 1900–1946 and coeditor of Children on the Move in Africa: Past and Present Experiences of Migration.
REVIEWS
“This highly original volume offers new pathways for the study of religion and media in Africa and beyond. Understood as means for connecting people, media are carefully situated in specific social configurations. Spanning from the colonial times to our current age, the ten chapters open up new vistas into people’s use of media—from paper forms to Facebook—in negotiating, producing, or mitigating marginality. The introduction masterfully situates the contributions in current debates on the role of old and new media in the constitution of publics and the relation between religion and secularization in Africa.”—Birgit Meyer, author of Sensational Movies: Video, Vision, and Christianity in Ghana
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Religion, Media, and Marginality in Modern Africa
1: Formal Care: Islam and Bureaucratic Paperwork in the Gold Coast/Ghana
2: Provincializing Representation: East African Islam in the German Colonial Press
3: A Tin-Trunk Bible: The Written Word of an Oral Church
4: Photography as Unveiling: Muslim Discourses and Practices on the Kenyan Coast
5: Vernacular Media, Muslim Ethics, and “Conservative” Critiques of Power in the Niger Bend, Mali
6: “The Angel of the Sabbath Is the Greatest Angel of All”: Media and the Struggle for Power and Purity in the Shembe Church, 2006–12
7: Charisma as Spectacle: Photographs and the Construction of a Pentecostal Urban Piety in Nigeria
8: Nzete Ekauka versus the Catholic Church: Religious Competition, Media Ban, and the Virgin Mary in Contemporary Kinshasa
9: Exploring Youth, Media Practices, and Religious Allegiances in Contemporary Mali through the Controversy over the Zikiri
10: Pentecostal Charismatic Christianity and Social Media in South Africa: Mitigating Marginality, Prosperity Teachings, and the Emergence of a Black Middle Class
edited by Felicitas Becker, Joel Cabrita and Marie Rodet
Ohio University Press, 2018 Cloth: 978-0-8214-2303-5 eISBN: 978-0-8214-4624-9
In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas—Christianity and Islam, digital media and “old” media—have been studied separately.
Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondences among different media and between the two faiths. In the process they challenge the technological determinism—the notion that certain types of media generate particular forms of religious expression—that haunts many studies. In evaluating how media usage and religious commitment intersect in the social, cultural, and political landscapes of modern Africa, this collection will contribute to the development of new paradigms for media and religious studies.
Contributors: Heike Behrend, Andre Chappatte, Maria Frahm-Arp, David Gordon, Liz Gunner, Bruce S. Hall, Sean Hanretta, Jorg Haustein, Katrien Pype, and Asonzeh Ukah.
AUTHOR BIOGRAPHY
Felicitas Becker is professor of African history at Ghent University, and a specialist in the history of Islam in East Africa. She is the author of Becoming Muslim in Mainland Tanzania and coeditor of AIDS and religious practice in Africa. Her current work focuses on Islamic preaching, the rhetoric of development and aetiologies of poverty in East Africa.
Joel Cabrita is Susan Ford Dorsey Director of the Center for African Studies and an associate professor of African history at Stanford University and a senior research associate in the Department of Historical Studies at the University of Johannesburg. Her work focuses on religion, gender, and the politics of knowledge production in Africa and globally. She is the author of Text and Authority in the South African Nazaretha Church and The People’s Zion: Southern Africa, the United States, and a Transatlantic Faith-Healing Movement.
Marie Rodet is a senior lecturer in the history of Africa at SOAS. Her research interests lie in the field of modern migration history, gender studies and the history of slavery in francophone West Africa. She is the author of Les migrantes ignorées du Haut-Sénégal, 1900–1946 and coeditor of Children on the Move in Africa: Past and Present Experiences of Migration.
REVIEWS
“This highly original volume offers new pathways for the study of religion and media in Africa and beyond. Understood as means for connecting people, media are carefully situated in specific social configurations. Spanning from the colonial times to our current age, the ten chapters open up new vistas into people’s use of media—from paper forms to Facebook—in negotiating, producing, or mitigating marginality. The introduction masterfully situates the contributions in current debates on the role of old and new media in the constitution of publics and the relation between religion and secularization in Africa.”—Birgit Meyer, author of Sensational Movies: Video, Vision, and Christianity in Ghana
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction: Religion, Media, and Marginality in Modern Africa
1: Formal Care: Islam and Bureaucratic Paperwork in the Gold Coast/Ghana
2: Provincializing Representation: East African Islam in the German Colonial Press
3: A Tin-Trunk Bible: The Written Word of an Oral Church
4: Photography as Unveiling: Muslim Discourses and Practices on the Kenyan Coast
5: Vernacular Media, Muslim Ethics, and “Conservative” Critiques of Power in the Niger Bend, Mali
6: “The Angel of the Sabbath Is the Greatest Angel of All”: Media and the Struggle for Power and Purity in the Shembe Church, 2006–12
7: Charisma as Spectacle: Photographs and the Construction of a Pentecostal Urban Piety in Nigeria
8: Nzete Ekauka versus the Catholic Church: Religious Competition, Media Ban, and the Virgin Mary in Contemporary Kinshasa
9: Exploring Youth, Media Practices, and Religious Allegiances in Contemporary Mali through the Controversy over the Zikiri
10: Pentecostal Charismatic Christianity and Social Media in South Africa: Mitigating Marginality, Prosperity Teachings, and the Emergence of a Black Middle Class
Bibliography
Contributors
Index
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC