The Freedom Quilting Bee: Folk Art and the Civil Rights Movement
by Nancy Callahan
University of Alabama Press, 2005 Paper: 978-0-8173-5247-9 | Cloth: 978-0-8173-0310-5 | eISBN: 978-0-8173-8856-0 Library of Congress Classification NK9112.C34 1987 Dewey Decimal Classification 976.03800496073
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
The original book on the renowned Freedom quilters of Gee's Bend
In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.
AUTHOR BIOGRAPHY
Nancy Callahan (1946–2020) was a journalist, cultural historian, and mental health counselor living in Tuscaloosa, Alabama. She is the author of Hurricane Creek: Personal Accounts and Collected Lore.
REVIEWS
"The author expertly weaves the history, the hardships of poor blacks in a downtrodden racist society and the economics of the long struggle to become self-sufficient. Callahan proves she can handle a complex, multi-charactered, significant piece of Southern history." —Atlanta Constitution
“This book is one that should be read by anyone interested in African American culture, women’s culture, handicrafts, or history. . . . [The Freedom Quilting Bee] is so well-written and so interesting, it will spark the reader's interest from the outset.” —Mid-America Folklore
— -
"The Freedom Quilting Bee is a modern success story—this book is about people cooperating, about women who work hard to make their dreams come true. It is a story about poverty, civil rights, folk art and crafts in rural America, about caring humans who became involved to help one another. The Freedom Quilting Bee touches many disciplines, but most of all, it gives us insight into the human heart."
—Alabama Review
— -
TABLE OF CONTENTS
Contents
List of Plates/Maps
Preface
The Freedom Quilting Bee
1.
From Civil Rights to Patchwork Quilts
2.
Quilt Auctions in New York City
3.
Gee's Bend: The Culture that Shaped the Quilting Bee
4.
The Quilting Bee Obtains Professional Help
5.
Freedom Sparks the “Patchwork Look”
6.
The Quilting Bee Goes Commercial
7.
A Factory Comes to the Cornfield
8.
Church Groups Aid the Quilting Bee
9.
Freedom's Bread and Butter: The Sears Contract
10.
Freedom Leads the Co-op Movement
The Women of the Freedom Quilting Bee
Minder Pettway Coleman
Aolar Carson Mosely
Mattie Clark Ross
Mary Boykin Robinson
China Grove Myles
Lucy Marie Mingo
Nettie Pettway Young
Polly Mooney Bennett
Mama Willie Abrams
Estelle Abrams Witherspoon
Epilogue
Index
Color Plates
1.
Star of Bethlehem, circa 1968
2.
Crazy Quilt, 1967
3.
(eight-pointed star pattern), 1967
4.
Chestnut Bud, 1966
5.
“The Largest Quilt in the World,” 1969
6.
Coat of Many Colors, 1981
7.
(broken star pattern), circa 1970
8.
China Grove Myles and Pine Burr, 1976
Maps
Wilcox, Lowndes, and Dallas counties in the Alabama Black Belt
The Freedom Quilting Bee: Folk Art and the Civil Rights Movement
by Nancy Callahan
University of Alabama Press, 2005 Paper: 978-0-8173-5247-9 Cloth: 978-0-8173-0310-5 eISBN: 978-0-8173-8856-0
The original book on the renowned Freedom quilters of Gee's Bend
In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.
AUTHOR BIOGRAPHY
Nancy Callahan (1946–2020) was a journalist, cultural historian, and mental health counselor living in Tuscaloosa, Alabama. She is the author of Hurricane Creek: Personal Accounts and Collected Lore.
REVIEWS
"The author expertly weaves the history, the hardships of poor blacks in a downtrodden racist society and the economics of the long struggle to become self-sufficient. Callahan proves she can handle a complex, multi-charactered, significant piece of Southern history." —Atlanta Constitution
“This book is one that should be read by anyone interested in African American culture, women’s culture, handicrafts, or history. . . . [The Freedom Quilting Bee] is so well-written and so interesting, it will spark the reader's interest from the outset.” —Mid-America Folklore
— -
"The Freedom Quilting Bee is a modern success story—this book is about people cooperating, about women who work hard to make their dreams come true. It is a story about poverty, civil rights, folk art and crafts in rural America, about caring humans who became involved to help one another. The Freedom Quilting Bee touches many disciplines, but most of all, it gives us insight into the human heart."
—Alabama Review
— -
TABLE OF CONTENTS
Contents
List of Plates/Maps
Preface
The Freedom Quilting Bee
1.
From Civil Rights to Patchwork Quilts
2.
Quilt Auctions in New York City
3.
Gee's Bend: The Culture that Shaped the Quilting Bee
4.
The Quilting Bee Obtains Professional Help
5.
Freedom Sparks the “Patchwork Look”
6.
The Quilting Bee Goes Commercial
7.
A Factory Comes to the Cornfield
8.
Church Groups Aid the Quilting Bee
9.
Freedom's Bread and Butter: The Sears Contract
10.
Freedom Leads the Co-op Movement
The Women of the Freedom Quilting Bee
Minder Pettway Coleman
Aolar Carson Mosely
Mattie Clark Ross
Mary Boykin Robinson
China Grove Myles
Lucy Marie Mingo
Nettie Pettway Young
Polly Mooney Bennett
Mama Willie Abrams
Estelle Abrams Witherspoon
Epilogue
Index
Color Plates
1.
Star of Bethlehem, circa 1968
2.
Crazy Quilt, 1967
3.
(eight-pointed star pattern), 1967
4.
Chestnut Bud, 1966
5.
“The Largest Quilt in the World,” 1969
6.
Coat of Many Colors, 1981
7.
(broken star pattern), circa 1970
8.
China Grove Myles and Pine Burr, 1976
Maps
Wilcox, Lowndes, and Dallas counties in the Alabama Black Belt
Gee's Bend and environs along the Alabama River
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC