edited by Tasha G. Oren and Patrice Petro contributions by Sandra Braman, Brian Larkin, Annabelle Sreberny, Anne Ciecko, Timothy Taylor, Anna Everett, Lenny Foner, Toby Miller, Peter Sands, Steve Jones, Jerome Bourdon and Susan Ohmer
Rutgers University Press, 2004 eISBN: 978-0-8135-7911-5 | Cloth: 978-0-8135-3479-4 Library of Congress Classification P96.T42G58 2004 Dewey Decimal Classification 302.23
ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences.
Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced—it is just as likely that the receiving culture will change the media.
Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of “global music,” “click politics” and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and “squatting” in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies.
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction
Tasha Oren and Patrice Petro
I
Institutions - Nationalism, Transnationalism, Globalization
Crypto Regs: Fear, Greed, and the Destruction of the Digital Commons
Lenny Foner
What We Should Do and What We Should Forget in Media Studies; or, My TV A-Z
Toby Miller
Hybridity
Peter Sands
@henryparkesmotel.com
Steve Jones
Is Television a Global Medium? A Historical View
J,r"me Bourdon
The Land Grab for Bandwidth: Digital Conversion in an Era of Consolidation
Susan Ohmer
Posthuman Law: Information Policy and the Machinic World
Sandra Braman
II
Circulation - Cultures, Strategies, Appropriations
Piracy, Infrastructure, and the Rise of a Nigerian Video Industry
Brian Larkin
Unsuitable Coverage: The Media, the Veil, and Regimes of Representation
Annabelle Sreberny
Muscle, Market Value, Telegenesis, Cyperpresence: The New Asian Movie Star in the Global Economy of Masculine Images
Anne Ciecko
The Revolution Will Be Digitized: The African Diaspora Speaks in Digital Tongues
Anna Everett
Some Versions of Difference: Discourses of Hybridity in Transnational Musics
Timothy D. Taylor
Alternate Arrangement for Global Currents
Notes on Contributors
Index
Library of Congress Subject Headings for this publication: Mass media and technology, Communication, International, Globalization
edited by Tasha G. Oren and Patrice Petro contributions by Sandra Braman, Brian Larkin, Annabelle Sreberny, Anne Ciecko, Timothy Taylor, Anna Everett, Lenny Foner, Toby Miller, Peter Sands, Steve Jones, Jerome Bourdon and Susan Ohmer
Rutgers University Press, 2004 eISBN: 978-0-8135-7911-5 Cloth: 978-0-8135-3479-4
Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences.
Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced—it is just as likely that the receiving culture will change the media.
Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of “global music,” “click politics” and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and “squatting” in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies.
TABLE OF CONTENTS
Contents
Acknowledgments
Introduction
Tasha Oren and Patrice Petro
I
Institutions - Nationalism, Transnationalism, Globalization
Crypto Regs: Fear, Greed, and the Destruction of the Digital Commons
Lenny Foner
What We Should Do and What We Should Forget in Media Studies; or, My TV A-Z
Toby Miller
Hybridity
Peter Sands
@henryparkesmotel.com
Steve Jones
Is Television a Global Medium? A Historical View
J,r"me Bourdon
The Land Grab for Bandwidth: Digital Conversion in an Era of Consolidation
Susan Ohmer
Posthuman Law: Information Policy and the Machinic World
Sandra Braman
II
Circulation - Cultures, Strategies, Appropriations
Piracy, Infrastructure, and the Rise of a Nigerian Video Industry
Brian Larkin
Unsuitable Coverage: The Media, the Veil, and Regimes of Representation
Annabelle Sreberny
Muscle, Market Value, Telegenesis, Cyperpresence: The New Asian Movie Star in the Global Economy of Masculine Images
Anne Ciecko
The Revolution Will Be Digitized: The African Diaspora Speaks in Digital Tongues
Anna Everett
Some Versions of Difference: Discourses of Hybridity in Transnational Musics
Timothy D. Taylor
Alternate Arrangement for Global Currents
Notes on Contributors
Index
Library of Congress Subject Headings for this publication: Mass media and technology, Communication, International, Globalization