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Film Nation: Hollywood Looks at U.S. History, Revised Edition
University of Minnesota Press, 2010 Cloth: 978-0-8166-4291-5 | Paper: 978-0-8166-4292-2 Library of Congress Classification PN1995.9.H5B87 2010 Dewey Decimal Classification 791.43658
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country’s origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups. In this revised and expanded edition of Film Nation, Robert Burgoyne analyzes films that give shape to the counternarrative that has emerged since 9/11—one that challenges the traditional myths of the American nation-state. The films examined here, Burgoyne argues, reveal the hidden underlayers of nation, from the first interaction between Europeans and Native Americans (The New World), to the clash of ethnic groups in nineteenth-century New York (Gangs of New York), to the haunting persistence of war in the national imagination (Flags of Our Fathers and Letters from Iwo Jima) and the impact of the events of 9/11 on American identity (United 93 and World Trade Center). Film Nation provides innovative readings of attempts by such directors as Martin Scorsese, Clint Eastwood, and Oliver Stone to visualize historical events that have acquired a mythical aura in order to open up the past to the contemporary moment. See other books on: 21st Century | Historical films | In motion pictures | Motion pictures and history | Revised Edition See other titles from University of Minnesota Press |
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Nearby on shelf for Literature (General) / Drama / Motion pictures:
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Film Nation: Hollywood Looks at U.S. History, Revised Edition
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
University of Minnesota Press, 2010
Cloth: 978-0-8166-4291-5
Paper: 978-0-8166-4292-2
Cloth: 978-0-8166-4291-5
Paper: 978-0-8166-4292-2
Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country’s origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups.
In this revised and expanded edition of Film Nation, Robert Burgoyne analyzes films that give shape to the counternarrative that has emerged since 9/11—one that challenges the traditional myths of the American nation-state. The films examined here, Burgoyne argues, reveal the hidden underlayers of nation, from the first interaction between Europeans and Native Americans (The New World), to the clash of ethnic groups in nineteenth-century New York (Gangs of New York), to the haunting persistence of war in the national imagination (Flags of Our Fathers and Letters from Iwo Jima) and the impact of the events of 9/11 on American identity (United 93 and World Trade Center).
Film Nation provides innovative readings of attempts by such directors as Martin Scorsese, Clint Eastwood, and Oliver Stone to visualize historical events that have acquired a mythical aura in order to open up the past to the contemporary moment.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
