University of Alabama Press, 2011 eISBN: 978-0-8173-8544-6 | Cloth: 978-0-8173-1734-8 Library of Congress Classification GN407.4.M35 2011 Dewey Decimal Classification 306.349
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Issues of ecology—both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues—have long been of interest to literary critics and have given rise over the last two decades to the now-firmly established field of ecocriticism. At the same time, a new group of ecology advocates has emerged since the 1960s: contemporary agrarian writers such as Wendell Berry, Wes Jackson, and Gene Logsdon draw their basic premises from the Nashville Agrarians of the 1920s and 1930s, and focus strictly on the actual intersections of land and people, striving to enact a healthy coexistence between the two. For agrarians, theory and academic philosophizing often seem inconsequential and even counterproductive.
In Grounded Vision, William Major puts contemporary agrarian thinking into a conciliatory and productive dialogue with academic criticism. He argues that the lack of participation in academic discussions means a loss to both agrarians and academics, since agrarian thought can enrich other ongoing discussions on topics such as ecocriticism, postmodernism, feminism, work studies, and politics—especially in light of the recent upsurge in grassroots cultural and environmental activities critical of modernity, such as the sustainable agriculture and slow food movements.
Major also focuses on agrarianism itself—the valuable relationship it advocates between workers and the land they work, the politics involved in maintaining healthy communities, and the impact of contemporary agrarian writers on the world today. Major thus shows contemporary agrarianism to be a successful instigator of the same social examination for which much academic criticism strives. Major illuminates the ways in which agrarianism’s wide scope and often-unyielding demands are founded in, and work toward, a deep respect and understanding of the connections between the health of the land and its peoples, communities, and economies, and he argues that it raises questions about work, leisure, consumerism, and science to such a degree that it leaves little doubt how fundamental agriculture is to culture.
AUTHOR BIOGRAPHY
William H. Major is an associate professor of English at Hillyer College, University of Hartfold.
REVIEWS
"In this dense yet provocative work, Major (Hillyer College, Univ. of Hartford) explores the place of new agrarianism among other, more established critical points of view within the academy. In doing so, he attempts to bring form and identity to new agrarian thought. After closely describing its formative antecedents, Major discusses both the differences and common ground between agrarianism and postmodern thought, ecocriticism, and ecofeminism. In subsequent chapters on work and pleasure and on resistance, which draw from such agrarian figures as Wendell Berry and Lawrence Buell, Major articulates in a kinetic way local connectedness and work consciousness reminiscent of the stark concrete tone of Howard Kohn's The Last Farmer (1988). Consistent with an agrarian ethic, part of Major's approach is conciliatory, noting, for example, a shared understanding of contemporary culture with postmodernism, and an implied alliance with ecofeminism's complaint against society's imperialistic attempts at the domination of nature. While the dynamics between Major's formulation of new agrarianism and other critical constructs often present contrasts, his refreshing personal postscript greatly strengthens his view of new agrarianism as a substantive approach to critical thought. Summing Up: Recommended. Upper-division undergraduates through professionals."
—CHOICE
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“I find this to be an authoritative and up-to-date discussion of an important new direction in environmental studies. Engaging deeply with writers and theorists from Wendell Berry to Paul B. Thompson and Brian Donahue, William Major has produced a book that contributes thoughtfully to the current interest in (and concern about) agrarian and agricultural issues in American society.”—Scott Slovic, author of Seeking Awareness in American Nature Writing: Henry Thoreau, Annie Dillard, Edward Abbey, Wendell Berry, Barry Lopez and Going Away to Think: Engagement, Retreat, and Ecocritical Responsibility
“With Grounded Vision, William H. Major puts [Wendell] Berry’s ideas (and those of fellow New Agrarians like Wes Jackson and Gene Logsdon) into dialogue with various critical traditions in the humanities. At the same time, Major considers the question of why academia has been slow to embrace new agrarianism, even as so many other-isms have come and gone like the seasons. . . . Major’s analysis of Berry’s writings in Grounded Vision is patient and meticulous. . . . Major acknowledges in his preface to Grounded Vision that most New Agrarians frankly have little patience for high-flown academic discourse. But, after all, it is a theory of land management that says fields should be planted from fencerow to fencerow, and a theory of economics that says exporting to a world market counts for more than feeding one’s family. Major understands that theory matters for rural America, now more than ever. To theorize is to clarify how we want to structure the ways we eat and live.”—Daily Yonder
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TABLE OF CONTENTS
Contents
Preface
Acknowledgments
Introduction: Agriculture, New Agrarianism, and the Academy
1. New Agrarianism: Retrospect and Prospects
2. A Theory of Use: Ecocriticism and the New Agrarian Vision
3. New Agrarianism and Postmodernism: A Rural Perspective
4. “What Are People For?” New Agrarianism, Work, and Pleasure
5. A Theory of Resistance: Community in Agrarian Politics
6. Reconciliation: New Agrarianism and Ecofeminism
University of Alabama Press, 2011 eISBN: 978-0-8173-8544-6 Cloth: 978-0-8173-1734-8
Issues of ecology—both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues—have long been of interest to literary critics and have given rise over the last two decades to the now-firmly established field of ecocriticism. At the same time, a new group of ecology advocates has emerged since the 1960s: contemporary agrarian writers such as Wendell Berry, Wes Jackson, and Gene Logsdon draw their basic premises from the Nashville Agrarians of the 1920s and 1930s, and focus strictly on the actual intersections of land and people, striving to enact a healthy coexistence between the two. For agrarians, theory and academic philosophizing often seem inconsequential and even counterproductive.
