Rutgers University Press, 2004 Paper: 978-0-8135-3467-1 | eISBN: 978-0-8135-8267-2 | Cloth: 978-0-8135-3466-4 Library of Congress Classification HD2339.U6H37 2004 Dewey Decimal Classification 331.25
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Arguing that the sweatshop is as American as apple pie, Laura Hapke surveys over a century and a half of the language, verbal and pictorial, in which the sweatshop has been imagined and its stories told. Not seeking a formal definition of the sort that policymakers are concerned with, nor intending to provide a strict historical chronology, this unique book shows, rather, how the “real” sweatshop has become intertwined with the “invented” sweatshop of our national imagination, and how this mixture of rhetoric and myth has endowed American sweatshops with rich and complex cultural meaning.
Hapke uncovers a wide variety of tales and images that writers, artists, social scientists, reformers, and workers themselves have told about “the shop.” Adding an important perspective to historical and economic approaches, Sweatshop draws on sources from antebellum journalism, Progressive era surveys, modern movies, and anti-sweatshop websites. Illustrated chapters detail how the shop has been a facilitator of assimilation, a promoter of upward mobility, the epitome of exploitation, a site of ethnic memory, a venue for political protest, and an expression of twentieth-century managerial narratives.
An important contribution to the real and imagined history of garment industry exploitation, this book provides a valuable new context for understanding contemporary sweatshops that now represent the worst expression of an unregulated global economy.
AUTHOR BIOGRAPHY
Laura Hapke has taught working-class studies and labor literature at Pace University, Queens College, and Hunter College. Recipient of two Choice Outstanding Academic Book awards, her most recent book is Labor's Text: The Worker in American Fiction.
REVIEWS
"Anyone interested in discovering why the sweatshop is still with us and why it still holds an important place in our nation's discourse will do well to read this book."
— Richard A. Greenwald, Coeditor of Sweatshop USA: The American Sweatshop in Global and Historical Perspective
TABLE OF CONTENTS
Contents
Acknowledgments
Chapter One Narrating the Shop
Part One The Sweatshop Surveyed
Chapter Two A Shop Is Not a Home: Dirt, Ethnicity, and the Sweatshop
Chapter Three Surviving Sites: Sweatshops in the Progressive Era and Beyond
Part Two Sweatshop Aesthetics
Chapter Four Newsreel of Memory: The WPA Sweatshop in the Great Depression
Chapter Five The Sweatshop Returns: Post-Industrial Art
Part Three Spinning the Shop
Chapter Six Spinning the New Shop: El Monte and the Smithsonian Furor
Chapter Seven Nike's Sweatshop Quandary and the Industrial Sublime
Chapter Eight Watching Out for the Shop
Notes
Selected Bibliography
Index
Library of Congress Subject Headings for this publication: Sweatshops United States History
Rutgers University Press, 2004 Paper: 978-0-8135-3467-1 eISBN: 978-0-8135-8267-2 Cloth: 978-0-8135-3466-4
Arguing that the sweatshop is as American as apple pie, Laura Hapke surveys over a century and a half of the language, verbal and pictorial, in which the sweatshop has been imagined and its stories told. Not seeking a formal definition of the sort that policymakers are concerned with, nor intending to provide a strict historical chronology, this unique book shows, rather, how the “real” sweatshop has become intertwined with the “invented” sweatshop of our national imagination, and how this mixture of rhetoric and myth has endowed American sweatshops with rich and complex cultural meaning.
Hapke uncovers a wide variety of tales and images that writers, artists, social scientists, reformers, and workers themselves have told about “the shop.” Adding an important perspective to historical and economic approaches, Sweatshop draws on sources from antebellum journalism, Progressive era surveys, modern movies, and anti-sweatshop websites. Illustrated chapters detail how the shop has been a facilitator of assimilation, a promoter of upward mobility, the epitome of exploitation, a site of ethnic memory, a venue for political protest, and an expression of twentieth-century managerial narratives.
An important contribution to the real and imagined history of garment industry exploitation, this book provides a valuable new context for understanding contemporary sweatshops that now represent the worst expression of an unregulated global economy.
AUTHOR BIOGRAPHY
Laura Hapke has taught working-class studies and labor literature at Pace University, Queens College, and Hunter College. Recipient of two Choice Outstanding Academic Book awards, her most recent book is Labor's Text: The Worker in American Fiction.
REVIEWS
"Anyone interested in discovering why the sweatshop is still with us and why it still holds an important place in our nation's discourse will do well to read this book."
— Richard A. Greenwald, Coeditor of Sweatshop USA: The American Sweatshop in Global and Historical Perspective
TABLE OF CONTENTS
Contents
Acknowledgments
Chapter One Narrating the Shop
Part One The Sweatshop Surveyed
Chapter Two A Shop Is Not a Home: Dirt, Ethnicity, and the Sweatshop
Chapter Three Surviving Sites: Sweatshops in the Progressive Era and Beyond
Part Two Sweatshop Aesthetics
Chapter Four Newsreel of Memory: The WPA Sweatshop in the Great Depression
Chapter Five The Sweatshop Returns: Post-Industrial Art
Part Three Spinning the Shop
Chapter Six Spinning the New Shop: El Monte and the Smithsonian Furor
Chapter Seven Nike's Sweatshop Quandary and the Industrial Sublime
Chapter Eight Watching Out for the Shop
Notes
Selected Bibliography
Index
Library of Congress Subject Headings for this publication: Sweatshops United States History
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC