Rethinking Global Security: Media, Popular Culture, and the "War on Terror"
edited by Andrew Martin and Patrice Petro by Mike Allen, Robert Ricigliano, Doug Davis, Lisa Parks, Doug Davis, Lisa Parks, Wendy Kozol, Marcus Bullock, James Castonguay, Mary Layoun, Rebecca Decola, Patricia Mellencamp and Tony Grajeda
Rutgers University Press, 2006 Paper: 978-0-8135-3830-3 | eISBN: 978-0-8135-3949-2 | Cloth: 978-0-8135-3829-7 Library of Congress Classification JZ5588.R48 2006 Dewey Decimal Classification 973.931
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
Analysts today routinely look toward the media and popular culture as a way of understanding global security. Although only a decade ago, such a focus would have seemed out of place, the proliferation of digital technologies in the twenty-first century has transformed our knowledge of near and distant events so that it has become impossible to separate the politics of war, suffering, terrorism, and security from the practices and processes of the media.
This book brings together ten path-breaking essays that explore the ways our notions of fear, insecurity, and danger are fostered by intermediary sources such as television, radio, film, satellite imaging, and the Internet. The contributors, from a wide range of disciplines, show how both fictional and fact-based threats to global security have helped to create and sustain a culture that is deeply distrustful. Topics range from the Patriot Act, to the censorship of media personalities, to the role that television programming plays as an interpretative frame for current events.
Designed to promote strategic thinking about the relationships between media, popular culture, and global security, this book is essential reading for scholars of international relations, technology, and media studies.
AUTHOR BIOGRAPHY
Andrew Martin is an associate professor and chair of the English department at the University of Wisconsin, Milwaukee. Patrice Petro is a professor and director of the Center for International Education at the University of Wisconsin, Milwaukee.
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction
Patrice Petro and Andrew Martin
Future-War Storytelling: National Security and Popular Film
Doug Davis
Visions of Security: Impermeable Borders, Impassable Walls, Impossible Home/Lands?
Mary N. Layoun
The Origins of the Danger Market
Marcus Bullock
Cold War, Redux
Robert Ricigliano and Mike Allen
Popular Culture and Narratives of Insecurity
Andrew Martin
Fearful Thoughts: U.S. Television Post 9/11 and the Wars in Iraq
Patricia Mellencamp
Planet Patrol: Satellite Imaging, Acts of Knowledge, and Global Security
Lisa Parks
Intermedia and the "War on Terror"
James Castonguay
Remapping the Visual War on Terrorism: Citizenship and its Transnational Others
Wendy Kozol and Rebecca DeCola
Picturing Torture: Gulf Wars Past and Present
Tony Grajeda
Notes on Contributors
Index
Rethinking Global Security: Media, Popular Culture, and the "War on Terror"
edited by Andrew Martin and Patrice Petro by Mike Allen, Robert Ricigliano, Doug Davis, Lisa Parks, Doug Davis, Lisa Parks, Wendy Kozol, Marcus Bullock, James Castonguay, Mary Layoun, Rebecca Decola, Patricia Mellencamp and Tony Grajeda
Rutgers University Press, 2006 Paper: 978-0-8135-3830-3 eISBN: 978-0-8135-3949-2 Cloth: 978-0-8135-3829-7
Analysts today routinely look toward the media and popular culture as a way of understanding global security. Although only a decade ago, such a focus would have seemed out of place, the proliferation of digital technologies in the twenty-first century has transformed our knowledge of near and distant events so that it has become impossible to separate the politics of war, suffering, terrorism, and security from the practices and processes of the media.
This book brings together ten path-breaking essays that explore the ways our notions of fear, insecurity, and danger are fostered by intermediary sources such as television, radio, film, satellite imaging, and the Internet. The contributors, from a wide range of disciplines, show how both fictional and fact-based threats to global security have helped to create and sustain a culture that is deeply distrustful. Topics range from the Patriot Act, to the censorship of media personalities, to the role that television programming plays as an interpretative frame for current events.
Designed to promote strategic thinking about the relationships between media, popular culture, and global security, this book is essential reading for scholars of international relations, technology, and media studies.
AUTHOR BIOGRAPHY
Andrew Martin is an associate professor and chair of the English department at the University of Wisconsin, Milwaukee. Patrice Petro is a professor and director of the Center for International Education at the University of Wisconsin, Milwaukee.
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction
Patrice Petro and Andrew Martin
Future-War Storytelling: National Security and Popular Film
Doug Davis
Visions of Security: Impermeable Borders, Impassable Walls, Impossible Home/Lands?
Mary N. Layoun
The Origins of the Danger Market
Marcus Bullock
Cold War, Redux
Robert Ricigliano and Mike Allen
Popular Culture and Narratives of Insecurity
Andrew Martin
Fearful Thoughts: U.S. Television Post 9/11 and the Wars in Iraq
Patricia Mellencamp
Planet Patrol: Satellite Imaging, Acts of Knowledge, and Global Security
Lisa Parks
Intermedia and the "War on Terror"
James Castonguay
Remapping the Visual War on Terrorism: Citizenship and its Transnational Others
Wendy Kozol and Rebecca DeCola
Picturing Torture: Gulf Wars Past and Present
Tony Grajeda
Notes on Contributors
Index