In Grounded Vision, William Major puts contemporary agrarian thinking into a conciliatory and productive dialogue with academic criticism. He argues that the lack of participation in academic discussions means a loss to both agrarians and academics, since agrarian thought can enrich other ongoing discussions on topics such as ecocriticism, postmodernism, feminism, work studies, and politics—especially in light of the recent upsurge in grassroots cultural and environmental activities critical of modernity, such as the sustainable agriculture and slow food movements.
Major also focuses on agrarianism itself—the valuable relationship it advocates between workers and the land they work, the politics involved in maintaining healthy communities, and the impact of contemporary agrarian writers on the world today. Major thus shows contemporary agrarianism to be a successful instigator of the same social examination for which much academic criticism strives. Major illuminates the ways in which agrarianism’s wide scope and often-unyielding demands are founded in, and work toward, a deep respect and understanding of the connections between the health of the land and its peoples, communities, and economies, and he argues that it raises questions about work, leisure, consumerism, and science to such a degree that it leaves little doubt how fundamental agriculture is to culture.
AUTHOR BIOGRAPHY
William H. Major is an associate professor of English at Hillyer College, University of Hartfold.
REVIEWS
"In this dense yet provocative work, Major (Hillyer College, Univ. of Hartford) explores the place of new agrarianism among other, more established critical points of view within the academy. In doing so, he attempts to bring form and identity to new agrarian thought. After closely describing its formative antecedents, Major discusses both the differences and common ground between agrarianism and postmodern thought, ecocriticism, and ecofeminism. In subsequent chapters on work and pleasure and on resistance, which draw from such agrarian figures as Wendell Berry and Lawrence Buell, Major articulates in a kinetic way local connectedness and work consciousness reminiscent of the stark concrete tone of Howard Kohn's The Last Farmer (1988). Consistent with an agrarian ethic, part of Major's approach is conciliatory, noting, for example, a shared understanding of contemporary culture with postmodernism, and an implied alliance with ecofeminism's complaint against society's imperialistic attempts at the domination of nature. While the dynamics between Major's formulation of new agrarianism and other critical constructs often present contrasts, his refreshing personal postscript greatly strengthens his view of new agrarianism as a substantive approach to critical thought. Summing Up: Recommended. Upper-division undergraduates through professionals."
—CHOICE
— -
“I find this to be an authoritative and up-to-date discussion of an important new direction in environmental studies. Engaging deeply with writers and theorists from Wendell Berry to Paul B. Thompson and Brian Donahue, William Major has produced a book that contributes thoughtfully to the current interest in (and concern about) agrarian and agricultural issues in American society.”—Scott Slovic, author of Seeking Awareness in American Nature Writing: Henry Thoreau, Annie Dillard, Edward Abbey, Wendell Berry, Barry Lopez and Going Away to Think: Engagement, Retreat, and Ecocritical Responsibility
“With Grounded Vision, William H. Major puts [Wendell] Berry’s ideas (and those of fellow New Agrarians like Wes Jackson and Gene Logsdon) into dialogue with various critical traditions in the humanities. At the same time, Major considers the question of why academia has been slow to embrace new agrarianism, even as so many other-isms have come and gone like the seasons. . . . Major’s analysis of Berry’s writings in Grounded Vision is patient and meticulous. . . . Major acknowledges in his preface to Grounded Vision that most New Agrarians frankly have little patience for high-flown academic discourse. But, after all, it is a theory of land management that says fields should be planted from fencerow to fencerow, and a theory of economics that says exporting to a world market counts for more than feeding one’s family. Major understands that theory matters for rural America, now more than ever. To theorize is to clarify how we want to structure the ways we eat and live.”—Daily Yonder
— -
TABLE OF CONTENTS
Contents
Preface
Acknowledgments
Introduction: Agriculture, New Agrarianism, and the Academy
1. New Agrarianism: Retrospect and Prospects
2. A Theory of Use: Ecocriticism and the New Agrarian Vision
3. New Agrarianism and Postmodernism: A Rural Perspective
4. “What Are People For?” New Agrarianism, Work, and Pleasure
5. A Theory of Resistance: Community in Agrarian Politics
6. Reconciliation: New Agrarianism and Ecofeminism
Conclusion: Toward a Cosmopolitanism Agrarianism?
Afterword: How I Became an Agrarian
Notes
Works Cited
Index
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC