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Frances Newman: Southern Satirist and Literary Rebel
University of Alabama Press, 1998 eISBN: 978-0-8173-8661-0 | Cloth: 978-0-8173-0902-2 | Paper: 978-0-8173-5739-9 Library of Congress Classification PS3527.E883Z95 1998 Dewey Decimal Classification 813.52
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
This first biographical and literary assessment of Frances Newman highlights one of the most experimental writers of the Southern Renaissance Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as “the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman.” Cabell and H. L. Mencken became Newman’s literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern women’s fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities. Barbara Wade explores Newman’s place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newman’s personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing. See other books on: Feminism and literature | Feminist | Patriarchy in literature | Satire, American | Sex role in literature See other titles from University of Alabama Press |
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Nearby on shelf for American literature / Individual authors / 1900-1960:
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Frances Newman: Southern Satirist and Literary Rebel
Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as “the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman.” Cabell and H. L. Mencken became Newman’s literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern women’s fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities.
Barbara Wade explores Newman’s place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newman’s personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
University of Alabama Press, 1998
eISBN: 978-0-8173-8661-0
Cloth: 978-0-8173-0902-2
Paper: 978-0-8173-5739-9
eISBN: 978-0-8173-8661-0
Cloth: 978-0-8173-0902-2
Paper: 978-0-8173-5739-9
This first biographical and literary assessment of Frances Newman highlights one of the most experimental writers of the Southern Renaissance
Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as “the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman.” Cabell and H. L. Mencken became Newman’s literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern women’s fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities.
Barbara Wade explores Newman’s place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newman’s personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
